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IMDbPro

Uma Lição de Vida

Título original: Wit
  • Filme para televisão
  • 2001
  • PG-13
  • 1 h 39 min
AVALIAÇÃO DA IMDb
8,0/10
12 mil
SUA AVALIAÇÃO
Uma Lição de Vida (2001)
Trailer
Reproduzir trailer0:31
1 vídeo
10 fotos
Medical DramaTragedyDrama

Adicionar um enredo no seu idiomaA renowned professor is forced to reassess her life when she is diagnosed with terminal ovarian cancer.A renowned professor is forced to reassess her life when she is diagnosed with terminal ovarian cancer.A renowned professor is forced to reassess her life when she is diagnosed with terminal ovarian cancer.

  • Direção
    • Mike Nichols
  • Roteiristas
    • Margaret Edson
    • Emma Thompson
    • Mike Nichols
  • Artistas
    • Emma Thompson
    • Christopher Lloyd
    • Eileen Atkins
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    8,0/10
    12 mil
    SUA AVALIAÇÃO
    • Direção
      • Mike Nichols
    • Roteiristas
      • Margaret Edson
      • Emma Thompson
      • Mike Nichols
    • Artistas
      • Emma Thompson
      • Christopher Lloyd
      • Eileen Atkins
    • 129Avaliações de usuários
    • 18Avaliações da crítica
  • Veja as informações de produção no IMDbPro
    • Ganhou 3 Primetime Emmys
      • 13 vitórias e 21 indicações no total

    Vídeos1

    Wit
    Trailer 0:31
    Wit

    Fotos9

    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster
    Ver pôster
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    Ver pôster

    Elenco principal26

    Editar
    Emma Thompson
    Emma Thompson
    • Vivian Bearing
    Christopher Lloyd
    Christopher Lloyd
    • Dr. Harvey Kelekian
    Eileen Atkins
    Eileen Atkins
    • Evelyn 'E.M.' Ashford
    Audra McDonald
    Audra McDonald
    • Susie Monahan
    Jonathan M. Woodward
    • Dr. Jason Posner
    Harold Pinter
    Harold Pinter
    • Mr. Bearing (Vivian's Father)
    Rebecca Laurie
    • Vivian aged 5
    Su Lin Looi
    • Nurse
    • (as Su-Lin Looi)
    Raffaello Degruttola
    Raffaello Degruttola
    • Technician 1
    Miquel Brown
    • Technician 2
    Hari Dhillon
    Hari Dhillon
    • Fellow 1
    • (as Harry Dillon)
    Benedict Wong
    Benedict Wong
    • Fellow 2
    Alex Gregor
    • Fellow 3
    Lachele Carl
    Lachele Carl
    • Fellow 4
    David Menkin
    David Menkin
    • Student 1
    Rachel Siegel
    • Student 2
    Shauna Shim
    Shauna Shim
    • Student 3
    Matt Blair
    • Student 4
    • Direção
      • Mike Nichols
    • Roteiristas
      • Margaret Edson
      • Emma Thompson
      • Mike Nichols
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários129

    8,011.8K
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    Avaliações em destaque

    10iztokgartner-1

    movie critique

    Magnificent film. Very funny no matter of the serious subject. Emma deserved the Emmy and Golden Globe. What a pity that this movie was made only for TV. Her acting is superb. And she also write the screenplay with the excellent Mike Nichols who also gave HBO Angels in America this year. The story of a college professor who has cancer and find's out that people need some personal attention in life. When Demi Moore shaved her head, we've got G.I. Jane, when Emma Thompson did the same, we've got one of the best TV movies in recent history. The story with familiar theme with no clichés and no overly emotions. Very powerful and nicely done. A real masterpiece in the simplicity.
    frjacksjmd

    Astonishing movie and superb teaching film

    A friend gave me a copy of the play's script. I was stunned. A day or two later I rented and then quickly purchased the DVD. I am a physician with boards in internal medicine and psychiatry who has spent 35 years caring for the elderly and dying in hospital and hospice settings. This movie crystallizes those years of experience.

    Six years ago I invited the ten medical students in my history taking group to view the film together in a setting away from the school. I have since repeated this twice yearly with each of the small groups under my charge. I made one big mistake the first year. After the movie ended I turned on the lights while the credits were running, oblivious to the sniffing and outright weeping on the part of the freshman medical students. Since then I've permitted the credits to run completely before turning on the lights. There is generally a delay of up to five minutes before any of them are able to say anything.

    The student response has been uniform. Gratitude for having seen the film, awe of the realities of the profession they have chosen to enter and appreciation for the chance to come to a deeper understanding of their own selves and motivations for entering medical school.

    Eileen Atkins is absolutely superb as Evelyn Ashford, PhD. Her scenes are brief but they bring the deeply religious underpinnings of the film to the fore. Her first scene, in which she recites the final stanza of Donne's Holy Sonnett X, (a scene which gave the movie its title) contrasts with the tender love in Vivian's hospital room. Her reciting of the poetry is astonishing. It was not until the sixth or so viewing (I've lost count) that I realized her parting words, "May the angels lead you to Paradise. . . " were the English translation of In Paradisum from the Roman Catholic funeral liturgy. That was one time when my tears joined the students.

    Anyone working in medicine; students, residents, nurses and nursing students, aides and so on, should watch this movie. I generally used the class the day following the viewing for a discussion of the movie, the bedside manner of the docs, nurses, techs and so on as well as what feelings the movie stirred in them. The conversations have been memorable.

    This is a movie that is not to be missed. It is tragic that it was made for television by HBO rather than given general theatrical release. Many fewer people have seen it is a result.
    rdconger

    Without a Flaw

    So often one leaves the theater or presses re-wind with a thought taking the form of, "That was a really good film, but..." At the end of "Wit," I could not find a qualifier to complete that thought, and I still cannot. This film is a piece of perfection, tightly fitted but not contrived; dramatic without overstatement; and deeply moving without sentimentality.

    It also comprises a tour-de-force performance by Emma Thompson, an actor whose performances are almost always extraordinary -- so the fact that this one stands out says a lot.

    The dialogue (and monologue) is amusing, minimalistic but never too little, and is always sufficient to the scene. There is plenty of irony, wry humor, and understated insight; and yet the film, stark as it is, is abundantly human and, in places, even sweet.

    At the height of the grinding sorrow that Thompson so skillfully brings us into, a startling scene between her old academic mentor is a loving act of redemption, shared by them both.

    As an additional note, the surprising appearance of Christopher Lloyd in this film, as the research oncologist, provides a perfect foil for Vivian's role as a patient and as an academician. Lloyd's performance is convincing, and yet it contains just enough of eccentricity and kindness to make his character's disinterested role entirely sympathetic.

    A wonderful film. Not -- be warned -- an easy film to watch, but decidedly worth it.
    mermatt

    Non-abstract Meditation

    "Non-abstract Meditation" may sound like a contradiction, but then this film is full of contradictions -- like life itself.

    We are given a look into life and death from the point of view of a poetry scholar who has, in turn, viewed life and death in the abstract through John Donne's poetry. She, in turn, is viewed in the abstract by a renowned doctor who views life and death as a case in a bed and by the scholar's former student who doesn't know how to communicate with patients beyond superficial catch phrases.

    This is a touching, powerfully filmed play guided by the witty, amusing, profound, and painful asides and soliloquies of the main character. Her only human contact seems to be through the compassionate nurse, the scholar's old teacher, and the audience -- the point being that we too often live our lives inside walled prisons of our own construction and then come to the end realizing that we had never lived at all.

    The movie could easily have descended into melodrama but instead is gritty, prim, and gripping in its own odd way. See this one if you can.
    9sddavis63

    Powerful And Touching Account Of Living And Dying With Cancer

    This is a wonderful, must-see film.

    Emma Thompson puts on a superb performance as Vivian Bearing (a Professor of English Literature specializing in the poetry of John Donne,) who leads us through the last months of her life in narrative style.

    Diagnosed with terminal ovarian cancer, Bearing agrees to experimental treatments involving powerful doses of chemotherapy. As we see her gradually losing her fight, Thompson convincingly portrays her emotional and physical torment and pain. Audra McDonald is well cast as the compassionate nurse (Susan) assigned as Bearing's primary care giver, who tries to ensure that, in the face of the doctors' temptation to continue to use Bearing as a guinea pig for their research, she will be treated with dignity and respect in her last days. John Woodward is quite believable as a young cancer researcher (Dr. Jason Posner) who really seems to see dealing with patients as an inconvenience that takes time away from what's really important to him, and his rather emotionless and awkward interplay with Bearing suits the character perfectly; a testimony to Woodward's talent.

    This movie offers a powerful commentary on the cold and rather antiseptic environment of hospitals, in which patients are seen more as learning opportunities than people. The poetry of John Donne, interspersed throughout the movie as a source of strength for Bearing, is well used.

    There's very little to criticize about this movie. Christopher Lloyd (cast in a rare serious role as Dr. Kelekian, the doctor in charge of Bearing's case) comes across as a bit flat, but the role is a relatively small one, and this doesn't detract much from the story. I also found the flashback scenes to be a bit distracting, but these have to be seen in context: this movie is based on an original stageplay written by Margaret Edson, and these scenes would look quite natural in that environment. I also thought the movie went on about five minutes too long. The last scene to me was unnecessary. I personally would have liked to have seen the movie end with the touching visit by Bearing's former Professor. We'd been put through the ringer enough, and didn't need the troubling last few minutes. These are just minor quibbles, though, about a truly great movie.

    It's powerful, well acted, well put together. It could be disturbing to some people uncomfortable with illness and death, but it is an educational experience just to watch. I give it 9/10.

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      This movie is often shown at medical colleges as an example of how doctors and researchers should not behave.
    • Erros de gravação
      During her exam with the young internist, her arms alternate repeatedly from being completely under the sheet, to being folded together on top of the sheet.
    • Citações

      E.M. Ashford: Do you think that the punctuation of the last line of this sonnet is merely an insignificant detail? The sonnet begins with a valiant struggle with Death calling on all the forces of intellect and drama to vanquish the enemy. But it is ultimately about overcoming the seemingly insuperable barriers separating life death and eternal life. In the edition you choose, this profoundly simple meaning is sacrificed to hysterical punctuation.

      E.M. Ashford: And Death, Capital D, shall be no more, semi-colon. Death, Capital D comma, thou shalt die, exclamation mark!

      E.M. Ashford: If you go in for this sort of thing I suggest you take up Shakespeare.

      E.M. Ashford: Gardner's edition of the Holy Sonnets returns to the Westmoreland manuscript of 1610, not for sentimental reasons I assure you, but because Helen Gardner is a scholar.

      E.M. Ashford: It reads, "And death shall be no more" comma "death, thou shalt die." Nothing but a breath, a comma separates life from life everlasting.

      E.M. Ashford: Very simple, really. With the original punctuation restored Death is no longer something to act out on a stage with exclamation marks. It is a comma. A pause.

      E.M. Ashford: In this way, the uncompromising way one learns something from the poem, wouldn't you say? Life, death, soul, God, past present. Not insuperable barriers. Not semi-colons. Just a comma.

    • Conexões
      Featured in Siskel & Ebert & the Movies: Say It Isn't So/Wit/The Brothers/The Tailor of Panama/The Gleaners and I (2001)
    • Trilhas sonoras
      Serenade Adagio
      String Quartet #15 (2nd Movement)

      Written by Dmitri Shostakovich (as Dimitri Shostakovitch)

      Performed by The Manhattan String Quartet

      Courtesy of Ess.a.y Recordings

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    Detalhes

    Editar
    • Data de lançamento
      • 24 de março de 2001 (Estados Unidos da América)
    • País de origem
      • Estados Unidos da América
    • Central de atendimento oficial
      • e-Pipoca - synopsis, gallery, trailer (Brazil)
    • Idioma
      • Inglês
    • Também conhecido como
      • W;t
    • Locações de filme
      • Londres, Inglaterra, Reino Unido
    • Empresas de produção
      • HBO Films
      • Avenue Pictures
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 39 minutos
    • Cor
      • Color
    • Mixagem de som
      • Dolby Digital
    • Proporção
      • 1.85 : 1

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