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IMDbPro

Paragraph 175

  • 2000
  • Not Rated
  • 1 h 21 min
AVALIAÇÃO DA IMDb
7,7/10
2,2 mil
SUA AVALIAÇÃO
Paragraph 175 (2000)
DocumentaryHistoryRomanceWar

Adicionar um enredo no seu idiomaHistorian Klaus Müller interviews survivors of the Nazi persecution of homosexuals because of the German Penal Code of 1871, Paragraph 175.Historian Klaus Müller interviews survivors of the Nazi persecution of homosexuals because of the German Penal Code of 1871, Paragraph 175.Historian Klaus Müller interviews survivors of the Nazi persecution of homosexuals because of the German Penal Code of 1871, Paragraph 175.

  • Direção
    • Rob Epstein
    • Jeffrey Friedman
  • Roteirista
    • Sharon Wood
  • Artistas
    • Rupert Everett
    • Klaus Müller
    • Karl Gorath
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,7/10
    2,2 mil
    SUA AVALIAÇÃO
    • Direção
      • Rob Epstein
      • Jeffrey Friedman
    • Roteirista
      • Sharon Wood
    • Artistas
      • Rupert Everett
      • Klaus Müller
      • Karl Gorath
    • 24Avaliações de usuários
    • 22Avaliações da crítica
    • 85Metascore
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 9 vitórias e 7 indicações no total

    Fotos2

    Ver pôster
    Ver pôster

    Elenco principal12

    Editar
    Rupert Everett
    Rupert Everett
    • Self - Narrator
    • (narração)
    Klaus Müller
    • Self - Historian
    Karl Gorath
    • Self
    Pierre Seel
    • Self
    Heinz F.
    • Self
    Annette Eick
    • Self
    Magnus Hirschfeld
    Magnus Hirschfeld
    • Self
    • (cenas de arquivo)
    Albrecht Becker
    • Self
    Gad Beck
    • Self
    Heinz Dörmer
    • Self
    Adolf Hitler
    Adolf Hitler
    • Self
    • (cenas de arquivo)
    Ernst Röhm
    Ernst Röhm
    • Self
    • (cenas de arquivo)
    • Direção
      • Rob Epstein
      • Jeffrey Friedman
    • Roteirista
      • Sharon Wood
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários24

    7,72.2K
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    10

    Avaliações em destaque

    9gonz30

    A must-see documentary

    PARAGRAPH 175, which premiered in the US (outside of Sundance) last night at the Miami Gay and Lesbian Film Festival, is must-see viewing. When one thinks how many documentaries have been made about the Nazi oppression of Jews, Roma (formerly known as Gypsies), and other groups, it is almost inconceivable that it is only in the year 2000, 67 years after the Nazi persecution of male homosexuals started (in 1933), that a documentary on the subject is finally released. It was high time this happened. This documentary about the terrible fate of this population group aims to inform the general public, and does so well. It is aided by the excellent commentary voiced by openly gay actor and part-time Miami resident Rupert Everett. If it is shown anyplace near you, see it. It might be the only opportunity to do so, unless it is later distributed in video or DVD.
    Bil-3

    *** 1/2 Powerful stuff

    Touching documentary by the creators of Common Threads: Stories From The Quilt and The Celluloid Closet that interviews survivors of the Holocaust who had been interred in concentration camps for being homosexual. Directors Jeffrey Friedman and Rob Epstein cleverly use real footage and very powerful interviews, all linked by Rupert Everett's narration to tell a very powerful story and make a very difficult, if not always unforgettable, film. It's not as zesty as The Celluloid Closet was, due to its subject matter naturally, nor is it as compelling as their Oscar-winning effort of 1984 The Times of Harvey Milk, mostly due to a somewhat wobbly narrative, but it's definitely a worthy piece of work, especially since the men who do tell their stories onscreen are at turns brave, wry and heartbreakingly vulnerable.
    10dawh1

    Not the only film on gay male Holocaust survivors

    I agree that this is an excellent film. One has to admire the willingness of these men to tell their story after so many years. Paragraph 175 remained as a law in the German Penal Code until the 1970s, which is why the gay survivors were not given the same reparations that other survivors received. I saw this film on cable and am planning to get a copy on DVD. However, a previous comment incorrectly stated that this was the first film on this subject in 67 years. There was an earlier film which interviewed gay male Holocaust survivors. The title is "We Were Marked With a Big Red A." I do not see it listed in IMDb, but I have it on VHS. I purchased it in the bookshop at the U.S. Holocaust Museum in Washington. I think that Klaus Müller, who is a consultant to the Holocaust Museum, was also on the crew of this film.
    7moonspinner55

    Harrowing look at persecution

    The golden days of decadent Berlin came to a bloody halt when Hitler's regime took over Germany in the early 1930s and gay men were brought down by simple innuendo and gossip (lesbianism was considered curable, but male homosexuality was "catching"). Early talk of homosexuality in Hitler's ranks precipitated the reinsertion of Paragraph 175, an old anti-sodomy law from the late 1800s, and gays were branded with the lowly Pink Triangle. Forceful documentary on a little talked-about chapter of history has just a handful of elderly witnesses but a superlative presentation of personally-shot footage mixed with telling photographs. Some of the recollections are haunting; the doomed come back to life in these harrowing stories. *** from ****
    8leliorisen

    Vital film could have been constructed better

    While I think that everyone should see this film because of its vitally important subject matter, I feel that because of lax editing and meandering, incomplete story telling, it was much less effective than it should have been.

    As just one example, and I have been studying Nazi persecution of homosexuals, the movie briefly refers to a gay man's friend who was killed by German Shepherd dogs in front of 300 people. I read a similar account on the Internet (I suspect it was the same case), in which graphic details were given of the brutality of the crime, details which, if you heard or read about, you would never forget. To just gloss over this compelling tale in the manner the movie does is inexcusable. How can one understand the true horror when it is glossed over.

    Additionally, one of the major points of this film should be how many gay concentration camp victims were still treated as prisoners after the war, specifically because of Paragraph 175. It is barely a footnote in the movie. This is inexplicable to me.

    What is good is having a record of living survivors of gay detention during the Holocaust. It remains the reason for seeing this movie. But the narrative is very meandering and a few of the lingering close-ups of some of the survivors breaking down almost feels exploitative.

    Bottom line: because of the important subject matter and the live interviews the film needs to be seen. I just wish it had been made more coherently. A film with this type of material will always be powerful. It could have been far more so had it been made by better filmmakers.

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    • Curiosidades
      The statute of Paragraph 175 was amended several times. The Nazis broadened the law in 1935 and increased its prosecutions by an order of magnitude; thousands died in concentration camps, regardless of guilt or innocence. East Germany reverted to the old version of the law in 1950, limited its scope to sex with youths under 18 in 1968, and abolished it entirely in 1988. West Germany retained the Nazi-era statute until 1969, when it was limited to "qualified cases"; it was further attenuated in 1973 and finally revoked entirely in 1994 after German reunification.
    • Citações

      Annette Eick: I think in all of Berlin you were free, you could do what you wanted. We had three very well known clubs. One was in the north where proletarian girls came. Usually in their Sunday best costume, their smoking costume. I was a bit scarred, I must say. If you have never seen boyish and masculine lesbians and such a heap of them. I was surprised I had to get used to it. And funnily enough, I saw one woman which looked a little bit like Marlene Dietrich. I don't know. Anyway, I wanted to get to know her; but, she didn't care for me, of course. I was a silly little girl. But, she is the one I saw occasionally later on who saved my life. Because, she was the one who sent me this permit. She went to England before.

    • Conexões
      Featured in 50 Documentaries to See Before You Die: Episode 2 (2011)
    • Trilhas sonoras
      Falling in Love Again
      Written by Friedrich Hollaender

      English Lyrics by Samuel Lerner

      Performed by Marlene Dietrich

      Courtesy of BMG Music

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    Detalhes

    Editar
    • Data de lançamento
      • 7 de fevereiro de 2002 (Alemanha)
    • Países de origem
      • Reino Unido
      • Alemanha
      • Estados Unidos da América
    • Central de atendimento oficial
      • Telling Pictures
    • Idiomas
      • Inglês
      • Alemão
      • Francês
    • Também conhecido como
      • 175. Madde
    • Locações de filme
      • Berlim, Alemanha
    • Empresas de produção
      • Channel Four Films
      • Cinemax
      • HBO Theatrical Documentary
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Faturamento bruto nos EUA e Canadá
      • US$ 96.630
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 25.007
      • 17 de set. de 2000
    • Faturamento bruto mundial
      • US$ 99.655
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 21 minutos
    • Cor
      • Black and White
      • Color
    • Mixagem de som
      • Dolby
    • Proporção
      • 1.78 : 1

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