O Pianista

The Pianist is an account of the true life experience of a Polish pianist during WW2, in the context of the deportation of the Jewish community to the Ghetto of Warsaw, a setting virtually absent from all films inspired on WW2.

Polanski (himself a child survivor of the Krakow and Warsaw ghettos) could have described in more detail the legendary, desperate fighting of the Jewish resistance in the ghetto of Warsaw, or the horrific mass extermination in concentration camps. Instead, the film gains in intensity by displaying the war from the pianist's own point of view (through windows, half-opened doors, holes in the walls - with big emphasis on the use of "point of view shooting" by the cameraman). One cannot help feeling disturbed by the most enthralling scenes of the film, as the isolated pianist tries to ensure his survival in the ghetto and ruins of Warsaw, hiding and fleeing, moving from one bombed house to the next, gradually becoming a shadow of his former self, hungry and afraid (merit largely attributed to the extraordinary performance by Adrien Brody, who visibly loses half of his weight throughout the film).

Does the pianist raise any sympathy from the audience? Not immediately, in my view. The pianist is more than often a drifting character, almost a witness of other people's and his own horrors. He seems to float and drift along the film like a lost feather, with people quickly appearing and disappearing from his life, some helping generously, others taking advantage of his quiet despair, always maintaining an almost blank, dispassionate demeanour. One may even wonder why we should care in the least about this character. But we do care. That is, I believe, the secret to this film's poetry.

In one of the strongest scenes, towards the end, a German officer forces the pianist to play for his life, in an episode that suddenly brings a much lighter, beautifully poetic shade to the film (this German officer will be probably compared to Schindler, although his philanthropy does not quite share the same basis).

This is also a wonderful tribute to Polish artists, through Chopin's music, with the concert at the very end of the film and the opening performance by the pianist at the local radio station (with the sound of bomb explosions in the background) forming an harmonious link between the beginning and end of the film (following Polanski's usual story-frame).

Overall, The Pianist is one of the most detailed and shocking accounts of the treatment of the Jews by the Nazis, with the atmosphere in Warsaw well captured and believable. Quite possibly, The Pianist will remain in the history of film-making as the most touching and realistic portraits of the holocaust ever made.

Polanski's film deserves a strong presence in the 2003 Oscar nominations, including a nomination for Adrien Brody's amazing performance, Polanski's sublime direction, best adapted screenplay and, obviously, best picture. This could be, at last, Polanski's long awaited, triumphal comeback to the high and mighty Hollywood.

Man, I can not get this film out of my head. It is so rare that a movie can affect me the way "The Pianst" did. The last movie that did that was "Casino". I was really tired when I was watching the movie. It was almost midnight, so I was thinking that I'll start watching and I'll finish it in the morning. Did I? No, indeed I did not stop watching. I couldn't stop it. I just wanted to see what would happen next. I cried during "Schindler's List", I sobbed in this film. Everything that happens in this film is so sad. Adrien Brody does a remarkable job of acting in this film. I would very highly recommend this film. Especially if you are a history buff. Please, I think this film should be in the top 10 best films of all time.

I looked on the message boards you know and some other user comments that didn't enjoy this film much, they criticized Adrien Brody's performance and say that he was boring and only showed emotions that are easy to act. Please, you have got to be kidding me. This man portrayed the total feeling of hopelessness, being alone, being hated. I one time had an audition in high school like this to see if I could improvise, and the way I imagined this feeling is like in dodgeball where you have no one else on your team and you're the only one left standing, yet on the other team there is 20 big men that are just waiting to wack that ball at you. Adrien couldn't have done a better job, I was so frightened for him and cried for him during the whole film while he was one the run.

Roman Polanski as the director, he himself escaped the terrors of being a prisoner in The Holocaust, yet he lost his mother and other family members. Yes, I'm sure this film must have been hard to re create for him, but he was probably the only director that could have done this movie as brilliantly as he did. He created this story and made it so effective, I called up my mom and told her that I loved her so much because we take so many things for granted. True, this isn't the 1930's or 40's, and we are in America. But it's still frightening to think that human beings are capable of that much hate and being so brutal to another human.

World War II is one of the most frightening wars in history, if you read more about The Holocaust, you get more into it and you should. If you are not interested, then watch this film. It's a must see, otherwise how else will we learn from our mistakes? The Pianist is a beautiful and extremely dark tale about a man and the struggle to survive. The ending is so powerful and moving to know that sometimes one man can make a difference in a crowd of so many and I'm not talking about Adrien Brody's character. You'll see what I mean.

10/10

The Pianist is an incredible film in many aspects. Roman Polanski's account of the survival of the pianist, Wladyslaw Szpilman, is a document about how one man can overcome the worst possible situations in a world gone completely mad around him.

The only fault one can find with the adaptation of Mr. Szpilman's story by playwright Ronald Harwood, is the fact that we never get to know the real Wladyslaw Szpilman, the man, as some of the comments made to this forum also have indicated.

There is a very interesting point raised by the the pianist's father who upon reading something in the paper, comments about how the Americans have forgotten them. Well, not only the Americans, but the rest of the world would not raise a finger to do anything for the people that were being imprisoned and made to live in the confined area of Warsaw. The exterminating camps will come later.

What is amazing in the film, is the frankness in which director Polanski portrays the duplicity of some Jews in the ghetto. The fact that Jews were used to control other Jews is mind boggling, but it was a fact, and it's treated here matter of factly. Had this been made by an American director, this aspect would have never surfaced at all. Yet, Mr. Polanski and Mr. Harewood show us that all was not as noble and dignified as some other films have treated this ugly side of war.

Wladyslaw Szpilman, as played by Adrien Brody, is puzzling sometimes, in that we never get to know what's in his mind. He's a man intent in not dying, but he's not a fighter. He accepts the kindness extended to him. He never offers to do anything other than keep on hiding, which is a human instinct. He will never fight side by side with the real heroes of the ghetto uprising. His role is simply to witness the battle from his vantage point in one of the safe houses across the street from where the action takes place.

Adrien Brody is an interesting actor to watch. As the pianist of the story he exudes intelligence. There is a scene where Szpilman, in one of the safe houses he is taken, discovers an upright piano. One can see the music in his head and he can't contain himself in moving his fingers outside the closed instrument playing the glorious music from which he can only imagine what it will sound in his mind.

The supporting cast is excellent. Frank Findlay, a magnificent English actor is the father of the pianist and Maureen Lipman, another veteran of the stage, plays the mother with refined dignity.

In watching this film one can only shudder at the thought of another conflict that is currently brewing in front of our eyes. We wonder if the leaders of the different factions could be made to sit through a showing of The Pianist to make them realize that war is hell.

This is a truly heart-wrenching story of one man whose family gets perished in the Holocaust and about his survival over solitude, deprivation, starvation and terror while in hiding during the Nazi occupation. In my opinion it is one of the finest depictions of the holocaust. This movie came close to Schindlers list in depicting the horrors of Holocaust. Brody puts in a marvelous and utterly touching performance. The story depicts the emotional and cultural breakdown of persecuted Jewish community as Nazi policy tightens around them. Excellent acting by Brody.

The Pianist is the true story of Wladyslaw Szpilman, at the time Poland's most acclaimed pianist whose life is transformed during the Nazi occupation of Warsaw beginning in 1939. The film spans several years and maps his many personal trials in addition to providing the perspectives of his family, rebel factions and sympathizers.

Brilliantly directed by Roman Polanski and starring an amazing Adrien Brody, The Pianist is bound to garner comparisons to Schindler's List, for obvious reasons. However similar the subject matter, the approach is different. While Schindler's List was filmed in a beautiful, crisp black and white that offered many incredible images, The Pianist was filmed with almost muted color. Schindler's List featured what has been argued as a complicated hero. Oskar Schindler did save many Jews, but not without battling his own materialistic demons first. The Pianist's Szpilman is a sympathetic character throughout. His plight was desperate, and the demons he fought were over his own guilt in surviving a fight that eventually turns into a primal will to live.

Polanski does not spare the viewer any grief with his film. The horrific scenes between the Nazis and the Warsaw Jews were more terrifying and horrible than any horror/suspense movie I have seen in some time, possibly ever. The humiliation and complete loss is wrenching. In several scenes, Jews are lined up in the middle of the night and subjected to either torture or death. In one case, a woman asks of a Nazi officer, "What will happen to us?" and is promptly shot point blank in the head. The camera does not flinch or subdue any of these atrocities.

A mention must be made of Brody's performance. Having only previously seen Brody in two other films, Spike Lee's "Summer of Sam" and Terrence Malick's "The Thin Red Line" (a part that was supposed to be his launch into stardom before his part was unfortunately cut drastically) I knew his potential was great. After his Oscar win, I viewed this movie with more criticism than I normally would have and he certainly did not disappoint. He transcended my expectations. His physical transformation was amazing, but more importantly, he conveyed the sorrow of this man shockingly well - in both verbal and non-verbal contexts. It will be very interesting to see what kind of opportunities this role will afford him, and the kinds of roles he will accept.

Something worth mentioning is the affect this movie had on the audience with whom I viewed this film. Normally, when a film ends, the regular hardcore filmsters like myself will stay and watch the credits in their entirety. The rest of the audience stands up and leaves, usually to the chagrin of the remaining enthusiasts. This was one of the few times I have seen a film at a theater where not one person stood to leave during the final credits. It wasn't until the house lights came up at the end did people begin to disperse. Personally, I hightailed it out of the theater the second the lights came on because not only was my face a mess from crying during the film (Tammy Faye comes to mind) but I had this overwhelming need for an emotional release, so when I reached my car I sat and wept for about five minutes. It has been years since I have watched a film that upset me to that extent. Conversely, while discussing this film with my brother, (someone who loves movies as much and has similar tastes as I do) he mentioned that while he thought the movie was excellent, he wasn't as profoundly emotionally effected as I was. After thinking about this for a couple of days, I realized the difference: The music. As a classical music enthusiast and erstwhile musician, the thought of not being able to enjoy, much less play the music you love is a tragic one. Then the emotional outpouring that comes when you return to it - there aren't words to describe how intense that is. Not having the same appreciation for this musical genre, one will be able to sympathize with the physical and emotional tribulations, but perhaps not in the musical sense.

The Pianist was truly an astonishing film. I was riveted from start to finish and so emotionally affected that I couldn't even consider writing a review until a week later. Having said that, I am filing this away with my list of movies which include Schindlers List and Philadelphia, as films that I love but cannot rewatch for a long time after due to their intensely emotional content.

--Shelly