Uma unidade antiterroristas secreta chamada de “Black Cell”, comandada por Gabriel Shear, quer o dinheiro para financiar a guerra deles contra o terrorismo internacional, mas tudo está trava... Ler tudoUma unidade antiterroristas secreta chamada de “Black Cell”, comandada por Gabriel Shear, quer o dinheiro para financiar a guerra deles contra o terrorismo internacional, mas tudo está travado. Gabriel chama Stanley Jobson, um hacker condenado, para ajudá-lo.Uma unidade antiterroristas secreta chamada de “Black Cell”, comandada por Gabriel Shear, quer o dinheiro para financiar a guerra deles contra o terrorismo internacional, mas tudo está travado. Gabriel chama Stanley Jobson, um hacker condenado, para ajudá-lo.
- Direção
- Roteirista
- Artistas
- Prêmios
- 5 vitórias e 10 indicações no total
Avaliações em destaque
All in all this movie is just the epitome of cool, and it was definately one of the better action movies of 2001. Finally Travolta is back at what he does best. As a side note, this is a hell of a lot better then BATTLEFIELD EARTH,which by the way was not as bad as everyone said it was. I really think that you should see this, I don't think that you will be dissapointed.
9/10 Great.
The ingredients are pretty standard. There's a stylish kick-ass villain (Travolta) with a plan, being a high-tech bank robbery. This is all garnished with lots of weapons, technology, car chases and beautiful women. This movie really delivers on the action front, I don't think there's any 'quiet' scene that lasts more than 2 minutes. It also contains the now standard implausible hacking scenes, where getting into the computer system of a bank involves solving a kind of Rubik's cube on your computer screen. I hope you're not offended by product placement because a certain computer brand is quite prominent when IT hardware is involved in this movie. But it's by far not as obnoxious as in "I, Robot".
The filming is top-notch, unlike some other movies you can actually see what's happening in the action scenes (which is sometimes due to the amazing slow-down effects in some scenes). Unfortunately the entire plot becomes quite thin when the movie is stripped of all this action and style. However, it works. The ending is rather vague, as if room was left for a sequel without making it too painful if there wouldn't be one after all.
Overall I would say this is a pretty OK movie, but don't expect the best cinema ever.
Some of this script is a takeoff on Dog Day Afternoon, which Travolta's character re-enacts a role from that famous '70s film. "Shear" talks about that movie during the film.
I almost got discouraged watching this in the first half hour because there is so much computer terminology that I was lost. However, if you find yourself in a similar spot, take heart because that that ends after that first 30 minutes and is no longer a problem.
Credibility and bias aside, it's still a fun movie for at least one viewing, with that early bomb scene most memorable.
Well, Stanley Jobson (Hugh Jackman) a convicted Hacker, fresh out of prison and desperate to see his daughter again, can beat you, i'll bet on it. He has to hack into the FBI Computers in a fairly public place, with a gun to his head and a beautiful woman performing an act of Felacio on him, and he has just one minute to do it. (A Great Scene, Not Explict, just cool)
Anyway, he is recruited by John Travolta to hack into a dormant DEA Fund worth 9.5 Billion Dollars to finance his terrorist activities.
Full of Slick Dialogue, cool Direction and the simply gorgeous Halle Berry, this turns out to be a very enjoyable Thriller, with some clever twists (some of which don't quite work) but are forgivable anyway.
Not a classic, but a good film none the less. 8/10
Apart from that, I think this is a good action movie, more intelligent than most of its kind. My only objection is Hugh Jackman: he is really good in the film, but doesn't look exactly as a computer freak. He's too sexy for that. But then again, why complain?
Você sabia?
- CuriosidadesThe dramatic explosion at the start of the film was captured using 135 synchronized still cameras.
- Erros de gravaçãoThe $400 million in DEA money is said to have grown, "with interest", to $9.5 billion in 15 years. That would represent a compound interest rate of over 21% per year, which is unrealistic. At 12%, the money would have grown to a little less than $2.4 billion. At a more realistic 6%, it would be about $981 million, or a little over one-tenth of the value claimed in the movie.
- Citações
[first lines]
Gabriel: You know what the problem with Hollywood is? They make shit. Unbelievable, unremarkable shit. Now I'm not some grungy wannabe filmmaker that's searching for existentialism through a haze of bong smoke or something. No, it's easy to pick apart bad acting, short-sighted directing, and a purely moronic stringing together of words that many of the studios term as "prose". No, I'm talking about the lack of realism. Realism; not a pervasive element in today's modern American cinematic vision. Take Dog Day Afternoon, for example. Arguably Pacino's best work, short of Scarface and Godfather Part 1, of course. Masterpiece of directing, easily Lumet's best. The cinematography, the acting, the screenplay, all top-notch. But... they didn't push the envelope. Now what if in Dog Day, Sonny wanted to get away with it, REALLY wanted to get away with it? What if - now here's the tricky part - what if he started killing hostages right away? No mercy, no quarter. "Meet our demands or the pretty blonde in the bellbottoms gets it the back of the head." Bam, splat! What, still no bus? Come on! How many innocent victims splattered across a window would it take to have the city reverse its policy on hostage situations? And this is 1976; there's no CNN, there's no CNBC, there's no internet! Now fast forward to today, present time, same situation. How quickly would the modern media make a frenzy over this? In a matter of hours, it'd be biggest story from Boston to Budapest! Ten hostages die, twenty, thirty; bam bam, right after another, all caught in high-def, computer-enhanced, color corrected. You can practically taste the brain matter. All for what? A bus, a plane? A couple of million dollars that's federally insured? I don't think so. Just a thought. I mean, it's not within the realm of conventional cinema... but what if?
- Cenas durante ou pós-créditosThe last credit reads "Final Password: Vernam", which is part of the website game. (See Trivia). A Vernam cypher is a method of encrypting a message.
- Versões alternativasAlternate television takes were shot for the scene with Ginger at the pool (she wears a bikini) and where Stanley hacks into the main frame of the Departement of Defense (Helga is not there).
- ConexõesFeatured in Conversations with Jerry Bruckheimer (2000)
- Trilhas sonorasDark Machine
Written by Paul Oakenfold and Andy Gray
Performed by Paul Oakenfold and Christopher Young
Courtesy of London-Sire Records
Principais escolhas
- How long is Swordfish?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- Swordfish: Acceso autorizado
- Locações de filme
- Ventura, Califórnia, EUA(Location)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 102.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 69.772.969
- Fim de semana de estreia nos EUA e Canadá
- US$ 18.145.632
- 10 de jun. de 2001
- Faturamento bruto mundial
- US$ 147.080.413
- Tempo de duração
- 1 h 39 min(99 min)
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1