O diabo concede sete desejos em troca de sua alma ao desesperado Elliot Richards, para conquistar Allison, a garota dos seus sonhos.O diabo concede sete desejos em troca de sua alma ao desesperado Elliot Richards, para conquistar Allison, a garota dos seus sonhos.O diabo concede sete desejos em troca de sua alma ao desesperado Elliot Richards, para conquistar Allison, a garota dos seus sonhos.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 vitória e 3 indicações no total
Avaliações em destaque
So far so good. But I thought I would devote the whole final paragraph to the actual best thing about Bedazzled and that can be described in two words - Elizabeth Hurley. Honest to goodness, her performance as the devil is so incredibly seductive its bordering on being criminal. This astronomically gorgeous woman pops up throughout the course of the movie in an array of mind-bogglingly provocative costumes (proving conclusively that it isn't just gay men who can appreciate excessive costume changes). Hurley puts in an extremely sexy performance without stripping off at all which was quite an achievement all things considered. I really like girls with English accents and Hurley's posh voice was simply the icing on this particular cake for yours truly. She isn't a gifted actress but she does all right with comedy roles and this one, needless to say, suits her down to a tee in every conceivable way. Despite its other good qualities, if you made the decision to watch this film for the sole reason of watching our Liz in full throttle, I would understand.
Elliot Richards is, for lack of a better word, a dork. Relegated to the most dreaded of worker hells - tech support - he is a social pariah. Mocked by his colleagues, he spends his time trying to be cool and is hopelessly in love with one of his co-workers who doesn't even know that he exists. While lamenting his lot in life he casually mentions that he would give anything to have his beloved Allison. Enter the Princess of Darkness, stage left.
Although the basics between this movie and the 1967 classic of the same name are similar, there are so many differences (styles of humor, characters, plot, etc) that comparisons are pointless. So I won't even try. Bedazzled offers something so few comedies do these days - laughs, and lots or them, without relying on endless juvenile scatological gags. I thoroughly enjoyed the physical transformations that Elliot, Allison, and his cohorts undergo (several of which are amazing) each time he makes a wish. The spins on the wishes are especially amusing: for example, when Elliot wishes for power and wealth, he fails to take consider the how, and wakes up as a cuckolded Colombian drug lord whose kingdom is quickly collapsing around him. Elliot soon discovers that when dealing with the devil - surprise, surprise - nothing is, as it seems.
I have liked Brendan Fraser since his role in "Encino Man". Since then, he has proven himself capable of doing both schtick ("The Mummy") and serious roles ("Gods and Monsters"). With this part he shows just how versatile he is: rather than one role, he takes on seven, and does so admirably (I particularly enjoyed sensitive guy - I was laughing so hard my side hurt). Elizabeth Hurley is deliciously wicked in a role that she was born to play (if reports about her are true.) and it appears that she enjoyed herself. Her spin on the ultimate temptress is hilarious and personally, I'll take leather-clad vixens over slimy snakes any day. Francis O'Connor, brings the same verve and versatility to Allison that she displayed in "Mansfield Park", although here she is less subdued. The supporting cast provides the finishing touch rounding out the film nicely.
Although it didn't dazzle me, I was greatly amused.
Brendan Fraser is perfectly cast as the hapless computer tech who makes a deal with Satan; granted seven wishes in exchange for eventual possession of his soul, we witness each wish he makes as his life becomes a series of colorful and very funny misadventures. Some first-rate make-up and special effects transform Fraser and his world every time he changes wishes. Elizabeth Hurley is extremely fetching and quite likable as the embodiment of Satan, although I wish she'd showed a bit more evilness than glee in her characterization.
All in all, a very entertaining movie that, of course, leaves the door open for a sequel. Bring it on!
The story is a fun one and quite the fantasy, but nonetheless, it's entertaining. While not being anything terribly profound, this film definitely has a point to make, be happy with yourself and only you can make things happen, don't rely on others for your happiness.
The acting in this film is very good. Brendan Fraser struts his acting talent in this film quite nicely, playing virtually 5 or 6 characters throughout the film. Brendan really is a talented actor and should get some notice for his role in this film. Orlando Jones, Paul Adelstein, and Toby Huss also deserve a great deal of notice for their work in this film, all three of them play various types of characters in the film and do it quite nicely. Elizabeth Hurley and her ever-changing wardrobe should be reason enough for any guy to watch this film. She looks nothing short of fantastic in every scene. Frances O'Connor was a nice choice for the part of Alison / Nicole (also playing more than one role very nicely).
All in all, this is a fun, cute movie with some really good comedy. I would recommend this film to anyone that likes those types of film, or is just a fan of one of the actors or director Harold Ramis. I hope you enjoy the film, thanks for reading,
-Chris
I never saw the original with Dudley Moore, but here I can see that the script stands in the way of delivering a solid comedy despite Brendan's flair for this sort of thing. He reaches the peak of his comic talent with his impersonation of a Latin millionaire, guaranteed to draw laughs.
But much of the story is too episodic for the results to be anything more than reasonably satisfying. Hurley goes about her role with a sexy seductiveness that is almost as overwhelming for the viewer as it is for Fraser's character.
Summing up: Fraser's fans will enjoy his multi-faceted romp.
Você sabia?
- Curiosidades(at around 1h 4 mins) The mathematics homework that the Devil removes from the classroom blackboard was effectively to prove Fermat's Last Theorem--a legendary problem from 1630 that was often the subject of stories about people selling their souls to solve it. The problem was eventually solved in 1995 by Andrew Wiles and colleagues (with computer, not Satanic, assistance).
- Erros de gravação(at around 1h 7 mins) When Elliot becomes Lincoln about to leave for his fateful visit to the Ford's Theater, his wife refers to "Our American Cousin" as an "entirely new play." In fact, "Our American Cousin" was first performed in 1858, seven years before Lincoln's assassination, and the performance which Lincoln saw was the play's thousandth.
- Citações
Elliot's Cellmate: She's the devil, that one.
Elliot Richards: What?
Elliot's Cellmate: I said she's the devil... that lady cop.
Elliot Richards: Oh... yeah. I guess.
Elliot's Cellmate: So what are you in for brother?
Elliot Richards: Eternity.
Elliot's Cellmate: Ooooh... that's a long time. You must have done some really bad shit.
Elliot Richards: Yeah. I sold my soul.
Elliot's Cellmate: Hope you got something good for it.
Elliot Richards: As a matter of fact, I got nothing for it.
Elliot's Cellmate: Well, that's a really bad deal if you ask me.
Elliot Richards: Well I'm not asking you.
Elliot's Cellmate: Doesn't really matter, though. Can't sell your soul anyway.
Elliot Richards: Oh, really? Why do you say that?
Elliot's Cellmate: Because it doesn't really belong to you in the first place. No way, no how.
Elliot Richards: So who does it belong to?
Elliot's Cellmate: It belongs to God. That universal spirit that animates and binds all things in existence. The Devil's gonna try to confuse you, that's her game. But in the end, you're gonna see clear to who and what you are, and what you're here to do. Now, you gonna make some mistakes along the way, everybody does. But if you just open up your heart, and open up your mind, you'll get it.
Elliot Richards: ...Who are you?
Elliot's Cellmate: [smiles] Just a friend, brother. Just a really good friend.
- Versões alternativasIn a streamed version of this in the UK, the following changes are made: During the opening credits, many (but not all) of the on-screen graphics describing the characteristics of various personalities and locations are removed completely and replaced with PGS subtitles that are positioned incorrectly in the usual subtitle location at the bottom of the picture and are not animated. The few in situ graphics that remain also have subtitles. There is a completely changed scene at the start of the "President" segment. During the basketball sequence, on-screen graphics and wipes for Fox Sports and the names of the commentators are removed. There are no subtitles to replace them. There is another missing, subtitled graphic at the end of the film.
- Trilhas sonorasJust the One (I've Been Lookin' For)
Written by Steve Cropper, Eddie Floyd and Al Bell (as Alvertis Isbell)
Performed by Johnnie Taylor
Courtesy of Atlantic Recording Corp.
By Arrangement with Warner Special Products
Principais escolhas
Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- Al diablo con el diablo
- Locações de filme
- Santa Barbara, Califórnia, EUA(on location)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 48.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 37.886.980
- Fim de semana de estreia nos EUA e Canadá
- US$ 13.106.526
- 22 de out. de 2000
- Faturamento bruto mundial
- US$ 90.383.208
- Tempo de duração1 hora 33 minutos
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1