Filme mostra os bastidores da reunião do Terceiro Reich durante a Segunda Guerra Mundial, cujas deliberações mudaram o mundo para sempre.Filme mostra os bastidores da reunião do Terceiro Reich durante a Segunda Guerra Mundial, cujas deliberações mudaram o mundo para sempre.Filme mostra os bastidores da reunião do Terceiro Reich durante a Segunda Guerra Mundial, cujas deliberações mudaram o mundo para sempre.
- Ganhou 2 Primetime Emmys
- 7 vitórias e 21 indicações no total
- Maid
- (as Claire Bullus)
- Adjutant 1
- (as Ross O'Hennessey)
Avaliações em destaque
Gen. Heidrich with consumate skill and care manipulated the gathered Nazi hierarchy to the pre-arranged and pre-destined solution to the Jewish question.
There are a number of moments of exceptional power in the movie - one is where Kritzinger realises the truth, another is where Heidrich makes it clear to Shtukhard that he will be victimised if he does not cooperate. But the best moment must be when even those in favour realise that they are not there to decide the matter but to be to lend their complicity to the pre-made decision.
The psychology of the writing is insprired. I have never been so totally captivated by the mix of acting, subject matter and drama. This is a must see.
This film is the best World War II era film i have ever seen, and one of the best movies i have seen, period. The cast is mostly unknown, but out-act any all-star cast Hollywood has ever produced. Kenneth Branaugh delivers an excellent performance as Heydrich, the head of the table at the meeting. He threatens people with a smile on his face, and barely bats an eye while speaking of killing thousands of people. Stanley Tucci is also great as the party-planner Eichmann, who set up the entire meeting, from the venue to the food to the topics. The way he counts the number of Jews that can be exterminated in a a given period of time is downright creepy. The cast also includes great turns by Colin Firth, a lawyer and professor who thinks the systematic slaughter of the Jews is bad for Germany's future, and Ian McNiece, who plays a hateful and witty official.
The dialogue is smart, funny, and chilling, and contains some jabs at all sides of the biggest war in Earth's history. This is a great movie to show in a history class, before watching a bunch of war movies, or if you just have an interest in the war. It teaches a lot more about the time than Saving Private Ryan (great movie too, but really one-sided), and features the best acting this side of the Godfather.---9/10
Thus, the purpose of the conference is not to decide on whether to murder the Jews of Europe. That decision already having been made, the conference is called so Reinhard Heydrich, as chief of the SD and second-in-command to Himmler in the SS, can ram the decision down the throat of the rest of the German government. The interesting thing is the other German leaders' reaction. Many applaud, some object to the wastage of Jews whom they consider more valuable as slaves than as corpses, some favor sterilization instead of murder, and some get physically sick. But, enthusiastically or grudgingly, they all accept.
The well-deserved demonization of Adolf Hitler has the regrettable side effect of obscuring the evil of his cronies and subordinates from anyone but historians, like a baleful sun whose light obscures the stars. Below the level of Hitler, the public's view of the German government dissolves into an amorphous mass called `Nazis,' the interchangeable automatons of the Führer. If the movie achieves nothing else, it will put Reinhard Heydrich and Adolf Eichmann on the map as villains in their own right, not mere extensions of Hitler. Kenneth Branagh's performance as Heydrich, the `Blond Beast,' is unnerving; he is the personification of that ruthless will, impervious to either reason or human feeling, which Hitler admired. This performance would be a star-making turn for a young actor; for Branagh, it is routine, maybe even a bit below average for this amazing performer.
CONSPIRACY individualizes the Nazis at the conference, and shows the different facets of evil. Tellingly, Colin Firth's Wilhelm Stuckart is one of the least repulsive characters present, even though he is the architect of the barbaric Nuremberg Laws which forced Jews out of the professions and decreed death for any Jew who should marry an Aryan. He, at least, is one of the few who has the courage to stand up to Heydrich, if only for a little while, and resist the SS thugs' insistence on mass murder. His insistence that Jews must be oppressed only according to the strict letter of the law is insane, absurd, but it is a principle, which is more than most of these people have. Klopfer, Martin Bormann's lackey, is the most disgusting man present, even if he can't match Heydrich for pure evil; not even the veneer of civilization is left on him, and he shows sadistic pleasure at the thought of murdering the Jews. Other reactions range from zealously uncritical compliance with orders, to cheerful indifference, to a sort of put-upon resentment that the work of extermination is falling on them.
But the most disturbing character is Kritzinger, secretary of the Reich chancellery, the only person present who wants not to be a murderer. He is not, as some think, the only one present who realizes that what they're doing is wrong; even Heydrich knows that, as can be seen by his careful precautions to keep the crime secret. But while the others all want to get away with what they know is wrong, Kritzinger doesn't want to do it at all. Still, after being privately browbeaten and threatened by Heydrich, he states his support for the murders. Of all those present, Kritzinger is spiritually the closest to the audience, and naturally invites the question of what we would do in his place. Could you, unarmed and alone, look right into the eyes of the Blond Beast, a man whose hands are dripping with the blood of thousands of dissenters from the Reich, and tell him, `No, I defy you,' knowing that while you are risking your own torture and death, you will probably not even save a single Jew? I wish I could just write that I don't know, but the honest thing to write is that I doubt I could do that.
Kritzinger's case is a brutal warning of the malevolent power of groupthink. Even as the killers sit at the table and exchange smiles, one senses a spiteful, hungry vigilance for the first sign of sympathy for the people they are planning to slaughter, waiting to pounce on the dissenter and rip him apart with scorn and threats.
When it comes to flaw-picking time, I can only say that the ending should have shown some of the consequences of the meeting. There should have been at least some reference to the millions of people who were killed by these men. Instead, we are treated only to the fate of the men themselves, although that is disturbing in itself when we see how many of them escaped justice at Nuremberg.
People look at the pictures from Dachau and Buchenwald, the piles of starved corpses and the lamps made of human skin, and they say, `How could they?' Watch the movie. This is how they did it: over drinks around a table.
Rating: ***½ out of ****.
Recommendation: Everyone mature enough to understand should see this movie.
This film, as so eloquently stated by previous posters, is quite simply a cautionary tale for all of humanity. I have seen the film several times on HBO, and whenever it comes on, I feel compelled to drop what I'm doing and watch, again transfixed -- at the ability of our human brains to rationalize and deny even in the face of undebatable truths.
Any honest person watching the film must ask himself -- How would I respond if I were at that table? How would I respond if I were a German citizen in the Third Reich? Americans, I believe, right now in 2005 -- should look at this film as a warning. No -- we are not fascist Nazis -- not yet. But the groundwork is there. The propaganda, the denial of the facts and the demonization of our enemies. The blind nationalism. We are at a turning point in our country -- and we would be wise to look to history as a reminder of what can happen when we as human beings let fear, ego, and the lust for power dominate over all else.
I will buy this DVD and share it with my family and friends.
As long as people believe in absurdities then they will continue to commit atrocities.
-- Bertrand Russell
This is a chilling dramatisation of the meeting that sealed the fate of millions of Jews. The story is quite simple and could be easily put on the stage - it is merely a board meeting with the focus being on the characters of those involved. The film plays as a normal board meeting - no one in the room is portrayed as monsters - in fact Heydrich is almost comic. One of the most chilling elements is that no-one in the room believes the Jews were normal people, some are horrified by the thought of killing them all on production lines but even then their alternatives never approach humane options.
This very wordy production would never have succeeded without strong actors and here it is blessed by not only famous faces but unknowns giving great performances. It is difficult at first to accept English actors playing Nazis but you soon get past it. Tucci and Branagh are both excellent and Colin Firth is the best I've seen him as Dr Stuckart from the Interior Ministry. I could literally name the whole cast as the members of the meeting are all well played.
This is not presented as a terrible moment and the men are not portrayed as Indiana Jones style evil Nazis. The facts are allowed to speak for themselves and it's all the more chilling for it. Overall this is an excellent film that benefits from great acting, a great script and great direction.
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- CuriosidadesSince detailed records of the Wannsee Conference did not survive World War II, minor details of the movie (such as the seating arrangement at the conference table, what was actually served for lunch, and who was wearing a uniform compared to who wasn't) were totally up to the guess of the producers, and not based on any historical evidence. The producers and writer did have access to more primary material than it might seem at first. During his trial in Israel, Adolf Eichmann provided many details about the subject of the movie, even down to specific conversations, the general tone of the meeting, and other details. In particular, it's worth noting that a good bit of the dialogue in the movie is lifted verbatim from relevant memos and speeches by Nazi officials that were preserved, are part of the historical record, and cited by numerous sources. Many specific locutions used by the men in the movie can be found as cited, for instance, in Gitta Sereny's book "Albert Speer: His Battle with Truth" as well as other sources. The single-page, neutered summary of the meeting that survived in the files of the German Foreign Office is far from the only primary source used by the filmmakers.
- Erros de gravaçãoAt the beginning of the film, place cards are being made using the traditional Germanic Gothic, or "Fraktur" font. Although the font was initially used by the Nazis, it was claimed in 1941 to be "Judenlettern" (Jewish letters) by Martin Bormann himself, who banned its use. The movie takes place in 1942.
- Citações
Müller: Perhaps the judge has a special love for them?
Klopfer: [mutters appreciatively] Yes, yes a special love for them... very good...
Dr. Wilhelm Stuckart: For whom? For Jews? Wonderful, you don't have my credentials. Forgive me, from your uniform I can infer that you're shallow, ignorant and naive about the Jews. Your line, what the party rants on about is how inferior they are, some-some-some sub-species, and I keep saying how wrong that is! They are sublimely clever. And they are intelligent as well. My indictments to that race are stronger and heavier because they are real, not uneducated ideology. They are arrogant and self-obsessed and calculating and reject the Christ and I will not have them pollute German blood!
General Reinhard Heydrich: [tries to calm Stuckart down] Please, Doctor...
Dr. Wilhelm Stuckart: He doesn't understand! And neither do his people. Deal with the reality of the Jew and the world will applaud us. Treat them as imaginary phantoms, evil in human fantasies, and the world would have justified contempt for us! To kill them casually without regard for the law martyrs them, which will be their victory! Sterilization recognizes them as a part of our species but prevents them from being a part of our race. They'll disappear soon enough. And we will have acted in defense of our race and of our species and by the law! This fellow mentioned the law for the protection of German blood, *I wrote that law*! When you have my credentials then we'll talk about who loves the Jews and who hates them. Pigs don't know how to hate. I know, too, that when it comes to the half-mixed, that to kill them abandons that half of their blood which is German.
Klopfer: I'll remember you.
Dr. Wilhelm Stuckart: You should. I'm very well known.
- ConexõesFeatured in The 53rd Annual Primetime Emmy Awards (2001)
- Trilhas sonorasString Quintet in C Major', D.956: Adagio
Written by Franz Schubert
Performed by Ensemble Villa Musica
courtesy of Naxos of America
by arrangement with Source Q
Principais escolhas
Detalhes
- Data de lançamento
- Países de origem
- Idiomas
- Também conhecido como
- Conspiracy
- Locações de filme
- Haus der Wannsee-Konferenz, Am Grossen Wannsee 56-58, Zehlendorf, Berlim, Alemanha(Conference Building)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração1 hora 36 minutos
- Cor
- Mixagem de som
- Proporção
- 1.78 : 1