Crossroads

Crossroads dared to be different. Whereas the 2001/2002 series was pretty standard fare the 2003 series was fantastically daft and surreal. Where else would you get character names such as "Angel Samson" and "Valentine Startwood"?

Crossroads was a welcome break from the normality of British soaps. It had glamour, sex, singing and the wonderfully sinister Ethan Black all at tea time. No main character was killed off (the exceptions being three guest stars) and near the end the characters were really starting to become developed.

A soap cannot be judged on 8 weeks like Crossroads was. People say that the 2003 series was it's final chance but it was a totally different kettle of fish to the old Crossroads and shouldn't have been seen as the same.

The ending however was fantastic. There were so many digs at ITV and the cast sent themselves up wonderfully. Oona and Dave as the owners of "Stocks Superstore" is the funniest thing I've seen this year.

Crossroads shall be missed by all that wanted escapism from the monotony of normal soaps.

With the exception of DOCTOR WHO any television show that has its format changed is bound to fail . The original series of CROSSROADS worked because it was total garbage . On its return it's obvious the producers wanted it to be a big success by making it appeal to a teenage audience by sexing it up - Big mistake . Take for example the idea of a Scottish chef in the motel kitchen . In the original it was a Scottish chef who was - Depending on how the writers felt that day - either a wimp or a bitter sociopath . In the new version we're treated to a hunk from Scotland who's a real smoothie and in one episode saves a damsel in distress from a burning derelict church

Despite this spicing up the show I think the only attractive cast member was ( Non ) actress Cindy Marshall-Day who played drunken slapper Tracey Booth and naturally playing that sort of role she got all the best lines like this line she says to one of her Asian staff :

" Beena - Been a round more like "

Being a complete slut Mrs Booth was the catalyst for a domestic subplot where her husband has to explain to her son in a sensitive manner that Mummy and Daddy don't love one another any more :

"I'm thirteen y'know not three " moans the son who's played by a child actor so bad it's impossible to believe he's even had a walk on part in a school pantomime and gives the only performance that comes close to being so bad it's good

This new version of CROSSROADS was met by small viewing figures that just got worse and worse so in order to save it the producers went back to basics and included more and more outlandish plots in order to make it appeal to fans of schlock television . We saw Adam Chance return as a homicidal maniac but the writing was on the wall and the show was cancelled with the ending being on a par with someone waking up and discovering it had all been a bad dream . The reality was it was more of a bad idea than a bad dream

A lot of the UK press are really criticising Crossroads at the moment but that's just because of the stigma it has from the old series. The new version really is a classy soap. Sure it's plots are totally unbelievable (like the current 2 Sarah-Jane's plot) but thats what makes it so good.

It's a world away from the likes of Eastenders and Coronation Street and all the better for it. Sure some of the younger actors leave a lot to be desired in terms of talent but characters like Billy, Kate Russell, Doris and Patrick Russell are brilliantly played.

All Crossroads needs is a few of the creases ironing out and it could easily go up against the likes of Brookside and Emmerdale.

Please Carlton, have some confidence. Don't axe Crossroads!!!

That didn't take long did it?? Crossroads returned in something considerably less than a blaze of publicity to ITV1 on 13th January 2003. I was initially quite optimistic about it's chances, hoping that the daily dose of high camp farce, glamour and terrible acting might appeal to the great unwashed that is the British public.

Unfortunately, despite moving at a pace which would blow most other soap scriptwriters out of the water, covering dozens of storylines in a matter of weeks, it seems the show has failed to strike a chord with the considerable UK daytime audience, it's viewing figures sliding to a paltry 1.3 million per day (the 1st revival's lowest point was 2.5 million), barely enough to sustain a show Carlton and ITV spent almost £15 million on bringing back. So, this morning, on March 10th, 2003 it was announced that Crossroads will disappear from the schedules when it's current batch of episodes ends in the summer.... as if that wasn't bad enough, to add insult to injury - the show is being moved out of the 5pm slot in a few weeks to a more 'suitable' early afternoon slot.

To be fair to ITV, the show hasn't been dogged with any rumours of an axing, but also, it barely has had enough time to even register in the public consciousness - so I feel that an axing might well be premature. I know one thing, I'll miss Jane Asher and Jane Gurnett's deliciously awful bitching and catfights (as Angel Samson and Kate Russell respectively). No disrespect to ITV, but they seem to be developing an almost American mentality towards show, if it doesn't perform brilliantly from the start, then they're not interested. If the BBC behaved in a similar fashion, Eastenders would have been cancelled less than 3 months after first airing, instead of running for 18 years....

This had potential. A soap opera set in a hotel could've been good if the producers and writers and cast actually made the effort.

I was disappointed. But I liked the plot line in the 2001-2002 version involving Jake Booth emotionally abusing Tracey Booth, his wife, and Tracey turning into an alcoholic. I loved this plot line and I felt very sorry for Tracey Booth and the way she was being abused by Jake.

I hated having to watch Miss goody-two shoes Nicola Russel get her top GCSE grades though. The plot line was dull, stupid, boring, irrelevant, and ultimately insulting to those who got bad examination results like me. I felt that this plot line took the biscuit out of those students who may've done badly in the year 2001, I did badly and felt like this plot was rubbing my nose in my failures, if that makes sense.

Most of the plot lines were dull, the ending was just pure stupid. I liked Cindy Marshall-Day's performance and Colin Wells was great. But they were the only decent two cast members.

The Samson's were horrible. They should've had more violence, lies, deceit, and betrayals, then the soap could've been much better.

If they try it again, it needs big reforms if it is to have a fighting chance of succeeding.