Metido em Encrencas

OK, we all have our favourite poignant movies right?....you know the type - the ones that hold you in rapture - time and again, because it speaks to you on a very personal level and effortlessly touches some part of your emotions that you keep hidden from the world - evoking deeply sad or blissfully happy memories from our own passage through life. Biloxi Blues is that movie for me.

Which of us do not carry emotional scars from; Our first time away from home. Our first time interacting with a group of strangers in a mutual climate. Our first sexual encounter. Our fist kiss. Our first love. Our first brush with authority. Our first glimpse at death.

Biloxi Blues is a movie that embraces many of the "rites of passage" that we all face in life and deals with them using comedy as a foil to gently explore them, without diminishing their poignancy. Neil Simon is peerless in this. The casting is faultless. The acting is immaculate. The humor is intelligent.

If you haven't seen this movie, do so. You can thank me later.

The timing for my catching of this flick couldn't have been more appropriate. I caught it with a few of my squadmates on a 72-hour pass at the post theater on Ft. Benning, in the middle of my 12-weeks of basic training and infantry school. It was the summer of 1988, "Biloxi" had just hit the screens, and it was the hottest summer on record in 25-years in the already quite sultry city of Columbus, Georgia (about two hours south of Atlanta).

Just imagine, an army base theater -- that had changed very little from its WW2 days -- filled with 200+ Army recruits in uniform, on pass, watching a movie about Army recruits on pass! It was a hilarious deja vu, although I suspect that such irony was lost on the majority of the individuals present that night.

Anyways, my favorite scenes in the movie include the following: Matthew Broderick (as Pvt. Eugene Jerome) moving through the chow line at breakfast for the first time, when the army cook slings some unmentionable godforsaken gloop on his stainless steel G.I. mess tray. The look on Eugene's face is worth its weight in gold as it was almost as if he had been insulted and violated at the same time. (This is especially funny for anyone who has ever stood in a messhall chowline and eaten army "food" before.)

My next favorite scene was when Eugene makes up a game with his bunkmates one night, about what they would do with the last 72 hours of their lives. What every man reveals about himself is not only telling, but an ominous harbinger of what is to come. Hennesey, for example, asks to be with his family. The others scoff. Little do they know, however, that soon enough, even that modest hope will seem like a pipedream to the starcrossed Hennesey.

The funniest aspects of Neil Simon's mostly autobiographically inspired play though, is his comedic depiction of the inevitable culture clash that invariably occurs when the New York quasi-intellectualism and Jewish urbane sensibility that Eugene Jerome and Arnold Epstein are products of, confronts head on the southern white-redneck military subculture that Sgt. Toomey represents.

This theme especially struck a chord with me, having come down to Georgia for boot camp from Chicago that summer. It was quite a culture shock for me upon my first visit to the south. when I stepped off the bus at Ft. Benning, as I quickly had to get myself accustomed to the almost incomprehensible southern accents, idiosyncratic differences in attitude and weird regional expressions employed by our mostly colorful, yet totally profane and predominantly redneck drill sergeants at Ft. Benning.

Another aspect about this film that touched me personally is the fact that it was filmed filmed almost entirely at Ft. Chaffee in Ft. Smith Arkansas, where I had trained extensively when I was in the U.S. Army. From WW1 to the early 1990s, Ft. Chaffee was an active U.S. Army reservation that has since been mothballed.

Being able to see scenes of Ft. Chaffee, especially the exterior and interior shots of Chaffee's vintage WW2-era barracks on my very rare DVD version which I am most fortunate to have, always brings back some rather fond -- and not so fond memories -- of the times I spent at Chaffee. This movie mostly reminds me of all those days and nights I spent training in those chigger and tick-ridden forests, doing PT around post, and living in those godforsaken WW2-era barracks.

Hats off to a great five-star WW2 coming-of-age flick!

Biloxi Blues is a wonderful character comedy with strong dramatic scenes as well. Eugene Jerome (Matthew Broderick) is an anti-hero, who is typically concerned with making wisecracks, rebelling against the rigid drill Sergeant (Christopher Walken), and talking about wanting to become a writer. Similar to the dark pathos of characters in Catch-22, Biloxi Blues exposes men in the service who do not want to be there, who are incompetent, and basically as far from battlefield heroism as you can imagine. Mike Nichols directs, and his comedic and dramatic pace is pitched perfectly for the film.

The movie has quotable lines throughout. But if you are looking for a typical war movie, this is not for you. There are no heros, at least in the conventional sense, as the story focuses upon the dusty boot camp in Biloxi, Mississippi. The story does deal with sharp internal conflicts, and the cultural topics addressed emerge strongly against the backdrop of one of the US's most traditional institutions: the military. Although it has been over fifteen years since the release of the movie, the conflict in the movie feels timely and relevant for today's world. It's the type of tight, well-written comedy that rarely exists in current cinema.

In one of the many looks at days gone by, Neil Simon's alter ego Eugene Morris Jerome (Matthew Broderick) and friends go down to Biloxi, Mississippi, in early 1945 for basic training. Once there, they have to cope with one bad-ass sergeant (Christopher Walken) and a status quo totally unlike the one in New York. But we also see how the experience turns Eugene into a very different person, partially due to his relationship with local babe Daisy (Penelope Ann Miller).

"Biloxi Blues", in my opinion, is far from Mike Nichols's best movie. I find it having strength in showing these young men's coming of age and wondering what to do with their future. But still, it's fun to see the environs of the WWII-era South. And I really liked Eugene's fake name when he met that one woman; I couldn't have come up with anything like that! Worth seeing, along with "Brighton Beach Memoirs".

When Matthew Broderick played Ferris Bueller, who ever would have guessed that he would later play the guy - or the alter ego thereof - who wrote "The Odd Couple"?

Well I'm disappointed. :-( This film deserves much more than a 6.6 rating! If you watch Brighton Beach Memoires you will love this film. Personally the 1st film was better but maybe because I could relate to a younger Jerome. But this film, oh yes! Christopher Walken you are my GOD! He is so funny in this film in my view! The way he makes the wise-cracking Jerome (Broderick) and fellow NY boy Epstein (Corey) is great. Ok he is a nut but that is Walken- he would be the worst Army officer I would want! Great film- the scene with the 'escort' is great! "You're not breathing! Breathe!" Unbelievable! It is also heart-warming and I love it! Overall I must give it a 8.5/10. Give it a try dont let the 6.6 rating fool you! HO NO!