Um magnata do cassino de Las Vegas determinado a encontrar uma nova avenida para apostar, inicia uma corrida por dinheiro.Um magnata do cassino de Las Vegas determinado a encontrar uma nova avenida para apostar, inicia uma corrida por dinheiro.Um magnata do cassino de Las Vegas determinado a encontrar uma nova avenida para apostar, inicia uma corrida por dinheiro.
- Prêmios
- 3 indicações no total
Corinna Jones
- Cocktail Waitress
- (as Corinna Harney Jones)
Lanei Chapman
- Merrill Jennings
- (as Lanai Chapman)
Jillian Marie
- Kimberly Pear
- (as Jillian Marie Hubert)
Avaliações em destaque
From a point of view it is not convenient to give a very high mark to a movie like this, but I believe that movies have to be rated in different categories. So it could happen that such a movie receives a greater mark than a movie from a different category, which by the way has a greater artistic value.
Anyway, if you like non-sense movies with absurd scenes, this is for you. The movie succeeds without clever jokes, with its hilarious scenes to make fun of the greedy or the "don't know how to spend their money" people. One absurd scene follows the other, and if you like such humor you will soon find yourself convulsed with laughter. Sometimes it may appear forced, but this is a characteristic for the genre. If you just want a fun and action packed movie, this is a very good choice.
Anyway, if you like non-sense movies with absurd scenes, this is for you. The movie succeeds without clever jokes, with its hilarious scenes to make fun of the greedy or the "don't know how to spend their money" people. One absurd scene follows the other, and if you like such humor you will soon find yourself convulsed with laughter. Sometimes it may appear forced, but this is a characteristic for the genre. If you just want a fun and action packed movie, this is a very good choice.
I haven't seen "It's a Mad ... etc. World" (is it four Mads or five? I can never remember), so it's not fair to make comparisons - but the changes I know about sound as though they're improvements. The sum of money in the original film was $350 000; this time it's $2 million, which (adjusting for inflation) is considerably less. In the original the money was a fifteen-year-old buried treasure; here, it's just money. An eccentric squillionaire has put it in a locker without explanation. WE get an explanation, of sorts, but the racers do not - so there is no romance attached to the prize, which means that all of their actions are PURE expressions of greed. (John Cleese is the squillionaire, and while his cameo in "The World Is Not Enough" proved that he could, with the right material, fail to be funny, he and his coterie of wealthy compulsive gamblers are hilarious here. It's good counterpoint humour, since they're actually the least greedy, most disinterested people involved in the chase.)
A criticism levelled at the original was that innocent, well-meaning bystanders got hurt - that it was meant to be a joke when their property was destroyed, but the joke wasn't funny. "Rat Race" avoids being open to the same charge by making the world an even more venal one. The ambulance-chasing lawyer, the live organ courier, the quirky roadside squirrel-seller, the key-cutter, the garage mechanic, the neo-Nazis, the vengeful taxi driver ... all these people have less attractive personalities than any of the racers. Only a few of them are punished, but among them are the only outsiders to be punished at all. (With the exception, I'll admit, of people we never see, like the anonymous owners of cars that are run over in the parking lot.)
Whoopi Goldberg plays it straight, which suits her. I can't fault the acting anywhere, but I do wish that Rowan Atkinson hadn't been cast as the loopy, dim-witted Italian (I can't see this picture playing in Italy at all). To be sure, he brings the role off, and he's the only person who could have done so - but he would have been funnier if he'd been allowed to be more intelligent, to have a little more rat cunning hiding beneath the surface. (For half a second, he DOES exhibit cunning: it's by far his funniest moment.)
All scenes before the race is announced fall flat. Timing and motivation just weren't there, and I even wondered afterwards if Zucker had handed his establishing scenes to an ungifted underling. But I don't want to carp at a funny film by saying it could have been funnier. Things pick up considerably as soon as John Cleese outlines the central premise; from then on the film is never less than inventive, and even if (for some reason) you don't find it funny, you must admit that those involved at least had the right IDEA about comedy.
A criticism levelled at the original was that innocent, well-meaning bystanders got hurt - that it was meant to be a joke when their property was destroyed, but the joke wasn't funny. "Rat Race" avoids being open to the same charge by making the world an even more venal one. The ambulance-chasing lawyer, the live organ courier, the quirky roadside squirrel-seller, the key-cutter, the garage mechanic, the neo-Nazis, the vengeful taxi driver ... all these people have less attractive personalities than any of the racers. Only a few of them are punished, but among them are the only outsiders to be punished at all. (With the exception, I'll admit, of people we never see, like the anonymous owners of cars that are run over in the parking lot.)
Whoopi Goldberg plays it straight, which suits her. I can't fault the acting anywhere, but I do wish that Rowan Atkinson hadn't been cast as the loopy, dim-witted Italian (I can't see this picture playing in Italy at all). To be sure, he brings the role off, and he's the only person who could have done so - but he would have been funnier if he'd been allowed to be more intelligent, to have a little more rat cunning hiding beneath the surface. (For half a second, he DOES exhibit cunning: it's by far his funniest moment.)
All scenes before the race is announced fall flat. Timing and motivation just weren't there, and I even wondered afterwards if Zucker had handed his establishing scenes to an ungifted underling. But I don't want to carp at a funny film by saying it could have been funnier. Things pick up considerably as soon as John Cleese outlines the central premise; from then on the film is never less than inventive, and even if (for some reason) you don't find it funny, you must admit that those involved at least had the right IDEA about comedy.
RAT RACE / (2001) *** (out of four
"Rat Race" revives a genre Hollywood has neglected since the sixties: the big event, ensemble chase comedy. Who better to breathe life into the subject than Jerry Zucker, the mastermind behind the "Naked Gun" films, and "Airplane," two of the most hilarious movies I have seen. After years of directing straight dramas, Zucker says he is thrilled to be back doing comedy. "It's very visual and there are lots of big visual stunts," Zucker explains in the film's production notes, "kind of a James Bond comedy in a way because there are so many sight gags."
Good comparison-"Race Race" is indeed a visual comedy. Its laugh-a-minute attitude works for the creative situations. The audience does not necessarily laugh at every single joke the movie throws, but the humor is timed well. "Rat Race" also contains a terrific cast and provides enough laughs to be worthy of at least one viewing.
John Cleese stars as the eccentric Las Vegas casino tycoon named Donald Sinclair. He wants to keep his wealthy, high stakes gamblers interested in his gambling techniques so he arranges a new, quasi-legal sporting event for them to bet on: a human rat race.
Sinclair randomly places six golden coins in several different slot machines. The customer service sends the winners to a large banquet room where the characters learn of a two million dollar jackpot resting in a duffel bag, inside a locker, within the city of Silver City, New Mexico-seven hundred miles away. The fist one there keeps all of the money, tax-free. " the odds of winning are one and six " explains Sinclair. "There's only one rule: there are no rules!" The players include a vast variety of different characters. There is Vera Baker (Whoopi Goldberg), who, after giving her child up for adoption as a baby, has decided to meet her daughter, Merrill (Lanai Chapman). Owen Temleton (Cuba Gooding, Jr.), an NFL coach who recently blew an important game, has come to the sin city to forget his horrendous mistake. Mr. Pollini (Rowan Akinson from "Bean") is an exuberantly cheerful, but narcoleptic, Italian fellow. Randy Pear (Jon Lovitz), and his family is vacationing when he slips off to play slots and wins the chance of a lifetime. The Cody brothers (Seth Green and Vince Vieluf), are first to cause trouble in any crowd. Finally, Nick (Breckin Meyer) a skeptical young lawyer-in-training, meets a charming young woman (Amy Smart), and encounters plenty of adventures with her.
"Rat Race" offers plenty of hit and miss humor. Much of it misses, but much of it hits the mark as well. The majority of the humor is physical and exaggerated. Very little offers sharp, witty satire on any part of culture. The film says something about greed in a zany sort of way, but for the most part this is just a two hour laugh riot, nothing more, nothing less.
However, this is a tricky script to write, and for the overall result to provide this much effective comic material, Andrew Breckman's ingenious script is indeed successful. It's not easy writing a comedy like this, and Breckman does indeed run into a few problems in the overcrowded plot. Even more difficult is creating a conclusion for a story like this. No matter how you end it, you are certain to displease at least some audience members. Breckman has found a way to have his cake and eat it too. I would never dream of revealing how this race concludes itself, but I will say it is not exceedingly satisfying, but sure does work over the obvious other possibilities.
"Rat Race" is one of the funniest movies of the year. It's energetic, irrelevant, and entertaining. You are sure to have a decent time.
"Rat Race" revives a genre Hollywood has neglected since the sixties: the big event, ensemble chase comedy. Who better to breathe life into the subject than Jerry Zucker, the mastermind behind the "Naked Gun" films, and "Airplane," two of the most hilarious movies I have seen. After years of directing straight dramas, Zucker says he is thrilled to be back doing comedy. "It's very visual and there are lots of big visual stunts," Zucker explains in the film's production notes, "kind of a James Bond comedy in a way because there are so many sight gags."
Good comparison-"Race Race" is indeed a visual comedy. Its laugh-a-minute attitude works for the creative situations. The audience does not necessarily laugh at every single joke the movie throws, but the humor is timed well. "Rat Race" also contains a terrific cast and provides enough laughs to be worthy of at least one viewing.
John Cleese stars as the eccentric Las Vegas casino tycoon named Donald Sinclair. He wants to keep his wealthy, high stakes gamblers interested in his gambling techniques so he arranges a new, quasi-legal sporting event for them to bet on: a human rat race.
Sinclair randomly places six golden coins in several different slot machines. The customer service sends the winners to a large banquet room where the characters learn of a two million dollar jackpot resting in a duffel bag, inside a locker, within the city of Silver City, New Mexico-seven hundred miles away. The fist one there keeps all of the money, tax-free. " the odds of winning are one and six " explains Sinclair. "There's only one rule: there are no rules!" The players include a vast variety of different characters. There is Vera Baker (Whoopi Goldberg), who, after giving her child up for adoption as a baby, has decided to meet her daughter, Merrill (Lanai Chapman). Owen Temleton (Cuba Gooding, Jr.), an NFL coach who recently blew an important game, has come to the sin city to forget his horrendous mistake. Mr. Pollini (Rowan Akinson from "Bean") is an exuberantly cheerful, but narcoleptic, Italian fellow. Randy Pear (Jon Lovitz), and his family is vacationing when he slips off to play slots and wins the chance of a lifetime. The Cody brothers (Seth Green and Vince Vieluf), are first to cause trouble in any crowd. Finally, Nick (Breckin Meyer) a skeptical young lawyer-in-training, meets a charming young woman (Amy Smart), and encounters plenty of adventures with her.
"Rat Race" offers plenty of hit and miss humor. Much of it misses, but much of it hits the mark as well. The majority of the humor is physical and exaggerated. Very little offers sharp, witty satire on any part of culture. The film says something about greed in a zany sort of way, but for the most part this is just a two hour laugh riot, nothing more, nothing less.
However, this is a tricky script to write, and for the overall result to provide this much effective comic material, Andrew Breckman's ingenious script is indeed successful. It's not easy writing a comedy like this, and Breckman does indeed run into a few problems in the overcrowded plot. Even more difficult is creating a conclusion for a story like this. No matter how you end it, you are certain to displease at least some audience members. Breckman has found a way to have his cake and eat it too. I would never dream of revealing how this race concludes itself, but I will say it is not exceedingly satisfying, but sure does work over the obvious other possibilities.
"Rat Race" is one of the funniest movies of the year. It's energetic, irrelevant, and entertaining. You are sure to have a decent time.
After seeing the first trailer for this film, I thought
it would too hokey for my tastes. However, like has happened on many other occasions, I was surprised by the humor in the film. While the principal characters were important in the movie, why didn't Wayne Knight get any billing? He's probably one of the best overweight actors since John Candy, and this guy can't get any work!? He was the only good reason to watch Seinfeld. Anyway, I felt this movie was quite a departure for some actors, and a great one for those who have made a movie such as this before. Jon Lovitz was excellent in this film, along with Mr. Bean (or Rowan Atkinson as he is called by non-Mr. Bean fans, who must be a sad group of people). The only downside to this film was the ending, which had yet another bad song by Smashmouth (and it was All-Star once again!). Overall, a good movie.
it would too hokey for my tastes. However, like has happened on many other occasions, I was surprised by the humor in the film. While the principal characters were important in the movie, why didn't Wayne Knight get any billing? He's probably one of the best overweight actors since John Candy, and this guy can't get any work!? He was the only good reason to watch Seinfeld. Anyway, I felt this movie was quite a departure for some actors, and a great one for those who have made a movie such as this before. Jon Lovitz was excellent in this film, along with Mr. Bean (or Rowan Atkinson as he is called by non-Mr. Bean fans, who must be a sad group of people). The only downside to this film was the ending, which had yet another bad song by Smashmouth (and it was All-Star once again!). Overall, a good movie.
It would be a shame to be too sophisticated to enjoy this silly movie. Critics hammered it for being a remake of It's a Mad Mad Mad Mad World, or accused it of reverting back to MMMMW's formula of selling the movie with a hundred big names who do little more than mug for the camera.
But these guys are all busting their butts to entertain us. Yes, post-adolescents will be able to see most of the gags coming a mile away, but when their execution surpasses our expectations what's not to like? This is, after all, directed by the same Zucker who gave us Airplane, and it shares the same DNA.
Watch it with your kids, and appreciate the ending that leaves them with a nice message as a bonus. Even if you only cherry pick the scenes featuring a bus load of Lucy impersonators it's worth the rental.
But these guys are all busting their butts to entertain us. Yes, post-adolescents will be able to see most of the gags coming a mile away, but when their execution surpasses our expectations what's not to like? This is, after all, directed by the same Zucker who gave us Airplane, and it shares the same DNA.
Watch it with your kids, and appreciate the ending that leaves them with a nice message as a bonus. Even if you only cherry pick the scenes featuring a bus load of Lucy impersonators it's worth the rental.
Você sabia?
- CuriosidadesJohn Cleese plays a character called Donald Sinclair. This was actually the name of the real-life hotel proprietor on whom Cleese's iconic character, Basil Fawlty of Fawlty Towers (1975), was based.
- Erros de gravaçãoThe radar tower should be spinning. that type of radar is directional and has to constantly be in motion, otherwise, it would only "see" planes out in a straight line in whatever direction it is pointing.
- Citações
Jason Pear: I can't believe it, Dad. You stole Adolf Hitler's Mercedes-Benz.
Randy Pear: Well, Hitler had it comin'. What goes around comes around.
Kimberly Pear: Dad, they're gonna be pissed.
Randy Pear: Eh, they're always pissed, Honey. They're Nazis. It's like it's their job.
- Cenas durante ou pós-créditos"No Animals were harmed in the making of this film ONLY ACTORS WERE HARMED IN THE MAKING OF THIS FILM"
- Versões alternativasThe KLM (Royal Dutch Airline) Version has had all views of a Saudi Arabian gambler (with Donald Sinclair at the concert at the end of the film) digitally "speckled out".
- Trilhas sonorasRat Race
Written by David Forman, Jon Carin & Rick Chertoff
Performed by Baha Men
Produced by Rick Chertoff & Jon Carin
Baha Men perform courtesy of S-Curve Records
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- How long is Rat Race?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Idioma
- Também conhecido como
- El mundo está loco loco
- Locações de filme
- Palmdale, Califórnia, EUA(Truck Stop/Fatburger scene)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 48.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 56.618.055
- Fim de semana de estreia nos EUA e Canadá
- US$ 11.662.094
- 19 de ago. de 2001
- Faturamento bruto mundial
- US$ 85.498.534
- Tempo de duração1 hora 52 minutos
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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