Quando seu filho é capturado, um peixe-palhaço tímido embarca em uma viagem para trazê-lo para casa.Quando seu filho é capturado, um peixe-palhaço tímido embarca em uma viagem para trazê-lo para casa.Quando seu filho é capturado, um peixe-palhaço tímido embarca em uma viagem para trazê-lo para casa.
- Direção
- Roteiristas
- Artistas
- Ganhou 1 Oscar
- 49 vitórias e 63 indicações no total
Albert Brooks
- Marlin
- (narração)
Ellen DeGeneres
- Dory
- (narração)
Alexander Gould
- Nemo
- (narração)
Willem Dafoe
- Gill
- (narração)
Brad Garrett
- Bloat
- (narração)
Allison Janney
- Peach
- (narração)
Austin Pendleton
- Gurgle
- (narração)
Stephen Root
- Bubbles
- (narração)
Vicki Lewis
- Deb
- (narração)
- …
Geoffrey Rush
- Nigel
- (narração)
Andrew Stanton
- Crush
- (narração)
Elizabeth Perkins
- Coral
- (narração)
Nicholas Bird
- Squirt
- (narração)
Bob Peterson
- Mr. Ray
- (narração)
Barry Humphries
- Bruce
- (narração)
Bruce Spence
- Chum
- (narração)
Resumo
Reviewers say 'Finding Nemo' is acclaimed for its breathtaking animation and vibrant underwater world. The story of a father's journey to find his son resonates deeply, emphasizing themes of family, friendship, and perseverance. Humor, especially through characters like Dory, adds a delightful layer. The film's emotional depth and memorable music enhance its appeal. While some find it formulaic, 'Finding Nemo' remains a beloved classic with universal charm.
Avaliações em destaque
Pixar Animation Studios has a very good knack for making thoughtful, intelligent and humorous family films (note that I didn't say kid films). "Toy Story" 1 & 2 and "Monsters, Inc." are some of my favorite family films; "Finding Nemo" isn't one of my favorites, but it isn't disappointing like "A Bug's Life," and it is thoughtful, intelligent, humorous and incredibly watchable, just like the other Pixar films.
As always, Pixar takes a world of something and completely builds their story around it. In "Toy Story" they gave life to toys and created the world through their eyes. In "Monsters, Inc.," they showed us the monster world. In my review on "A Bug's Life," I said that the reason the film didn't work very much is because it was about bugs, and not about something mystical like toys or monsters that bring back childhood memories. Well, I guess I was sorta wrong, because "Finding Nemo" is all about fish, nothing too mystical about fish, and I still loved it.
This tale takes place underwater with the fish Marlin (voiced by Albert Brooks), whose spouse and baby fish eggs get eaten by a vicious shark in the beginning. All but one egg which Marlin names Nemo.
Years later Nemo (voiced by Alexander Gould, Elliot's son?) is a bit older, and heading off to fish school for the first time. But haunted by the fact that his spouse and offspring were all killed years ago, Marlin is extremely over-protective of his one remaining family member. Nemo, sick of being treated like a baby, proves how brave he is by swimming near a fishing boat, only to be captured by a scuba-diving dentist. And so Marlin heads off to find Nemo, with the help of his newfound companion Dory (voice of Ellen DeGeneres), who has short-term memory loss and forgets things sooner than she can carry whatever she is doing out. (Like when she is showing Marlin the way towards a fishing boat and suddenly forgets why Marlin is following her.)
Pixar doesn't let down the audience on this film. There are a few things that one can always expect from Pixar films: They can expect something (such as toys) to be given their own world. They can expect that world to be given careful attention to detail. And they can expect humor.
"Finding Nemo" gives fish their own world, and the underwater realm they live in is paid careful attention, painstakingly captured on film with computer graphics. And the humor is always there. All the characters are funny. I especially like the sequences from the inside of a fish tank in the dentist's office, with a bunch of fish including Gill (Willem Dafoe's vocal talents), who constantly tries to escape. By doing so, Gill has suffered major injuries, including landing on the dentist's tools and getting sliced up. This is, of course, a parody of escaping POWs. The fact that Willem Dafoe was in the great war movie "Platoon" might have something to do with that.
This is taken from my "Monsters, Inc." review: "Pixar once again not only expands our mind, but our very worlds. I respect their company and commitment values very much, as you can read in my 'Toy Story' review. They stick to the values that made Disney films so family-friendly back in the fifties and sixties: Respect for the audience, respect for quality, and respect for the audience's INTELLIGENCE, something Disney, who has recently coughed up a bunch of lousy, thoughtless sequels, has forgotten. Now, I know that LEGALLY Disney is co-creator of 'Toy Story' and 'Monsters, Inc.,' but they really are not. They just give Pixar the money and get their name branded on the front box of the film. And even then, I have heard multiple claims that Disney is very mean-spirited towards Pixar (read into sequel trouble for 'Toy Story 3') and gives them the bare minimum.
With "Finding Nemo," I still stick towards what I said. Pixar Animation Studios is probably the best family film company out there right now, I really hope they separate from Disney some day and form their own production company. They know what interests both kids and adults, and it's almost creepy how they can make their films so engaging and fun to watch. This is one to take the kids to, and afterwards, maybe even sneak back into again by yourself.
As always, Pixar takes a world of something and completely builds their story around it. In "Toy Story" they gave life to toys and created the world through their eyes. In "Monsters, Inc.," they showed us the monster world. In my review on "A Bug's Life," I said that the reason the film didn't work very much is because it was about bugs, and not about something mystical like toys or monsters that bring back childhood memories. Well, I guess I was sorta wrong, because "Finding Nemo" is all about fish, nothing too mystical about fish, and I still loved it.
This tale takes place underwater with the fish Marlin (voiced by Albert Brooks), whose spouse and baby fish eggs get eaten by a vicious shark in the beginning. All but one egg which Marlin names Nemo.
Years later Nemo (voiced by Alexander Gould, Elliot's son?) is a bit older, and heading off to fish school for the first time. But haunted by the fact that his spouse and offspring were all killed years ago, Marlin is extremely over-protective of his one remaining family member. Nemo, sick of being treated like a baby, proves how brave he is by swimming near a fishing boat, only to be captured by a scuba-diving dentist. And so Marlin heads off to find Nemo, with the help of his newfound companion Dory (voice of Ellen DeGeneres), who has short-term memory loss and forgets things sooner than she can carry whatever she is doing out. (Like when she is showing Marlin the way towards a fishing boat and suddenly forgets why Marlin is following her.)
Pixar doesn't let down the audience on this film. There are a few things that one can always expect from Pixar films: They can expect something (such as toys) to be given their own world. They can expect that world to be given careful attention to detail. And they can expect humor.
"Finding Nemo" gives fish their own world, and the underwater realm they live in is paid careful attention, painstakingly captured on film with computer graphics. And the humor is always there. All the characters are funny. I especially like the sequences from the inside of a fish tank in the dentist's office, with a bunch of fish including Gill (Willem Dafoe's vocal talents), who constantly tries to escape. By doing so, Gill has suffered major injuries, including landing on the dentist's tools and getting sliced up. This is, of course, a parody of escaping POWs. The fact that Willem Dafoe was in the great war movie "Platoon" might have something to do with that.
This is taken from my "Monsters, Inc." review: "Pixar once again not only expands our mind, but our very worlds. I respect their company and commitment values very much, as you can read in my 'Toy Story' review. They stick to the values that made Disney films so family-friendly back in the fifties and sixties: Respect for the audience, respect for quality, and respect for the audience's INTELLIGENCE, something Disney, who has recently coughed up a bunch of lousy, thoughtless sequels, has forgotten. Now, I know that LEGALLY Disney is co-creator of 'Toy Story' and 'Monsters, Inc.,' but they really are not. They just give Pixar the money and get their name branded on the front box of the film. And even then, I have heard multiple claims that Disney is very mean-spirited towards Pixar (read into sequel trouble for 'Toy Story 3') and gives them the bare minimum.
With "Finding Nemo," I still stick towards what I said. Pixar Animation Studios is probably the best family film company out there right now, I really hope they separate from Disney some day and form their own production company. They know what interests both kids and adults, and it's almost creepy how they can make their films so engaging and fun to watch. This is one to take the kids to, and afterwards, maybe even sneak back into again by yourself.
Pixar Studios have done it again. I have to say that these guys are totally good in computer animation, as well as in storytelling. Rarely do those qualities come together but here they are, delivering unto the audience once again something that one can only be drowned with wonder. Such is the marvel of Finding Nemo.
The story is about Nemo (voiced by Alexander Gould), a young clownfish who is fed up with his dad Marlin's (Albert Brooks) excessive paranoia over him. He swims to a place where his dad forbids him and ends up being captured by a scuba diver. He is then placed in a fish tank in a dental clinic somewhere along the harbors of Sydney. Thus the quest of Marlin, along with Dory (a hilarious forgetful blue tang voiced by Ellen DeGeneres) to find Nemo before it's too late.
The story is a simple one but where the film more than makes up is on the overwhelming sense of detail and rich, lavish colors and textures as if we aren't really watching an animated film at all. Scenes such as Marlin bringing Nemo to school while swimming through corals and anemones, to the aquarium where Nemo was taken to, are nothing short of breathtaking, and undoubtedbly one of the most outstanding animation ever to hit the screen.
The world of "Finding Nemo" is simply alive with lovable creatures swimming about their daily lives under the ocean, darting across the screen in playful manners. The viewer almost literally dives into another world for nearly two hours and one cannot help but be completely captivated.
The music and screenplay also blend very well with the visual feast that it produces such a high quality movie. From its basic storyline, to the father-and-son relationship theme, to the wonderful underwater world throughout, this is really an adventure through an ocean of stunning visuals and storytelling.
Grade: A
The story is about Nemo (voiced by Alexander Gould), a young clownfish who is fed up with his dad Marlin's (Albert Brooks) excessive paranoia over him. He swims to a place where his dad forbids him and ends up being captured by a scuba diver. He is then placed in a fish tank in a dental clinic somewhere along the harbors of Sydney. Thus the quest of Marlin, along with Dory (a hilarious forgetful blue tang voiced by Ellen DeGeneres) to find Nemo before it's too late.
The story is a simple one but where the film more than makes up is on the overwhelming sense of detail and rich, lavish colors and textures as if we aren't really watching an animated film at all. Scenes such as Marlin bringing Nemo to school while swimming through corals and anemones, to the aquarium where Nemo was taken to, are nothing short of breathtaking, and undoubtedbly one of the most outstanding animation ever to hit the screen.
The world of "Finding Nemo" is simply alive with lovable creatures swimming about their daily lives under the ocean, darting across the screen in playful manners. The viewer almost literally dives into another world for nearly two hours and one cannot help but be completely captivated.
The music and screenplay also blend very well with the visual feast that it produces such a high quality movie. From its basic storyline, to the father-and-son relationship theme, to the wonderful underwater world throughout, this is really an adventure through an ocean of stunning visuals and storytelling.
Grade: A
Yes you read that correctly.
Finding Nemo had brilliant, breathtaking underwater scenes that blow your mind!! Characters that you connect with, that have emotion, style and humour. The soundtrack is perfect to boot. Honestly what more could you ask for? In glorious 4K HDR with vibrant Dolby Atmos it gives this iconic classic a whole new life!!
Finding Nemo had brilliant, breathtaking underwater scenes that blow your mind!! Characters that you connect with, that have emotion, style and humour. The soundtrack is perfect to boot. Honestly what more could you ask for? In glorious 4K HDR with vibrant Dolby Atmos it gives this iconic classic a whole new life!!
Marlin, a nervous and neurotic clownfish is heavily overprotective of his son Nemo, who only wants to explore the sea in its entirety. When Nemo gets caught by a scuba diver and taken away, it is up to Marlin to swallow his own fears and find Nemo. The ensuing search and rescue organized by the him is a mass effort by swimming and flying creatures of all sizes and personalities, such as a threesome of vegetarian sharks, a fish with short term memory and an aged turtle, all helping him realise the error of his ways in restricting himself to just his home.
As charming as it is beautiful, Finding Nemo is a joy, both visually and cinematically. The characters are all so appealing and sweet that you want to hug each and every one of them, Nemo and Dory in particular. But the film transcends above just a generic animated film, for there are lessons to be learnt by it too. The film often tells a children's tale from an adult's point of view, with risky situations and emotional soul-searching putting stress on a disjointed family.
The sea is brought to us in such a memorable and unique way that there is brilliance and beauty in every frame. The animation is of all time high for Pixar, and the sound mixing and editing are also to be credited, as they capture the heart of the sea creditably. But perhaps the best thing about the film is the musical score by Thomas Newman. He creates the essence of the sea, as well as the emotions felt by the fish throughout. Note the masterwork that occurs as an upbeat, jovial number quickly escalates into something darker in a matter of minutes. In short, the music is superb.
The voice cast are capable and cannily chosen, from young Alexander Gould as the naïve Nemo, as well as Albert Brooks as the bumbling Marlin. But the star of the show is Ellen DeGeneres as Dory. As the forgetful but caring fish, she is sweet and soulful, and provides much of the comedy of the film. But the humour is also provided by the great script, which delivers a potentially dull story with wit and soul, and shies away from the sentimentality that could so easily arise of a Disney film. And the jokes, what jokes from satire, spoof and slapstick, they'll be a one-liner for everybody here.
Gorgeous to look at and utterly adorable, Finding Nemo sets the standard for how animated movies should being terms of entertainment value as well as story and themes ending with the touching, thought-provoking message of how too much protectiveness on the parent's side will repel, but, no matter how independent a child (or fish) believes themselves to be, they'll always need their parents.
As charming as it is beautiful, Finding Nemo is a joy, both visually and cinematically. The characters are all so appealing and sweet that you want to hug each and every one of them, Nemo and Dory in particular. But the film transcends above just a generic animated film, for there are lessons to be learnt by it too. The film often tells a children's tale from an adult's point of view, with risky situations and emotional soul-searching putting stress on a disjointed family.
The sea is brought to us in such a memorable and unique way that there is brilliance and beauty in every frame. The animation is of all time high for Pixar, and the sound mixing and editing are also to be credited, as they capture the heart of the sea creditably. But perhaps the best thing about the film is the musical score by Thomas Newman. He creates the essence of the sea, as well as the emotions felt by the fish throughout. Note the masterwork that occurs as an upbeat, jovial number quickly escalates into something darker in a matter of minutes. In short, the music is superb.
The voice cast are capable and cannily chosen, from young Alexander Gould as the naïve Nemo, as well as Albert Brooks as the bumbling Marlin. But the star of the show is Ellen DeGeneres as Dory. As the forgetful but caring fish, she is sweet and soulful, and provides much of the comedy of the film. But the humour is also provided by the great script, which delivers a potentially dull story with wit and soul, and shies away from the sentimentality that could so easily arise of a Disney film. And the jokes, what jokes from satire, spoof and slapstick, they'll be a one-liner for everybody here.
Gorgeous to look at and utterly adorable, Finding Nemo sets the standard for how animated movies should being terms of entertainment value as well as story and themes ending with the touching, thought-provoking message of how too much protectiveness on the parent's side will repel, but, no matter how independent a child (or fish) believes themselves to be, they'll always need their parents.
Those guys and girls at Disney/Pixar have done it again, they've created the perfect underwater world, full of fascinating Disney characters.
A truly enchanting story of a father (Marlon) who loses his son (Nemo), and with help of his new found friend (Dory) ventures out into the ocean to try to find him. On this epic voyage he gets to battle sharks, surf with some turtle dudes, dice with some jellyfish and survive an encounter in a whales stomach.
All the characters are vibrant with Disney charm, but my favourite is Dory, the comic relief, probably one of the funniest Disney characters ever written and superbly voiced by Ellen DeGeneres, pure genius.
All in all this is another success for Disney and Pixar, It brings out the child in all of us.
Solid family fun 8/10
A truly enchanting story of a father (Marlon) who loses his son (Nemo), and with help of his new found friend (Dory) ventures out into the ocean to try to find him. On this epic voyage he gets to battle sharks, surf with some turtle dudes, dice with some jellyfish and survive an encounter in a whales stomach.
All the characters are vibrant with Disney charm, but my favourite is Dory, the comic relief, probably one of the funniest Disney characters ever written and superbly voiced by Ellen DeGeneres, pure genius.
All in all this is another success for Disney and Pixar, It brings out the child in all of us.
Solid family fun 8/10
Você sabia?
- CuriosidadesAndrew Stanton pitched his idea and story to Pixar Animation Studios head John Lasseter in an hour-long session, using elaborate visual aids and character voices. At the end of it, an exhausted Stanton asked Lasseter what he thought, to which Lasseter replied, "You had me at 'fish.'"
- Erros de gravaçãoMarlin and Dory are advised to swim to the back of the whale's throat and to be blown out of the whale's blowhole. This is not physically possible as whales' mouths and digestive systems are not connected to their respiratory system and blowhole.
- Cenas durante ou pós-créditosVicki Lewis is credited as "Deb (and Flo)" which refers to the gag in the film where Deb thinks the reflection in the glass is her twin sister.
- Versões alternativasIn the 3D re-release the old Disney logo is replaced with the new Disney logo and the Pixar logo that was used in the 3D version of Up: Altas Aventuras (2009). These changes were also made in the 3D Blu-ray release (The regular Pixar logo is used in the 2012 DVD & 2D Blu-ray version).
- ConexõesEdited into The Paul Behragam Talk Show: "Balto 3" R&T Part 6 (2015)
- Trilhas sonorasThe Girl from Ipanema
Written by Antonio Carlos Jobim, Vinicius de Moraes, and Norman Gimbel
Principais escolhas
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Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- Procurando Nemo 3D
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 94.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 380.843.261
- Fim de semana de estreia nos EUA e Canadá
- US$ 70.251.710
- 1 de jun. de 2003
- Faturamento bruto mundial
- US$ 941.637.960
- Tempo de duração1 hora 40 minutos
- Cor
- Mixagem de som
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