AVALIAÇÃO DA IMDb
6,8/10
23 mil
SUA AVALIAÇÃO
Depois de começar em um colégio interno de luxo, uma adolescente faz amizade com suas duas colegas de quarto mais velhas. No entanto, quando ela descobre que suas novas amigas são amantes, e... Ler tudoDepois de começar em um colégio interno de luxo, uma adolescente faz amizade com suas duas colegas de quarto mais velhas. No entanto, quando ela descobre que suas novas amigas são amantes, ela se vê em uma situação complicada.Depois de começar em um colégio interno de luxo, uma adolescente faz amizade com suas duas colegas de quarto mais velhas. No entanto, quando ela descobre que suas novas amigas são amantes, ela se vê em uma situação complicada.
- Prêmios
- 4 vitórias e 6 indicações no total
Emily VanCamp
- Allison Moller
- (as Emily Vancamp)
Grace Lynn Kung
- Lauren
- (as Grace Kung)
Felicia Shulman
- Sal Bedford
- (as Felicia Schulman)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Sometimes I forget what kind of person I am because I interact with so many dull, selfish, and fearful people. This movie is about following your beliefs and living what you feel. It is about recognizing what you "live for". going after it with all that you are, and righteously being destroyed if you do not succeed. I became more and more absorbed in the film as it progressed and was deeply moved by its climax. I think the acting was superb and the dialog terrific. I also was very affected by the accompanying music. The situational and dialectical drama strongly complimented each other and I felt the angst, disbelief, and compassion rise within.
I only decided to see this film simply because I liked Piper Perabo in 'Coyote Ugly', an enjoyable but 'lightweight' film. I watched 'Lost and Delirious' for the first time last evening and I was totally blown away by Piper's performance which surprised me, taking into account the fact that the film didn't exactly get rave reviews. It was a far deeper film than I expected it to be and I will need to watch it several times to appreciate its full impact. (I never manage to fully appreciate a film first time round!)The clever parallels drawn between Paulie's character and the bird of prey's plight are cleverly handled, although I thought it was made a little too obvious when she began to refer to herself as 'the raptor'. I felt this was unnecessary; the viewer should have been left to make that link for him or herself. The increasing tension which draws the viewer inexorably towards the climax of the film is almost unbearable. I felt myself starting to dread the end of the film, fearing its almost inevitable end. IMHO this is a masterful piece of movie-making. Miss it and miss out!
I thought 'Lost and Delirious' would be about some spoilt teenage girls hooking up on sex, drugs and rock and roll. But, to my surprise, it was something else. It's about three school roommates. Two of them engage in a 'forbidden' relationship while the other confronts her own issues and narrates the story. 'Lost and Delirious' isn't an easy film to watch. I don't want to hand out any spoiler but I'll say that it truly sticks to the title and parts of it are disturbing. I did not like how the film was treated because had it not been for the music and Piper Perabo's acting, it would have felt like a TV movie. At times, the pace is painfully slow and some scenes seem pointless. Piper Perabo steals the show with her terrific portrayal of the emotionally tortured and abandoned Paulie. Mischa Barton looks uncomfortable (and she needs to eat) but does okay in a few scenes. The soundtrack is quite unusual. There is something captivating about it. I also liked the sequences with Paulie and the raptor that symbolized liberty. It is not an easy film to watch but tells an interesting story of rejected love.
Lost and Delirious is an awkward, but strikingly earnest film. The story deals with a love affair between two girls at an exclusive prep school as witnessed by their roommate. Mischa Barton plays Mary, the new girl at school who quickly realizes that the two girls she shares a room with are a good deal more than just friends. Paulie (Perabo) is an outspoken girl with a troubled past, and Tori is a privileged girl from a more traditional family.
The first time Mary catches Paulie and Tori kissing on a rooftop in the middle of the night, she assumes they are only practicing for future encounters with boys. Soon enough, the two are sharing a bed in the nude, and the sounds they are making through the night leave little doubt as to what is going on. Mary accepts their relationship, and the three seem on their way to being good friends. Things take a turn for the worst when Tori's younger sister walks in the room one morning and catches Tori in the nude with Paulie. It's absolutely astonishing to see how fast Tori pushes Paulie away from that moment on. Tori explains that her parents would basically disown her if they found out. She spreads the word around campus that Paulie is actually a sexual predator who crawls in bed with her from time to time.
Tori ends up being a rather unlikeable character as the film progresses. She immediately hooks up with a boy from a nearby school, and openly flaunts the fact that Paulie means nothing to her. We know this isn't true from the start, however. Notice the agony on her face after she walks away from explaining to her little sister how there's nothing between herself and Paulie. She even goes as far as telling Paulie that she'll never love anyone else as much. All this after dumping and ridiculing her! Is this supposed to make Paulie feel better about being dumped? Anyway, enough about Tori...
Piper Perabo steals the show as Paulie. Her character would best be described as dangerously romantic and obsessive. She loves Tori more than could easily be explained here. Her constant public displays of devotion leave nothing to the imagination about how she feels. At one point, she even challenges Tori's new boyfriend to a duel in the nearby woods. There is nothing anyone can do to console Paulie or curb her obsession. At one point, even Mary is taken under her spell until loving memories of her late mother seem to bring her back to reality. Paulie has nothing like that to fall back on. Once she sees that she will never be with Tori, it can only end tragically for her. Piper Perabo needs to be in better films like this one. No more Cheaper by the Dozens or Coyote Uglys, please! This is not your typical film about teen love to say the least. Although this film has a few flaws, you will not soon forget it after seeing it. To see such devotion for one person from another is rare, even in movies. There are sex scenes, and they are handled honestly and tastefully. The film will no doubt remind all of its viewers about their most painful crushes, regardless of whom they may have been for. There are a few minor side plots that may not seem to fit with the central theme of this film, but overall you will likely find it a rewarding experience. And you have been warned: this film will probably depress you.
8 of 10 stars.
The Hound
The first time Mary catches Paulie and Tori kissing on a rooftop in the middle of the night, she assumes they are only practicing for future encounters with boys. Soon enough, the two are sharing a bed in the nude, and the sounds they are making through the night leave little doubt as to what is going on. Mary accepts their relationship, and the three seem on their way to being good friends. Things take a turn for the worst when Tori's younger sister walks in the room one morning and catches Tori in the nude with Paulie. It's absolutely astonishing to see how fast Tori pushes Paulie away from that moment on. Tori explains that her parents would basically disown her if they found out. She spreads the word around campus that Paulie is actually a sexual predator who crawls in bed with her from time to time.
Tori ends up being a rather unlikeable character as the film progresses. She immediately hooks up with a boy from a nearby school, and openly flaunts the fact that Paulie means nothing to her. We know this isn't true from the start, however. Notice the agony on her face after she walks away from explaining to her little sister how there's nothing between herself and Paulie. She even goes as far as telling Paulie that she'll never love anyone else as much. All this after dumping and ridiculing her! Is this supposed to make Paulie feel better about being dumped? Anyway, enough about Tori...
Piper Perabo steals the show as Paulie. Her character would best be described as dangerously romantic and obsessive. She loves Tori more than could easily be explained here. Her constant public displays of devotion leave nothing to the imagination about how she feels. At one point, she even challenges Tori's new boyfriend to a duel in the nearby woods. There is nothing anyone can do to console Paulie or curb her obsession. At one point, even Mary is taken under her spell until loving memories of her late mother seem to bring her back to reality. Paulie has nothing like that to fall back on. Once she sees that she will never be with Tori, it can only end tragically for her. Piper Perabo needs to be in better films like this one. No more Cheaper by the Dozens or Coyote Uglys, please! This is not your typical film about teen love to say the least. Although this film has a few flaws, you will not soon forget it after seeing it. To see such devotion for one person from another is rare, even in movies. There are sex scenes, and they are handled honestly and tastefully. The film will no doubt remind all of its viewers about their most painful crushes, regardless of whom they may have been for. There are a few minor side plots that may not seem to fit with the central theme of this film, but overall you will likely find it a rewarding experience. And you have been warned: this film will probably depress you.
8 of 10 stars.
The Hound
This movie has almost nothing in common with its insiration "The Wives of Bath". The movie does have everything to do with single minded love that turns to obsession. Piper Perabo as Paulie plays the role of her career, far surpassing anything else she has appeared in to date (although in Coyote Ugly she is beguiling!)
Jessiaca Pare plays the part of Tory well, and in some scenes steals the show with beautifully played emotions and torn loyalties. I have yet to see Jessica reach the heights of emotion she portrayed in this movie.
The movie ends very weakly, and in my view drawing the curtain a few minutes earlier would have made L&D almost perfect. Well done Lea Pool on one of the movies that made same sex love acceptable and better understood. Shame that it did not have a wider audience at the time of its release.
Jessiaca Pare plays the part of Tory well, and in some scenes steals the show with beautifully played emotions and torn loyalties. I have yet to see Jessica reach the heights of emotion she portrayed in this movie.
The movie ends very weakly, and in my view drawing the curtain a few minutes earlier would have made L&D almost perfect. Well done Lea Pool on one of the movies that made same sex love acceptable and better understood. Shame that it did not have a wider audience at the time of its release.
Você sabia?
- CuriosidadesAfter a few years of playing adult roles, this was the first of three high school roles in a row for Piper Perabo. She was cast as a teenager, although she was already in her mid-20's at the time. She'd already been a bartender in Show Bar (2000) and a government agent in As Aventuras de Alceu e Dentinho (2000), amongst other roles.
- Erros de gravaçãoWhen Ms. Vaughn writes the word love on the blackboard, the writing alternates between two differently written love words in the next scenes.
- Trilhas sonorasBeautiful
Written and Performed by Meshell Ndegeocello (as Me' Shell Ndegéocello)
Published by Revolutionary Jazz Giant / Warner Tamerlane Publishing Corp.
Courtesy of Maverick Records
By Arrangement with Warner Special Products
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- How long is Lost and Delirious?Fornecido pela Alexa
Detalhes
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 307.233
- Fim de semana de estreia nos EUA e Canadá
- US$ 41.215
- 8 de jul. de 2001
- Faturamento bruto mundial
- US$ 396.897
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