Liza with a Z

Right after her Oscar-winning performance in CABARET, Liza Minnelli took her act on the road and it was brought to television in the form of LIZA WITH A Z. Directed and choreographed by Bob Fosse, who won an Emmy for his efforts, this breathtaking evening of musical theater showcased Liza Minnelli doing what she does best...singing, dancing, clowning, completely commanding a stage and captivating an audience. From the opening number "Yes" from 70 GIRLS 70 to the title tune, written especially for her by John Kander and Fred Ebb to a striking production number called "Ring Them Bells", Liza doesn't just prove to be a superb songstress, but a great actress who makes every number a show within itself. She brings an intensity to an old Tin Pan Alley classic "It was a Good Time" and rocks the house with "I Gotcha" and wraps the evening with a medley of songs from CABARET...a once in a lifetime concert event and a must for Minnelli fans.

This magnificent film about Liza Minnelli is one of the best films showcasing a popular entertainer at her prime. Bob Fosse directed with a keen eye and great panache. He gets the viewer involved in the performance and what the star is trying to accomplish. The music material by Kander and Ebb never sounded to poignant and fresh, as interpreted by Ms. Minnelli.

The late 60s and early 70s brought forth an unusual talent, Liza Minnelli. She was at the time at the best moment of her career. She had a voice, youth, and she could move well, following Bob Fosse's choreography, designed to enhance the presentation.

The film has been kept in mint condition and just recently released on cable. Fans of Liza Minnelli can rejoice in rediscovering that vibrant entertainer showing her public why she was a star on her own right.

I saw this for the first time on TV when I was a child. I remembered liking it a great deal-I think it was the first time I'd seen Liza Minelli. Watched it again today on Showtime and was amazed! Liza was fabulous-and the whole thing seemed so undated-that was a real surprise. Bob Fosse's choreography is still so modern looking and sexy. Halston's costumes were gorgeous and even when he put her in knickers (which believe it or not were IN for about 5 minutes during this time) she still doesn't look dated-you just think "Wow, I didn't remember KNICKERS looking that amazing"! The only thing that looks time-warpish is the hair and facial hair of her backup dancers. The guys have big, fluffy mustaches and it looks like she is being backed-up by 1970s porn stars. Other than that this special could have been done yesterday. The decision to do it live was perfect-Liza starts off quiet, and she just does a slow burn. By the end of the show her hair is plastered to her head with sweat and she is just burning and glowing and brilliant. An artist at the peak of her powers. Liza is just as talented as her famous mother, I think. She has all of Judy's raw talent & her incredible vulnerability, but with Liza you also get sex-I had forgotten how very sexy she was. By all means watch this special on Showtime or rent the DVD-you will not be bored.

Liza Minnelli has it in her genes from her beloved mother, Judy Garland, and Vincente Minnelli. Although she states that her sister Lorna Luft is the singer in the family, LIza is the entertainer of our generation. She can sing, dance, act, and do it all. Thirty years later, her career is revived after another divorce and health problems. Liza may never be as fit as she was when she performed on stage in a live production in 1972. Liza has always been an incredible performer. I love her in Cabaret and I refuse to see any production of the musical because I can't imagine anybody but Liza as Sally Bowles, the sad Berlin singer who craves the love of a good man and the love of her own father in the film. This stage version is like an extended performance of her from the film, Cabaret. Unlike the film, this show is not as dark and lonely. Liza worked hard for six weeks before this production. IT's a once in a lifetime event and I wasn't even born yet. I first bought her Liza with a Z CD to listen in the car. You can't imagine not singing along with her as well. Now I look forward to seeing her dance, sing, and entertain us in the DVD. Believe me, nobody today can touch Liza as a performer.

It would be difficult to imagine another performer on the planet capable of accomplishing what Liza Minnelli achieved in her riveting hour-long performance of "Liza with a Z." In its beautifully restored version, this stunning television showcase, originally broadcast on May 31, 1972, is now available for a new generation of viewers.

The expression "triple threat" is used in the theatre for those gifted performers with skills in singing, acting, and dancing. Liza Minnelli is at the top of her game in all three areas in this knockout performance. With the brilliant choreography of Bob Fosse and the electric feeling of a live audience at New York's Lyceum Theatre, this was a spellbinding and virtuoso performance. While not listed in the credits, the dancing ensemble also deserves kudos for their supporting contributions to this singular and indeed historic concert.

Among all of the dazzling numbers, including "Bye, Bye, Blackbird" and Liza's "Cabaret" medley, my favorite selection was the most personal and introspective, a quiet love monologue adapted by Liza from one of Charles Aznavour's songs, "You've Let Yourself Go." The song is a confession of a wife to her husband about the rather mundane and unexciting state of their relationship. Liza's interpretation, including her raw emotions and the coloring of the words, was unforgettable in its honesty and simplicity. This song and the other dynamic numbers reveal the range of Liza's performing abilities in a show for the ages!