Rede de Corrupção

'Exit Wounds' begins explosively with a terrorist raid on the Vice President, who is surrounded by an array of police escorts…

When renegade Detroit detective Orin Boyd (Seagal) takes on the whole Michigan militant group to save the man's life, in true action hero fashion, he is punished for his lack of respect for authority and procedure and sent to one of the toughest precincts in the city of Detroit, the 15th…

Once there, Seagal begins his usual habit of investigating things he's not assigned to, and quickly begins to suspect police corruption involving a major heroin operation…

Seagal plays a super tough cop who stays in trouble for complaints filed against him for excessive force…

He lands in a bad dangerous precinct and before you know it finds himself in nonstop furious action, trying to clean up the streets while taking on drug dealers and dirty cops pretty much all by himself…

Seagal is accompanied in this film by rapper DMX and a few other familiar faces including Anthony Anderson who is absolutely hilarious

I had believed that Steven Seagal's exit wounds would be as good as under siege 2 which was his best film. Exit wounds does start well with a good fight scene but unfortunately the film lacks pace & too often wonders around going nowhere. IT could certainly have done without tom arnold who turns up as unwanted as a weak bowel.

DMX whoever he is seems comfortable in his role but I never really found out what his operation was. The bad cops in the film were good & there was plenty of decent action with them.

Steven Seagal once again proves himself as a top class actor with those scowls & frowns & that calmness he displays everytime he appears in a scene

Not a bad film but a liitle long

Dumb, unbelievable action film, but jeeze, it's Seagal. At least he's lost the ponytail and he's not making the world safe for trees. Not quite as full of himself, in other words, but still pretty full. What made his first few films so terrific was his incorporation of real Aikido; eventually, he started doing something with only minimal relation to that art. Not to mention getting fat and pompous.

I've never been terribly bothered by the fact that the man can't act, because he was fun to watch. For years, though, he hasn't been fun and he still can't act. There's more action here, and less Steven Seagal standing around looking full of himself -- that's a big improvement right there.

I notice a lot of "who needs a plot, it's an action film!" comments on this and other movies. Action is great but a little effort on plot makes for a more interesting movie. Throwing in innumerable scenes set in topless joints (what is *that* all about?) doesn't make up for a storyline.

Typical Seagal movie. Someone pushes him around and he fights back. Always a good watch. There's a a few cool moves he makes, but don't expect too much from this movie. The plot moves quickly and really isn't that interesting. It's all about the fight scenes.

One thing that really got to me was the movie takes place in Detroit City but there's almost a Canadian landmark in each scene. "Welcome to Detroit AM" [CN tower in the background], Sky dome signs, Canadian food chains and even in the first few scenes there's filming right in front of City landmarks. Why not just say Toronto rather than Detroit?

Despite Fire Down Below being a No. 1 hit in America, it went straight to video here in the UK and killed Seagal's career for four years. But then veteran action producer Joel Silver thrust Steve back in the limelight, put him on the Slimfast diet gave him slightly better material to work with. After all, an actor can only do as good as the script.

From a novel of the same name by John Westerman (but bearing minimal resemblance to it) the plot centers on Orin Boyd, a cop busted down to patrolman after a rough encounter with the Vice-President. Once on the streets Boyd's suspicious nose can't keep him out of trouble with undercover cops who are trying to bust local Drug Boss Latrell Walker…or so it seems.

There are many attempts at irony throughout the movie and surprisingly enough most of them work. Boyd is forced to attend rage control classes in which he meets eccentric TV host Henry Wayne (Tom Arnold) who becomes his wannabe partner. But sadly enough the classes don't work as Boyd continues to uses violence first, ask questions later. And there is a public service announcement too; Seagal survives a car wreck by airbag. A later car crash victim doesn't have one and dies.

Dozens of cop movie clichés staple the flimsy script together. And the bad guys are obvious from the moment they appear on screen. Bartkowiak's direction is better than in his debut Romeo Must Die, and adds a heavy dose of frenetic rush to such a fast-paced film. However the set-up and execution of the story is so dull you'll forget about it half an hour after the credits roll.

Seagal has learned a little, just a little, more in the acting area but still doesn't know how to express himself much. There's too much frowning and not enough other emotions from Boyd. We do want to feel more from him but he won't allow us. I guess this is just how Seagal is. He just can't get away from himself no matter what role he plays. I wish Seagal would try harder, but he just never bothers with making an effort.