Coupling

I came across "Coupling" quite by accident one evening on BBC America. I have always been a fan of most Britcoms, and watched the remainder of the episode that was being aired, and then the next episode that followed immediately thereafter.

I discovered something very interesting. Somehow this show could present just about anything and not only get away with it, but made it extremely funny at the same time. Subjects that would come across as crude, rude, and in poor taste in American sitcoms are presented here with surprisingly funny results. The cast's ensemble is just about perfect, and all are very likable in their own quirky way.

It's been a very long time since I have laughed so hard watching a television show. I believe the last time was watching "The Vicar of Dibley" -- surprise! -- another Britcom.

I totally disagree with the previous reviewer's comments. I found "Coupling" to be hilarious. It was unlike anything I had ever seen before. This person seemed to be totally confused as to the origins of the show. First it is said to be a copy of an American show, then it is stated that it is unbelievable that America wants to make their own version. It is originally a British show. It will tell you that on the special features of the DVD. The special features also include a lovely story about how the concept of the show came about. Everyone is entitled to their opinion, and mine is that "Coupling", while different, is brilliant and should be given a chance by all to form their own opinions of it. By the way, here's an example of the hilarity:

Sally: Mary Kelly thinks you're a complete idiot.

Patrick: Then why does she keep looking at my arse when we're talking?

Sally: She's lip-reading.

I'm an American who just saw Season 1 of "Coupling" on DVD for the first time. Based on those first six episodes, I think the BBC's "Coupling" -- along with a new US series over here called "Arrested Development" -- is possibly the sharpest, funniest, and best-written situation comedy since the golden days of Norman Lear and MJM Productions.

The cast chemistry is amazing. The archetypes are extremely identifiable, even over here, which is why the series translates so well. In comedies the subject of sex is often treated adolescently, and it's true that the characters in "Coupling" have some childish, "American Pie" reactions to sexual politics, but they're still, clearly, adults. As with "American Pie," there's a big heart behind the hormones and phermones. But the gags in "Coupling" are brilliantly written and executed. The writers don't take the easy way out; the bawdiness of their humor is cut with intelligence and a really, REALLY great sense of left-field punch lines. Maybe naysayers have to wander through the bereft nature of many American sitcoms to understand why "Coupling" is so appreciated by a cult American audience, but it's the real deal.

Episode 4 of Season 1, called "Inferno," contains an extended monologue in which an embarrassed male character attempts to outline the plot of a lesbian porn film. He is forced to defend his affection for the stuff by being asked to give a cogent plot summary. He's squirming under this challenge -- he's got to defend his proclivities, maintain a balance between self-defense and self-effacement, and STILL intellectualize the plot of the film enough to prove he's smart enough to rise above it. This whole sequence is, possibly, the best-written and funniest 5-minute quasi-monologue ever to be televised.

"Coupling" takes a traditionally pubescent subject matter, the puerile male fascination with sex, opposes it with the progress of rational thought, and is extremely funny in the process. Lots of US sitcoms (and some UK ones) are lucky if they get one horse laugh from the viewer every three minutes. "Coupling's" ratio is more like one horselaugh every thirty seconds. It's that good.

(I never saw the NBC version of this show, incidentally, and have no interest -- apparently it sucked. I can understand why someone would want to use the BBC version as source material, though.)

Just simply amazing how Steve Moffat and his wife are getting away with it: words that would be censored in most series, fly about in this one and you don't feel offended. Every episode is different and the build-up (flash forwards, split screens, themes that run through various episodes) is amazing for a comedy series. British humor at it's very best and very recognizable for every modern day couple. Don't hesitate to go out and buy the four series, you will not regret it and they will put a smile on your face over and over again.

I'm a Yank who is only now catching the show on local PBS, courtesy of BBC America. I never saw the (aborted) NBC attempt and, having seen about a half dozen episodes, I'm glad I *didn't* As someone old enough to remember "Monty Python" from it's original run, I must agree with other posters that I feared that truly hysterical "Brit wit" was a thing of the past. I never really cared much for "Fawlty Towers" (as much as I love Mr. Cleese), and only the medieval episodes of Black Adder really tickled me fancy.

But "Coupling" -- hoo hah! Anyone who compares this to "Friends" has clearly never watched more than an episode. At the height of its mild amusement, "Friends" never equaled the least of this absolutely *brilliant* series. For all the stereotypes of Brits as dry, stuck-up and stodgy, I've found that, humour-wise, we across the pond can't hold a candle...

"Coupling" is the height of "cultured rudeness" in the vein of "Absolutely Fabulous" -- one of the most adult Brit-coms I've ever seen. Every episode is consistently ROTFLMAO funny. I couldn't even begin to pick a fave character.

Patrick plays the "stud" character in an amusingly original manner: he has his way with the chicks, and yet is dim enough to not *totally* emasculate us lesser males. The episode where one of the gals has him bring out the "big guns" in the loo, to intimidate a bloke, is something you'd NEVER see on American TV.

Jeff is.... well, the most creatively addled loon since Seinfeld's Kramer, albeit *nothing* like him. Almost a child-man, he reminds me of the Frasier line in "Cheers" - "What color is the sky in *your* world?" Jane is so annoyingly self-absorbed and yet, like Jeff, also such a waif that you don't totally despise her. It amazes how the series' creators walk the edge, crafting characters that *ought* to pluck your last nerve but, unlike George and Kramer from Seinfeld, could actually be tolerable in real life.

The other three characters are brilliantly crafted as well, but these three stand out after the limited viewing I've been exposed to. I have never even considered purchasing a TV series on DVD but, in addition to wanting to see at least the entire first three seasons (I have read here that Jeff is not in the fourth season, and I don't think I could warm up to a substitute), I really must turn on many of my close friends to this marvelous show.

For those of you Yanks out there who only know of this show from NBC's feeble attempt to import it, you *must* catch this on your local PBS station if and when it airs, or pester them incessantly until it does. You'll not only understand why the attempt at translation failed, but you'll finally get to see what the fuss was all about.

If *anything* on the American telly was this consistently funny, we wouldn't have to suffer the endless rot of "reality" TV, and the "dead in half a season" warmed over '70s-era situation (non)comedies. Twelve out of ten... a *MUST SEE*!!!