AVALIAÇÃO DA IMDb
6,6/10
146 mil
SUA AVALIAÇÃO
Um jovem e brilhante estagiário da CIA recebe uma solicitação de seu mentor para a ajudar a encontrar um infiltrado na Agência.Um jovem e brilhante estagiário da CIA recebe uma solicitação de seu mentor para a ajudar a encontrar um infiltrado na Agência.Um jovem e brilhante estagiário da CIA recebe uma solicitação de seu mentor para a ajudar a encontrar um infiltrado na Agência.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 2 indicações no total
Kenneth Mitchell
- Alan
- (as Ken Mitchell)
Jenny Cooper
- Blonde with Cell Phone
- (as Jennifer Levine)
Veronica Hurnick
- Polygraph Interrogator
- (as Veronika Hurnik)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
1st watched 6/28/2003 - 6 out of 10(Dir-Roger Donaldson): Good spy action thriller with passable performances by the leads Farrell, Pacino and Moynahan. This isn't quite on-the-edge-of-your-seat material but there is a lot of good information given to you about the CIA to almost make it a how-to type of film at least in the first half. The 2nd half wonders more into the action-thriller genre but always keeps you guessing. Farrell is recruited by a CIA agent to be trained as one and we get to see how they are trained in a place called the `Farm', which is a special school for the CIA. Pacino's character constantly is stressing to Farrell and the audience that not everything is as it seems. This becomes kind of the theme throughout the movie as the viewer tries to figure out what's real and what's not. This is quite a challenge in this film considering that being deceptive is part of the job of the CIA agent. Another statement made by Pacino's character is that `everything is a test' also helps in the confusion of the reality issue. After Farrell goes thru the `Farm', he is assigned a special case to investigate someone that he seems to care(Moynahan) about, as a possible double-agent. The truth is twisted a couple of times near the end of the film but we're able to figure it out when it's all over. The 1st half and the 2nd half of this movie could actually each stand alone and that's what weakens the picture is the attempt to put both the CIA drama and the action-thriller together. All in all this is good viewing but could have been much better but it's apparent that the makers were ok with just ok, and that's ok.
Ironic this movie's made by Spyglass? Or is it? Isn't there ambiguity there as well?
Nothing is what it seems.
Yes the writers could have gone over their screenplay and given it another one-two and that may have raised the caliber another notch, but this is still good entertainment. It won't change your life, but it will be a well spent couple of hours.
And it's true the movie could in theory have had a more sophisticated (ambiguous) ending, but there comes a time, after wading through all the trollop on the market, that one just sinks back and decides to enjoy a better movie for all it's worth.
And this is such a movie: directed by the capable Roger Donaldson who directed the taut thriller No Way Out and co-authored by a writer on The Natural, this one keeps going at a brisk pace with excellent editing and super soundtrack from Klaus Badelt of POTC1 fame. Farrell - who actually comes off smaller than life what with all the tripe written about him, and that's not a bad thing - and former fashion model Moynahan make the sparks fly. You feel for the protagonists and that's an essential ingredient of any good movie.
But Pacino: he's great at whatever he does but is he fated to have secondary roles now? Bah.
There's a bit of a 'Spy Game' feel to things but there's no shameless copying going on. There just aren't many movies in this genre. And Spy Game doesn't have the thrill and suspense this one has. Yes, you might eventually figure everything out before the denouement, but you won't be upset. And odds are you won't figure everything out anyway - some yes; all of it - no.
As for that ending: some people would perhaps prefer more ambiguity. On several planes. Others would say the ending is ambiguous enough. At least on one plane, perhaps several.
Nothing is what it seems.
Nothing is what it seems.
Yes the writers could have gone over their screenplay and given it another one-two and that may have raised the caliber another notch, but this is still good entertainment. It won't change your life, but it will be a well spent couple of hours.
And it's true the movie could in theory have had a more sophisticated (ambiguous) ending, but there comes a time, after wading through all the trollop on the market, that one just sinks back and decides to enjoy a better movie for all it's worth.
And this is such a movie: directed by the capable Roger Donaldson who directed the taut thriller No Way Out and co-authored by a writer on The Natural, this one keeps going at a brisk pace with excellent editing and super soundtrack from Klaus Badelt of POTC1 fame. Farrell - who actually comes off smaller than life what with all the tripe written about him, and that's not a bad thing - and former fashion model Moynahan make the sparks fly. You feel for the protagonists and that's an essential ingredient of any good movie.
But Pacino: he's great at whatever he does but is he fated to have secondary roles now? Bah.
There's a bit of a 'Spy Game' feel to things but there's no shameless copying going on. There just aren't many movies in this genre. And Spy Game doesn't have the thrill and suspense this one has. Yes, you might eventually figure everything out before the denouement, but you won't be upset. And odds are you won't figure everything out anyway - some yes; all of it - no.
As for that ending: some people would perhaps prefer more ambiguity. On several planes. Others would say the ending is ambiguous enough. At least on one plane, perhaps several.
Nothing is what it seems.
The Recruit has too many sub-plots and twists and turns. Pacino takes on the role as a CIA recruiter with a vengeance. Colin Farrell is spectacular as the recruit. His CIA girl friend (Moynahan) is extremely sexy, but Farrell manages to steal the scenes from her, one by one. It's directed with plenty of drama, mystery and intrigue. But there's something wrong with the movie? Could it be the studio? Or the writing? Don't know, I wasn't there. What I do know is that it's a great idea, but someone along the way messed it up big-time. If I was Pacino, I would have final say on the script and final cut. He must have been fuming. To make him do a Scarface sort of thing was absolutely pathetic. When the movie was over I felt cheated. Out of my DVD money and out of a good ending.
A bit complicated well orchestrated CIA experience with handsome Colin Ferrel and legendary Al Pacino! The bulk of the movie had many training exercises that characters had to go through to further themselves into the CIA agency but there's ins and outs that the viewer has to understand if not they might not appreciate it. I'm surprised on IMDB it doesn't say action, thriller, mystery it should!
6=G=
In "The Recruit" a computer whiz (Farrell) is recruited to be trained as a CIA operative and ends up playing cat and mole inside the agency while keeping the audience wondering who's "cat" and who's "mole". The film is a slick shoot with a convoluted plot which tries to work the notion that in the spy game no one can trust anyone. Unfortunately the film is dumbed down, full of plot holes and obvious contrivances, doesn't work well in the human drama, and relies too much on techno-junk and gobbledygook computer hacking spy stuff. Though "The Recruit" isn't much of a movie given the talent behind it, it is busy and keeps you guessing all the way to the conclusion. An okay watch for Pacino fans and anyone in the mood for a lukewarm spy flick. (B-)
Você sabia?
- CuriosidadesThe scene where Colin Farrell's character tells the girl at the bar how he "just got out of jail" was Farrell's idea. He said he used it on a girl in a bar one time and that it worked, so the producers respected his improvisation and put that line in the film.
- Erros de gravaçãoThe stars in the CIA Book of Honour at the Memorial Wall, are not black, they are gold.
- Citações
Walter Burke: There's this parish priest, goes up to the Pope, drops down on his knees, starts weeping... asking forgiveness. "Holy father, holy father, what am I to do? What am I to do? I do not believe in God anymore. What am i to do?" And you know what the pope said... "Fake it."
- Cenas durante ou pós-créditosOn the DVD audio commentary, Colin Farrell thanks the caterers for "Montezuma's Revenge in the fourth week" as their particular credit goes by.
- Versões alternativasThe film's DVD release presented the film open-matte, at an aspect ratio of 1.78:1, meaning there was more picture information visible in the top and bottom of the frame than in normal theaters and on Blu-ray.
- ConexõesFeatured in The Tonight Show with Jay Leno: Episode #18.63 (2010)
- Trilhas sonorasChange
Written by Shaun Verreault, Earl Pereira, Safwan Javed and Craig Northey
Performed by Wide Mouth Mason
Courtesy of Warner Music Canada Ltd
Principais escolhas
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- How long is The Recruit?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Idiomas
- Também conhecido como
- The Recruit
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 46.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 52.802.140
- Fim de semana de estreia nos EUA e Canadá
- US$ 16.302.063
- 2 de fev. de 2003
- Faturamento bruto mundial
- US$ 101.191.884
- Tempo de duração
- 1 h 55 min(115 min)
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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