O Buraco

The first trailer for this film showed to be a gruelling film about humans trapped in a dark, confined space, slowly withering away. The second trailer pitched this movie as some sort of repellent formulaic teen horror film. It was the first trailer that had been touted since last autumn in the UK that intrigued me enough to see it.

Having watched the film I was disappointed as the film failed to deliver what had been promised in either trailer. What I saw was a bland movie that seemingly doesn't know what it's target demographic is. I am assuming that it wanted to be a psychological horror, but the film is so lightweight that it appears to have been written with twelve-year-olds in mind – which isn't necessarily a bad thing. However, the film is visually aimed at adults, with sex, full frontal nudity, nasty violence and drug use. Thus the film is torn between the two camps; the writing is too simple for adults but the adult material will stop kids seeing it.

Essentially the story is that these toffs at a private boarding school in England would rather spend three days in an old underground World War Two bunker (the titular ‘Hole') than go to Wales on a school trip. Everything is engineered so that the school assumes that they have gone home for the duration whilst their parents think that they have actually gone to Wales. In other words, nobody knows where they are there. Ultimately the events unfold and they end up stuck in the Hole and proceed to go stir crazy.

My biggest hang up is the presence of Thora Birch. Firstly her twee English accent is all over the place. They should have just let her speak with her natural accent, as it would have been less of a distraction. Maybe as an Englishman this is a stick that I can unfairly beat her with and perhaps overseas no one will notice, but for me it was an unwelcome distraction (especially when there are many young British actresses who would've done a better job).

Secondly she brings NOTHING to the movie. The other members of the young cast are relative unknowns and act her off the screen. They all give believable reputations of stuck up self-centred kids and the effects of human physical and mental degradation. I assume that Ms. Birch was brought in to add ‘international appeal' but she stifles and flounders around with her leading role, unable to rise to the challenge of her co-stars.

Before you all assume that I'm bashing her because she's American think again because young American actor Desmond Harrington who plays Mike Steel, is the best thing about this movie.

I've been anticipating this film for a while since it is Thora Birch's first role since American Beauty. So, The Hole. The Hole has been hyped up as a horror/psychological film in which 4 students are locked down an old wartime bunker (-the- Hole) to avoid a boring Geography field trip. How does it fare?

The casting is probably the jewel of this film. It's superb. The absolutely stunning Keira Knightley (Sabé from Star Wars Episode I) appears as Liz's (Birch) friend, Frankie. All the rest of the characters are complete unknowns, except the psychologist played by Embeth Davidtz (Matilda, Bridget Jones, Schindler's List), but they all act their parts excellently.

This film really has the British 'feel' mastered. The sets are excellent, the locations are splendid, and the whole 'feel' of the movie is very realistic. The school really does feel like a British public school (A British 'public school' is like a 'private school' in the US.. one where you need rich parents to flash $$$ to get you in). The unnamed pupils seem extremely realistic.

There are only three small flaws with this film. The first is that it doesn't exactly live up to the hype in the British press. I did not find this scary at all, but it was an extremely well done mystery/whodunnit. Horror? Nah, not unless you classify psychological thrillers as 'horror'.

The second flaw is that the transitions between different parts of the film can be rather confusing. Often, the film bounds around past and present shots and be extremely disorienting in places. Unlike Memento, this disorientation is not an advantage. However, at the end of the film, you'll be able to tie all of the parts together and leave feeling quite satisfied with the story (a bit like the film 'Wild Things').

Another minor let down is the music. Totally forgettable, has no place in the film, and it often appears at the most inappropriate times.

I really do hope this is released in the USA soon, as Thora Birch is definitely not to be missed here.. and I think the stunning Keira Knightley is going to be getting some bigger roles from now on, she's definitely earned her stripes here. So, my big question, why has this not been scheduled for US release!?

This is certainly not a Blair Witch Project clone, although this impression has been given by the press. Instead, this is a cleverly constructed and extremely well casted psychological thriller/mystery.

I'D RATHER YOU DIDN'T READ THIS IF YOU HAVEN'T ALREADY SEEN IT, JUST IN CASE I SPOIL IT FOR YOU!

When Liz staggers, tattered, shocked and disturbed in a blood stained coat through the halls of residence in an exclusive British boarding school in the opening scene of the film, which has thus far been intense and atmospheric, I begin thinking - "This is promising." But then, and I don't wish to be known as a pedant or anything, she stumbles up to a British telephone in her British boarding school and calls the British emergency services, saying, in a British falsetto...

"Nine... one... one."

WHAT?????????????

911? The most basic and fundamental of research errors, the number for the police, has been overlooked.

I know I am watching an American film. Ever since I first saw her in American Beauty (in which she managed to hold her own against Spacey and Boening beautifully. I have found a brilliant allure about her. I so wanted to like this film. And I did. I would have liked it more if it had been a little more culturally sensitive.

All American-Britons in the film had flawless British accents - but that's just it - a regional dialect here and a glottal stop there would have been far more believable.

The concept itself is brilliant - a tale of adolescent obsession and peer pressure leading to insanity and homicide. And there are moments in the film that are genuinely disturbing, for example when we see Liz beside her vomiting best friend, ignoring her totally, preferring to obsess about Mike - her teenage fantasy incarnate.

Technically, the film is superb, and fragmented fast shots of the bodies and effective lighting and mise-en-scene in the Hole itself are brilliant, but everything set in the present is fairly terrible, mostly due to dubious acting and underdeveloped script work. The contrived atmosphere of the first fifty minutes is representative of Liz's tale itself - false, and when we do see the account as it happened, it is shocking and tense (although the cheesy funeral scene is fairly diabolical).

The biggest problem around the film is the fact that the characters, even Liz, are underdeveloped and the script and issues (eg that of identity, ie belonging - "The be popular at (name of high school), you have to be either..." said by both Martin and Liz) are too. Her obession is a fantastic premise for a film and its context in the hole is excellent but then it is damaged by a throw away attitude to making decent psychological thrillers - in this case, the teen horror genre was too much of an influence (although the grissly death scenes were very effective).

An excellent idea, but seriously underdeveloped, especially when placed in a market with peers such as Cube, with a lower budget and totally unknown actors (I'm sorry, Thora, I'm sorry!!)which manages to be shocking, timeless and tense.

Watch it, it's good. But note that its potential was done poorly by using American actors to create a pseudo-Britain, and "American-England," and the sometimes unbelievable dialogue.

The movie concerns a bunch of adolescents formed by Thora Birch , Desmond Harrington , Kiera Knightley and others who stake to shelter in a bunker .

They're closed up and then terrible events originate .

Although the happening develops itself in locked place the film is not tiring .

The yarn mingles emotions , violence , shocks , thriller , the suspense doesn't fail and that's why it's bemusing and isn't boring .

Acting by Thora Birch is awesome , she was paid a high salary due to her recent acclaimed role in American Beauty (1998) . The beautiful and very young Kiera Knightley -she war 15 when this movie was shot- is ready as a future main star (Pirates del Caribbean, curse of the black pearl) and even she has a brief first nude scene . And Desmond Harrington (Ghost ship) is cool .

The film has relation to last group of English movies developed in shut and strange stages as the Bunkers or trenches , for example : ¨Deathwatch¨ and ¨the Bunker¨.

The movie has a pretty twisted plot and the final storyline has extraordinary and fascinating surprises. The motion pictture was well directed by Nick Hamm (Killing Bono , Godsend , Talk of angels) . Flick will appeal mystery and emotions fans.

Rating: 6/10 Good . Well worth watching

I had high hopes for 'The Hole' being a fan of this kind of "head trip" mystery (when done well!), and also because Thora Birch shows lots of potential. Unfortunately Birch is nothing special here and she is the ONLY good thing about this disappointing missfire. The plot features so many holes and ludicrous moments that you quickly lose interest, especially after the main plot twist will take you all of ten minutes to guess. You vainly hope that the obvious way the movie is heading is a red herring and will be cleverly subverted, but it isn't. Anyone who has seen a decent amount of mystery thrillers over the years will find this one to be the same old, same old. On top of that the four main characters are all unsympathetic and so cliched that you frankly won't give a damn what happens to any of them, and that is a fatal flaw in this kind of movie. Don't bother with this one.