O Preço de uma Campanha

I missed this TNT original back in 2000 and, honestly, forgot all about it. I was browsing through my Netflix listings one day and there it was. I sat down to watch it without any preconceived views and was pleasantly surprised by the result.

I've read some other critical reviews of this movie on this website. Frankly, I'm surprised by some of the comments. What the heck is wrong with just an old-fashioned, "feel good" movie? And who better to pull these off than a stellar cast like the one featured here? I'm not expecting aching Russian drama. I'm not really expecting the ironic, leave the theatre wondering twist of Redford's THE CANDIDATE.

I do agree with one reviewer that the build up to Selleck's final speech on the platform at the convention lacked tension. I was reminded of Rob Reiner's THE American PRESIDENT, when we see President Sheppard walking the halls of the White House, mulling things over after his scene with girlfriend Annette Benning. That build up to his final scene when he gives his passionate speech to the White House press Pool was nicely staged. We knew he was going to do the right thing. The tension was in wondering when, and especially how, he was going to do it.

Tom Selleck is a powerful presence on screen. Good looking and with a voice that carries charm and deep emotion. His portrait of Gen. Eisenhower (while he didn't actually look a hick of lot like Ike, or have Ike's high pitched voice) did convey honor and genuine, deep emotions. He gave us not an exact portrait of Ike, but an emotional one, much like George C. Scott's portrait of Gen. Patton.

It takes such an actor to deliver speeches like the one that climaxes both RUNNING MATES and THE American PRESIDENT. It is the emotional portrait, rather than an exact photograph that is at the core of movies like these. This may not be the way it is, we agree, but it darn well is the way it should be. Give me a good guy, a hero who must be tempted, and occasionally swayed, but who can be counted on in the end to do the right thing. Obvious and predictable? Sure. But what's wrong with heroes?

This film is also not at all a waste of the talents of Laura Linney, Teri Hatcher, Nancy Travis or Faye Dunaway. It's good entertainment. It's more of a MR. SMITH GOES TO WASHINGTON than it is THE BEST MAN, (Henry Fonda) one of the very best political dramas on stage or screen. Many film critics begin their reviews by saying that "this movie could have been so much better if only . . . " What they're really saying is, " . . . if only I had written the script or directed." I look at films for what they actually are and look for their strengths before complaining about their weaknesses, the famous "if only."

What I really liked was that this film is so different to the usual film fare. And I mean there were more female roles than male, and I am a male. It seems female actors have so many fewer parts to play and display their talents. Each of them was a real 3 dimentional player and added to the pleasure watching this film. This was not a dramatic film but a comedy with some serious moments and should be judged as such. Nancy Travis, Laura Linney and Teri Hatcher deserve to be seen more often before they have to take middle-age parts like Faye Dunaway. All in all I enjoyed this film.

The indiscriminate use of the "P" word turned me off to this made-for-TV movie. It had enough stars in it to make it a success, but I never used language like that and can't understand why TNT aired it as is. They edit other films for broadcasting with unacceptable language, so why is this one any different?

I grew up learning from my parents and peers what was acceptable language in mixed company and what was not. Maybe that's what is wrong with the world today.

Sincerely,

RN

TNT had been promoing this one since the winter primary season, so I expected something like a blockbuster. Fool me once . . . Actually, "Running Mates" has its likeable moments and it did close with an uplifting plot turn, though it was one you could see coming. The scenes came fast, which I thought worked, and the editing kept the story moving.

The disappointments were in the utter phony silliness of certain aspects of what was a crackling good presentation much of the time. For example, the character of the Texas VP hopeful; that style wouldn't have worked in a good movie or TV show 40 years ago. The four women all having something in common with Tom Selleck's Gov. Pryce was a forced issue and hard to believe -- and also unnecessary. The vice-presidential decision coming on the night of Selleck's acceptance speech was likewise fiction and likewise not necessary; just a cheap hook to keep viewers tuned in all the way to the final credits.

There were a lot of good vignettes, the real TV personalities gave the movie a newscast feel, and Selleck and Bob Gunton as the reluctant VP candidate were the best of a good cast. Overall, a slick production that was certainly watchable. But it seems to me if you're doing this kind of thing during a political convention and tying in so many real events, you'd want to make the entire movie as real as possible. The production/directorial decisions that deviated from that are hard to fathom.

This is a "Robert Kennedy" movie. It portrays things as they aren't and asks "Why not?"

Witty and topical, it reminds me of the somewhat superior "Barbarians at the Gate". It not "The Candidate" either, but it entertains effortlessly. If the ending is predictable, it is also emotionally satisfying.

The biggest surprise is the degree of language and nudity in a commercial cable movie. We get not one, but two lingering views of Teri Hatcher's backside. Even NYPD Blue hasn't shown this much skin for such long shots.