AVALIAÇÃO DA IMDb
5,6/10
38 mil
SUA AVALIAÇÃO
Orin Boyd, um policial rígido num distrito do centro da cidade descobre uma rede de policiais corruptos.Orin Boyd, um policial rígido num distrito do centro da cidade descobre uma rede de policiais corruptos.Orin Boyd, um policial rígido num distrito do centro da cidade descobre uma rede de policiais corruptos.
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- Prêmios
- 4 indicações no total
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- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
For a plot with a lot of potential and decent acting from decent actors, this film could have been much worse. Seagall played his typical role as a tough mouthed and tempered cop who can't comply with authority figures. DMX also stars as a supposed criminal involved in the drug game. I expected how Seagall's part would pan out, however i was surprised on how DMX's presence and acting were not horrendous, though not great. Overall great effects and some fun plot twists Exit Wounds not a bad film to sit down and watch.
Despite Fire Down Below being a No. 1 hit in America, it went straight to video here in the UK and killed Seagal's career for four years. But then veteran action producer Joel Silver thrust Steve back in the limelight, put him on the Slimfast diet gave him slightly better material to work with. After all, an actor can only do as good as the script.
From a novel of the same name by John Westerman (but bearing minimal resemblance to it) the plot centers on Orin Boyd, a cop busted down to patrolman after a rough encounter with the Vice-President. Once on the streets Boyd's suspicious nose can't keep him out of trouble with undercover cops who are trying to bust local Drug Boss Latrell Walker or so it seems.
There are many attempts at irony throughout the movie and surprisingly enough most of them work. Boyd is forced to attend rage control classes in which he meets eccentric TV host Henry Wayne (Tom Arnold) who becomes his wannabe partner. But sadly enough the classes don't work as Boyd continues to uses violence first, ask questions later. And there is a public service announcement too; Seagal survives a car wreck by airbag. A later car crash victim doesn't have one and dies.
Dozens of cop movie clichés staple the flimsy script together. And the bad guys are obvious from the moment they appear on screen. Bartkowiak's direction is better than in his debut Romeo Must Die, and adds a heavy dose of frenetic rush to such a fast-paced film. However the set-up and execution of the story is so dull you'll forget about it half an hour after the credits roll.
Seagal has learned a little, just a little, more in the acting area but still doesn't know how to express himself much. There's too much frowning and not enough other emotions from Boyd. We do want to feel more from him but he won't allow us. I guess this is just how Seagal is. He just can't get away from himself no matter what role he plays. I wish Seagal would try harder, but he just never bothers with making an effort.
From a novel of the same name by John Westerman (but bearing minimal resemblance to it) the plot centers on Orin Boyd, a cop busted down to patrolman after a rough encounter with the Vice-President. Once on the streets Boyd's suspicious nose can't keep him out of trouble with undercover cops who are trying to bust local Drug Boss Latrell Walker or so it seems.
There are many attempts at irony throughout the movie and surprisingly enough most of them work. Boyd is forced to attend rage control classes in which he meets eccentric TV host Henry Wayne (Tom Arnold) who becomes his wannabe partner. But sadly enough the classes don't work as Boyd continues to uses violence first, ask questions later. And there is a public service announcement too; Seagal survives a car wreck by airbag. A later car crash victim doesn't have one and dies.
Dozens of cop movie clichés staple the flimsy script together. And the bad guys are obvious from the moment they appear on screen. Bartkowiak's direction is better than in his debut Romeo Must Die, and adds a heavy dose of frenetic rush to such a fast-paced film. However the set-up and execution of the story is so dull you'll forget about it half an hour after the credits roll.
Seagal has learned a little, just a little, more in the acting area but still doesn't know how to express himself much. There's too much frowning and not enough other emotions from Boyd. We do want to feel more from him but he won't allow us. I guess this is just how Seagal is. He just can't get away from himself no matter what role he plays. I wish Seagal would try harder, but he just never bothers with making an effort.
In the movie there is action , tongue-in-cheek , struggles of Kung Fu style , pursuits , comedy and packs a lot of bemusement . This is a buddy movie action film with nice protagonists as Steven Seagal , DMX and Isaiah Washington Jr .Elaborately produced action film with two-fisted Seagal is just another action film full of struggles , thrills, noisy action , car crashes and lots of violence . Ever-wooden Seagal as almost always , playing a stalwart and loner fighter cop eliminating enemies of incredible manners , as he delivers the goods in his own style full of usual violence and fights with snapping wrists and worth it just to see Steve in action . He's Orin Boyd (Steven Seagal) , a Detroit cop who after saving the Vice President by violating every order he received he is transferred to one of the worst precincts in the city commanded by a stubborn boss , Annette Mulcahy (Jill Hennessy ) . Shortly after , he encounters a cobweb of corruption and dirty policemen . What Can Two Men Do Against A Gang Of Crooked Cops? Whatever It Takes. This Is Gonna Hurt .
Well-paced action film with two-fisted Seagal is just another action film full of struggles , thrills , noise and lots of violence with overwhelming and breathtaking set pieces . Violent and not particularly literary but worthy entry in action genre and realized in ¨Seagal¨ style . Wooden Seagal plays the violent Orin Boyd , he cleans up the city by means of punches , kicks and leaps by using abundant martial arts with fights certainly slick . Ever-wooden Seagal as almost always , playing a stalwart and loner fighter cop , he delivers the goods in his own style full of usual violence and fights with snapping wrists and worth it just to see Steve in action . Performances are middling but it's an action film where important are the quarrels and the pursuits . He picture was made in the Seagal's best period when he played high budget movies such as ¨Hard to kill¨(1990 by Bruce Malmuth) , ¨Under siege¨ ( Seagal's best film to date, 92) , and the sequel titled : ¨Dark territory¨ (1995, Geoff Murphy), ¨Executive decision¨ (96 by Stuart Baird), ¨Glimmer man¨ (96, John Gray) , ¨Exit wounds¨(2001, Andre Bartkowiak) , among others . Nowadays ,he does fairly low standards, lesser budget and direct to video , such as ¨Half past dead¨, ¨The foreigner¨ and its sequel, ¨Shadow man ¨, ¨Flight of fury¨, ¨Urban justice¨ and many others . Co-stars the recently deceased DMX who performed three nice action films : Romeo must die , Exit Wounds and Cradle 2 The Grave along with Seagal , Jet Li and Anthony Anderson. Cradle 2 the grave is not only the 2nd film to star DMX, Jet Li, and Anthony Anderson together , it is the first film where all three of them share screen time with each other . All three of them starred in Romeo Must Die . Support cast is pretty good , such as : Isaiah Washington , Anthony Anderson , Michael Jai White , Jill Hennessy , Bill Duke , Tom Arnold , Bruce McGill , David Vadim and Eva Mendes . Here stands out Tom Arnold and Anthony Anderson who interpret a humorous and first-rate couple .
It contains a colorful and evocative cinematography by Glen MacPherson . As well as a thrilling and stirring musical score by Damon 'Grease' Blackman and Jeff Rona . The motion picture was regular but professionally directed by Andrzej Bartowiak . This filmmaker as member of the American Society of Cinematographers (ASC) is considered to be one of the best cameramen and occassionaly has directed some movies . Breakthrough film was his work as a cameraman on the gritty urban thriller Prince of City (1981) , his first collaboration with Sidney Lumet. Bartkowiak worked on the director's next 11 films over the next 12 years. Bartkowiak became much in demand after his taut camera work in Speed (1994) and has worked twice for Barbra Streisand in Nuts (1987) and The mirror has two faces (1996) . Rating Exit Wounds(2001) : 5.5/10 , mediocre but entertaining . Acceptable and passable.
Well-paced action film with two-fisted Seagal is just another action film full of struggles , thrills , noise and lots of violence with overwhelming and breathtaking set pieces . Violent and not particularly literary but worthy entry in action genre and realized in ¨Seagal¨ style . Wooden Seagal plays the violent Orin Boyd , he cleans up the city by means of punches , kicks and leaps by using abundant martial arts with fights certainly slick . Ever-wooden Seagal as almost always , playing a stalwart and loner fighter cop , he delivers the goods in his own style full of usual violence and fights with snapping wrists and worth it just to see Steve in action . Performances are middling but it's an action film where important are the quarrels and the pursuits . He picture was made in the Seagal's best period when he played high budget movies such as ¨Hard to kill¨(1990 by Bruce Malmuth) , ¨Under siege¨ ( Seagal's best film to date, 92) , and the sequel titled : ¨Dark territory¨ (1995, Geoff Murphy), ¨Executive decision¨ (96 by Stuart Baird), ¨Glimmer man¨ (96, John Gray) , ¨Exit wounds¨(2001, Andre Bartkowiak) , among others . Nowadays ,he does fairly low standards, lesser budget and direct to video , such as ¨Half past dead¨, ¨The foreigner¨ and its sequel, ¨Shadow man ¨, ¨Flight of fury¨, ¨Urban justice¨ and many others . Co-stars the recently deceased DMX who performed three nice action films : Romeo must die , Exit Wounds and Cradle 2 The Grave along with Seagal , Jet Li and Anthony Anderson. Cradle 2 the grave is not only the 2nd film to star DMX, Jet Li, and Anthony Anderson together , it is the first film where all three of them share screen time with each other . All three of them starred in Romeo Must Die . Support cast is pretty good , such as : Isaiah Washington , Anthony Anderson , Michael Jai White , Jill Hennessy , Bill Duke , Tom Arnold , Bruce McGill , David Vadim and Eva Mendes . Here stands out Tom Arnold and Anthony Anderson who interpret a humorous and first-rate couple .
It contains a colorful and evocative cinematography by Glen MacPherson . As well as a thrilling and stirring musical score by Damon 'Grease' Blackman and Jeff Rona . The motion picture was regular but professionally directed by Andrzej Bartowiak . This filmmaker as member of the American Society of Cinematographers (ASC) is considered to be one of the best cameramen and occassionaly has directed some movies . Breakthrough film was his work as a cameraman on the gritty urban thriller Prince of City (1981) , his first collaboration with Sidney Lumet. Bartkowiak worked on the director's next 11 films over the next 12 years. Bartkowiak became much in demand after his taut camera work in Speed (1994) and has worked twice for Barbra Streisand in Nuts (1987) and The mirror has two faces (1996) . Rating Exit Wounds(2001) : 5.5/10 , mediocre but entertaining . Acceptable and passable.
Pretty straightforward action flick that is absolutely ridiculous and yet I can forgive it. You see there was nothing I loved more as a child than watching the movie heros fight the bad guys and ultimately take them out to restore peace to the free world. However, somewhere in the mid-90's, these kind of films (which I have appropriately labelled "The Big Dumb Action Movies") became a lost art and gave way to newer more complex action thrillers. In some instances this was for the better and in other instances, let's just say you were left longing for the days of old when Johnny Rambo dashed acrossed a battlefield in the jungle with his extra powerful M-60 machine gun and mowed down some Commie scum. One of the men at the frontline of the old action genre movies was Steven Seagal. His older movies were an action fan's wet dream. They had lots of shooting, lots of brutal fight scenes, and the occasional trademark Seagal staredown. Nevermind the fact that the man couldn't act well even if his children were kidnapped and one of the ransom demands from the kidnappers was for not only $5 million dollars but also for Seagal to play at least one scene in a new movie with a different tone of voice and a different facial expression.
But the entertainment was there and when I saw "Exit Wounds," I was automatically thrown back into the mind of a young boy all over again. Here's a movie that gives an old fan of action exactly what they could ever hope for. Lots of martial arts, lots of great shootouts, and over the top stunts (maybe with a little bit of help from those damn cables and CGI but let us ignore this for the time being). This movie is a lot of fun and I was glad to see Seagal make a return to the kind of movie that people actually will pay to see him in, even if this is just a one time deal for the pony tail sporting Aikdo artist. If it is simple minded action you crave, then you can't go wrong with "Exit Wounds," which is really more of a throwback than anything. When you see the legendary action film veteran Bill Duke on the screen with those crazy eyes, you know you're officially watching a "Big Dumb Action Movie."
But the entertainment was there and when I saw "Exit Wounds," I was automatically thrown back into the mind of a young boy all over again. Here's a movie that gives an old fan of action exactly what they could ever hope for. Lots of martial arts, lots of great shootouts, and over the top stunts (maybe with a little bit of help from those damn cables and CGI but let us ignore this for the time being). This movie is a lot of fun and I was glad to see Seagal make a return to the kind of movie that people actually will pay to see him in, even if this is just a one time deal for the pony tail sporting Aikdo artist. If it is simple minded action you crave, then you can't go wrong with "Exit Wounds," which is really more of a throwback than anything. When you see the legendary action film veteran Bill Duke on the screen with those crazy eyes, you know you're officially watching a "Big Dumb Action Movie."
I went into this movie with the no expectations, except to see a cheesy action flick. This means I desired high-flying, over-the-top action that includes lots of cool martial arts, mushroom cloud explosions, high speed car chases and catastrophic crashes, and ultra-violent death scenes. Boy does this movie deliver!
I've been reading some of the other user reviews here on imdb and many are saying this is Seagal's best flick. I would probably agree that it is close. His stiff under-acting makes him perfect for this Dirty Harry type part.
The plot is nothing new. Seagal is a strung-out lone ranger cop who plays by his own rules...well you know the type, this character has been used in countless movies. Basically, Seagal's character finally goes too far (by throwing the Vice President off a bridge no less!) Thus, Seagal gets demoted down to the most dangerous precinct in town. Once there, he begins to discover crooked cops and internal conspiracies. With no one to trust and people trying (emphasis on "trying") to kill him left and right, Seagal starts kicking ass and taking names.
Yes I know, this storyline is as old as they come, but I maintain that cheesy action flicks aren't about great or novel plot lines. No, cheesy action flicks are about great action with all the things I listed above, in which, this movie delivers the goods with a bang.
This movie also stars DMX, who is surprisingly competent as one of the main and most interesting characters of the movie. Generally good performances all around. I never noticed any laughably bad acting. Flashy directing and nice production design are also bonuses. This tired plot even still manages a few interesting twists (I won't reveal anything for those who haven't seen the movie, but lets just say everyone is not how they seem, including the bad guys).
FINAL RATING: 7/10 - As good as a cliched action flick can be. Semi-interesting characters, a few plot twists here and there, steady, interesting action, flashy directing, decent performances, plenty of cool explosions, exciting car chases, and numerous excellent violent death scenes. This movie is truly the creme de la creme of cheesy action flicks! Recommended for all action lovers!
Noob Aalox
I've been reading some of the other user reviews here on imdb and many are saying this is Seagal's best flick. I would probably agree that it is close. His stiff under-acting makes him perfect for this Dirty Harry type part.
The plot is nothing new. Seagal is a strung-out lone ranger cop who plays by his own rules...well you know the type, this character has been used in countless movies. Basically, Seagal's character finally goes too far (by throwing the Vice President off a bridge no less!) Thus, Seagal gets demoted down to the most dangerous precinct in town. Once there, he begins to discover crooked cops and internal conspiracies. With no one to trust and people trying (emphasis on "trying") to kill him left and right, Seagal starts kicking ass and taking names.
Yes I know, this storyline is as old as they come, but I maintain that cheesy action flicks aren't about great or novel plot lines. No, cheesy action flicks are about great action with all the things I listed above, in which, this movie delivers the goods with a bang.
This movie also stars DMX, who is surprisingly competent as one of the main and most interesting characters of the movie. Generally good performances all around. I never noticed any laughably bad acting. Flashy directing and nice production design are also bonuses. This tired plot even still manages a few interesting twists (I won't reveal anything for those who haven't seen the movie, but lets just say everyone is not how they seem, including the bad guys).
FINAL RATING: 7/10 - As good as a cliched action flick can be. Semi-interesting characters, a few plot twists here and there, steady, interesting action, flashy directing, decent performances, plenty of cool explosions, exciting car chases, and numerous excellent violent death scenes. This movie is truly the creme de la creme of cheesy action flicks! Recommended for all action lovers!
Noob Aalox
Você sabia?
- CuriosidadesIn an interview with Huffpost Live, Tom Arnold claimed that Steven Seagal fell into the water while filming a scene on his character's houseboat: Seagal had opted to shoot the scene without rehearsal and mistakenly exited through the wrong door, leading him to drop into the bay.
- Erros de gravaçãoDuring the shootout on the bridge, Orin Boyd knocks out an enemy and takes from him a submachine gun. Though each following shot shows Boyd wielding a .45 semiautomatic pistol instead of the weapon he just took, the gun still fires in automatic mode, which is impossible for that kind of weapon.
- Cenas durante ou pós-créditosWhen the end credits start rolling, T.K. is a guest on Henry Wayne's TV talk show. They talk about T.K.'s operation. T.K. greets his parents. Then they talk about things that turn them on.
- Versões alternativasGerman retail video version is cut for violence to secure a "Not under 16" rating.
- ConexõesFeatured in HBO First Look: Making 'Exit Wounds' (2001)
- Trilhas sonorasFeelin' The Hate
Written by Ja Rule (as Jeffrey Atkins), Caddillac Tah, Romel Gill, Irv Gotti,
Ronie Lane, Tiffany Lane, Renan Thybulle and Roashoun Casey
Performed by Ja Rule
Courtesy of Def Jam Records
Under License From Universal Music Enterprises
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- How long is Exit Wounds?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Red De Corrupción
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 50.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 51.758.599
- Fim de semana de estreia nos EUA e Canadá
- US$ 18.485.586
- 18 de mar. de 2001
- Faturamento bruto mundial
- US$ 79.958.599
- Tempo de duração1 hora 41 minutos
- Mixagem de som
- Proporção
- 2.39 : 1
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