The Laramie Project

i was very impressed with this documentary-style tv movie. i appreciated the fact that the filmmaker took this approach, giving a sense (at least i hope) of the people on whom these interviews are based, while allowing a buffer zone so that the real people are not subjected to more publicity OR made to look stupid because of their personal beliefs. i thought it was a very wise approach to take and allows more of an unbiased POV in many ways than would a straight up documentary. not to say that this piece was unbiased - it wasn't - and i don't think it should have been. but the filmmaker did not take any low blows and that was refreshing. the way the whole piece was put together was different - i could feel the theatrical aspect coming in, the visuals were much more fractured than a standard tv movie, and i could REALLY appreciate that this was not just another murder story come to life on screen.

thank you for not doing a re-enactment of the crime! i think it was WAY more effective to hear it described by people. i found the laramie project to be horrifying and touching, and i wish more pieces were made that hit at such a gut level. i won't forget this movie.

An incredible movie that was brilliantly cast. I watched this movie my freshmen year of college and have revisited it time after time. There is never a lull in the movie--it hits hard and fast with character shifts and emotional dialogue that never sounds forced coming from the actors' mouths. It is the dialogue, transcribed from hundreds of hours of actual interviews with the people of Laramie, that gives this heinous crime a whole new dimension. Though the bigotry that is illustrated is hard to watch, as you observe the courage that certain people in the town showed, you might just find your faith in the human race restored. A must see for everyone.

A work that is exceptional both in terms of its structure and in terms of the unique nature of the presentation. It brings into sharp focus many of the complex elements of a horror like this and the profound effects which it has on the many disparate participants.

The quality of the acting is superb evidencing a dedication to the material that goes beyond mere craftwork; many of the performances are obviously from the heart and the soul. Dylan Baker, Amy Madigan, Jeremy Davies, Peter Fonda, Joshua Jackson, and Camryn Manheim are stellar. The courtroom speech by Matthew's Father is historical. The direction is challenging and engaging.

It takes a truly cold, trite, and hardened heart to dismiss such a moving film predicated solely upon the prejudices, regressive political posturing, and obvious homophobia brought to such dismissals.

A young gay man brutally killed by two young men trying to make a point about their hatred of homosexuals is the basis of Moises Kaufman's brilliant play seen here a few years ago. On the stage the play is somewhat detached because of the limitations in the text, but as a film, adapted for the screen by Mr. Kaufman, the immediacy of the story is more shocking than in the theater.

"The Laramie Project" is seen in a documentary fashion. The director and his assistants went to Laramie to investigate the incident that caused a world wide uproar because of the savage way Matthew Shepard's death had caused. In recreating the facts, Mr. Kaufman has dramatized the story by having real actors play the different people in town with whom he and his collaborators talked during the days of the research trip.

What comes out about the story is that individually, the citizens of Laramie were as shocked as everyone else was. After all, they considerer themselves as pretty tolerant, so why a horrible tragedy like this could ever happened amongst them? In fact, it only takes a pair of misguided individuals, who think thought they would make a statement by inflicting on the unsuspecting Matthew Shepard a punishment he didn't deserve.

The ensemble cast that play the different parts is an inspired choice. Mr. Kaufman was lucky in amassing such talent that respond so well to his commands. Steve Buscemi, Camryn Manhein, Laura Linney, Amy Madigan, Frances Sternhagen, Christina Ricci, Margo Martindale, Kathleen Chalfant, Terry Kinney, just to name a few, give excellent readings about what really occurred in Laramie.

Ultimately, Mr. Kaufman makes his point by just letting the citizens of Laramie come to terms with the horrible tragedy that shook their town.

Matthew Shepard was about two months short of his twenty-second birth when he was robbed, beaten, tied to a fence post and left to die in a rural area of Wyoming. The man who found him at first thought he was a scarecrow. Rushed to Poudre Valley Hospital at Fort Collins, he died on 12 October 1998--and when Russell Henderson and Aaron McKinney were arrested for the crime they resorted to a defense known as "gay panic." Matthew Shepherd had propositioned them, they said, and they were so horrified that they killed him in response.

The gay community and numerous civil rights watchdog groups were outraged by the defense, and as more and more facts came to light it seemed that the crime was somewhat more complicated than Henderson and McKinney wanted the public to know. Witnesses stated that Henderson and McKinney had specifically targeted Shepherd because he was gay. After much legal wrangling, Henderson pled guilty and testified against McKinney, who was convicted; after still more legal wrangling, and at the request of Shepherd's parents, McKinney escaped the death penalty but has no chance of parole.

The case made headlines from end of the United States to the other and prompted numerous calls for Hate Crimes legislation, which had long been stalled both at the state and federal level. And in the midst of the confusion, chaos, and controversy, Moises Kaufman and the members of The Tectonic Theatre Project arrived on the scene, interviewing more than two hundred people about their thoughts and feelings on the case. These were shaped into THE LARAMIE PROJECT, a drama that debuted in 2000 and which has since shocked, impressed, and deeply moved audiences from coast to coast.

On the stage, THE LARAMIE PROJECT is played by eight performers who enact the numerous interview subjects in a three act, three hour performance on a largely bare stage. When filmed by HBO in 2002, it was reduced in length by about half and each interview subject was performed by a different actor--some of them members of the Techtonic Theatre Project, some of them well-known actors such as Laura Linney and Peter Fonda. The result is indeed powerful... but not as effective as the stage version, for on film it tends be a series of readings by "talking heads," a sort of pseudo-documentary, rather than as a cohesive whole.

That said, the great difference between the film and the original script is one of balance. On stage, THE LARAMIE PROJECT takes no sides per se; it simply sets forth the words and allows the audience to judge. On screen, it is distinctly slanted, cutting much of the commentary that gave the original such remarkable balance. Even so, and although far outstripped by the stage version, it is a powerful voice for equality, tolerance, and simple human decency. Recommended.

GFT, Amazon Reviewer