O diabo concede sete desejos em troca de sua alma ao desesperado Elliot Richards, para conquistar Allison, a garota dos seus sonhos.O diabo concede sete desejos em troca de sua alma ao desesperado Elliot Richards, para conquistar Allison, a garota dos seus sonhos.O diabo concede sete desejos em troca de sua alma ao desesperado Elliot Richards, para conquistar Allison, a garota dos seus sonhos.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 vitória e 3 indicações no total
Avaliações em destaque
The big surprise was Elizabeth Hurley. As certain as Vivien Leigh was meant to play Scarlett O'Hara, no one could have done a better job playing The Devil...in this case a sly, brilliantly cunning, sexy devil who playfully torments Brendan by dooming each of his wishes with unintended, nasty surprises. She effortlessly leads him along like a puppy dog on a leash.
Besides her comedic wit, (and some clever writing) I would be remiss not to mention that Elizabeth Hurley looks perfect, absolutely perfect, in every scene. Her clipped, refined British accent is the aural equivalent of a film shot on Kodachrome.
Bedazzled exudes a positive, good-natured warmth, and is proof that comedy doesn't have to depend on silly sophomoric antics, pratfalls, or foul language.
ADDENDUM January 10, 2008. After two years, I have no idea if anyone has ever read this review. Even if you don't like it, please give me a thumbs up or thumbs down, just to let me know someone read it.
Elliot Richards is, for lack of a better word, a dork. Relegated to the most dreaded of worker hells - tech support - he is a social pariah. Mocked by his colleagues, he spends his time trying to be cool and is hopelessly in love with one of his co-workers who doesn't even know that he exists. While lamenting his lot in life he casually mentions that he would give anything to have his beloved Allison. Enter the Princess of Darkness, stage left.
Although the basics between this movie and the 1967 classic of the same name are similar, there are so many differences (styles of humor, characters, plot, etc) that comparisons are pointless. So I won't even try. Bedazzled offers something so few comedies do these days - laughs, and lots or them, without relying on endless juvenile scatological gags. I thoroughly enjoyed the physical transformations that Elliot, Allison, and his cohorts undergo (several of which are amazing) each time he makes a wish. The spins on the wishes are especially amusing: for example, when Elliot wishes for power and wealth, he fails to take consider the how, and wakes up as a cuckolded Colombian drug lord whose kingdom is quickly collapsing around him. Elliot soon discovers that when dealing with the devil - surprise, surprise - nothing is, as it seems.
I have liked Brendan Fraser since his role in "Encino Man". Since then, he has proven himself capable of doing both schtick ("The Mummy") and serious roles ("Gods and Monsters"). With this part he shows just how versatile he is: rather than one role, he takes on seven, and does so admirably (I particularly enjoyed sensitive guy - I was laughing so hard my side hurt). Elizabeth Hurley is deliciously wicked in a role that she was born to play (if reports about her are true.) and it appears that she enjoyed herself. Her spin on the ultimate temptress is hilarious and personally, I'll take leather-clad vixens over slimy snakes any day. Francis O'Connor, brings the same verve and versatility to Allison that she displayed in "Mansfield Park", although here she is less subdued. The supporting cast provides the finishing touch rounding out the film nicely.
Although it didn't dazzle me, I was greatly amused.
Você sabia?
- Curiosidades(at around 1h 4 mins) The mathematics homework that the Devil removes from the classroom blackboard was effectively to prove Fermat's Last Theorem--a legendary problem from 1630 that was often the subject of stories about people selling their souls to solve it. The problem was eventually solved in 1995 by Andrew Wiles and colleagues (with computer, not Satanic, assistance).
- Erros de gravação(at around 1h 7 mins) When Elliot becomes Lincoln about to leave for his fateful visit to the Ford's Theater, his wife refers to "Our American Cousin" as an "entirely new play." In fact, "Our American Cousin" was first performed in 1858, seven years before Lincoln's assassination, and the performance which Lincoln saw was the play's thousandth.
- Citações
Elliot's Cellmate: She's the devil, that one.
Elliot Richards: What?
Elliot's Cellmate: I said she's the devil... that lady cop.
Elliot Richards: Oh... yeah. I guess.
Elliot's Cellmate: So what are you in for brother?
Elliot Richards: Eternity.
Elliot's Cellmate: Ooooh... that's a long time. You must have done some really bad shit.
Elliot Richards: Yeah. I sold my soul.
Elliot's Cellmate: Hope you got something good for it.
Elliot Richards: As a matter of fact, I got nothing for it.
Elliot's Cellmate: Well, that's a really bad deal if you ask me.
Elliot Richards: Well I'm not asking you.
Elliot's Cellmate: Doesn't really matter, though. Can't sell your soul anyway.
Elliot Richards: Oh, really? Why do you say that?
Elliot's Cellmate: Because it doesn't really belong to you in the first place. No way, no how.
Elliot Richards: So who does it belong to?
Elliot's Cellmate: It belongs to God. That universal spirit that animates and binds all things in existence. The Devil's gonna try to confuse you, that's her game. But in the end, you're gonna see clear to who and what you are, and what you're here to do. Now, you gonna make some mistakes along the way, everybody does. But if you just open up your heart, and open up your mind, you'll get it.
Elliot Richards: ...Who are you?
Elliot's Cellmate: [smiles] Just a friend, brother. Just a really good friend.
- Versões alternativasIn a streamed version of this in the UK, the following changes are made: During the opening credits, many (but not all) of the on-screen graphics describing the characteristics of various personalities and locations are removed completely and replaced with PGS subtitles that are positioned incorrectly in the usual subtitle location at the bottom of the picture and are not animated. The few in situ graphics that remain also have subtitles. There is a completely changed scene at the start of the "President" segment. During the basketball sequence, on-screen graphics and wipes for Fox Sports and the names of the commentators are removed. There are no subtitles to replace them. There is another missing, subtitled graphic at the end of the film.
- Trilhas sonorasJust the One (I've Been Lookin' For)
Written by Steve Cropper, Eddie Floyd and Al Bell (as Alvertis Isbell)
Performed by Johnnie Taylor
Courtesy of Atlantic Recording Corp.
By Arrangement with Warner Special Products
Principais escolhas
Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- Al diablo con el diablo
- Locações de filme
- Santa Barbara, Califórnia, EUA(on location)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 48.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 37.886.980
- Fim de semana de estreia nos EUA e Canadá
- US$ 13.106.526
- 22 de out. de 2000
- Faturamento bruto mundial
- US$ 90.383.208
- Tempo de duração1 hora 33 minutos
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1