Monty Python's Flying Circus

"Monty Python's Flying Circus" is a blast. Plain and simple. Seeing an episode will cause the following symptoms: Laughter, tears, jaw aches, voice-loss(all of above caused by laughter). Most will laugh, some will just sit there at its silliness. Well whoever you are, give it a try. You either love it or hate it. Me? I love it.

10/10

Any episode of Monty Python will reduce one to fits of laughing that will produce bouts of tears that will render the viewer on the ground. Great physical comedy on all parts, but especially John Cleese in the Ministry of Silly Walks sketch, which is his least favorite sketch. Great writing that walks that fine line between genius and silly, and meshes the two. These guys also knew when and how to start end a sketch. Still funny thirty years later, wish the same could be said about Saturday Night Live. Too bad there wasn't some knight who could hit Lorne Michaels with a chicken.

A gentleman (John Cleese) enters a pet shop and wants to register a complaint that the parrot that he had bought from that very boutique just half an hour ago was in fact a 'dead parrot'. The owner (Michael Palin) tries to convince him that the Parrot, a Norwegian Blue, was not really dead and was just resting. The argument continues and gets sillier and sillier until an army colonel (Graham Chapman) pops out of nowhere and stops the sketch abruptly because it was getting very silly. If this kind of humor doesn't interest you, read no further and plan on watching something else. But if it does and if you have not seen Monty Pythons Flying Circus you haven't seen nothing yet.

Monty pythons pretty much invented and perfected their unique brand of humor which can be categorized as 'surreal'. One can argue that 'the Goon Show' was the archetype for Monty pythons, which is true, but then Monty Pythons took it to territories that had never been explored before. They created a world where you can get a government grant for silly walks or buy an argument in an argument clinic. A world in which a father and son could have the age old "romantic vs. a simple coal miner" argument, just that in this world the son is a regular coal miner whereas it's the father whose head is full of useless novels and poems. Just like the Beatles they took something and created something completely new out of it. The comparison is valid because Monty Pythons at their peak enjoyed the status of any of the rock stars in those days (including groupies) and the Beatles, George Harrison in particular, were their biggest promoters.

Terri Gillian's stream of consciousness art work is pretty bizarre and holds all the sketches together. John Cleese, Graham Chapman, Michael Palin, Eric Idle and Terry Jones play all the characters (including women's) themselves with dead seriousness. This is insane humor at it's brilliant best.

I still need to see more of Monty Python's Flying Circus to make my un-official official declamatory mandated professional amateurish stated opinion on this, but this is quite the nifty little show they put on back in merry old England. A lame joke I tried for at Python humor, but really, once you see the show, and see at least a few episodes, you'll know whether it's the right kind of intelligently un-hinged absurdity for you. I didn't warm up to it at first, I thought it was maybe too smart, in a way, through its silliness to be taken much seriously, as the jokes are not of the common kind. But after getting in through the films, and seeing many a varied skit with the guys, I'm looking forward to seeing (and being able to quote to other people) the best they got.

It's partly a stream-of-consciousness style show thanks to Terry Gilliam's spectacularly crude animations (through cut-outs mostly, and spoofing either classical paintings, architecture, movies, and of course dancing teeth), part social satire through various skits of people going into shops (Parrot), jobs, arguments (want to argue about an argument), the police, criminals, movies, sports, old ladies, politics, and other sorts of good diddies on all things in life. There's also the most random bits of comedy ever to come out of the 20th century, and I can only think of the basic things that might have you wanting to check it out. I love short skits, like the classic fish-slapping bit (there comes the BIG fish, heh), and over-the-top voices (Michael Palin, I think, does some of the best ones, like an introduction he does to a skit that reminded me of one of the voices in the Holy Grail trailer), and deranged costumes, and the richness of the silly dialog. Sure a skit might not hit the mark, but then I could them come back to it days later and be laughing about things not laughed at the first time around.

There aren't too many, if much at all, conventional punchlines- the brilliant stuff comes in the random barbs that shoot up in the lines and the deliver, in a look that Cleese or Chapman might give at one point or another, or the lack of something that ends up coming around later in the bit, or maybe not. There's absolutely no shame in how tasteless some of this can get, be it with topical issues or just the little things everyday we tend to take for granted, but a tasteless sensibility without any net to fall on that's appealing. And, of course, the Lumberjack song and ministry of silly walks and . Bottom line, if there could ever be one with Flying Circus, if you think it's just stupid little goofy gags and skits going on, watch out for how rich the words fly out (err, in Circus-like fashion) the mouths of the Pythons. It's the mightiest heap of the inspiration-turned-ludicrous comedy to be found on any TV show. Other favorite skits: 'Most Awful Family in Britain', 'Self-Defence Class', 'Word Problem', and 'Kilimanjaro Expedition' among others.

Brilliant, innovative comedy. Possibly the greatest comedy series of all time. Certainly the most influential, iconic and quoted.

Season 1 was great, but not their best. Still experimenting and finding their feet, it had some great sketches, but nothing as iconic as what was to come.

Season 2 was where they really hit their straps. Most of their well-known sketches are from Season 2: Piranha Brothers, Ministry of Silly Walks, The Bruces, Spam, The Spanish Inquisition, Scott of the Antarctic.

Season 3 was more of the same.

Season 4 was where they tapered off. John Cleese had left and the creativity just wasn't anywhere near the levels of Seasons 2 and 3. No wonder it was only 6 episodes.

Timeless comedy that has become embedded in culture. It's that big, brilliant and important.