A Corrente do Bem

Life is full of inconsistencies, and it is not without a sense of irony. There are people that have tried to make a difference in life and some of them have paid for it with their lives. Some that come to mind are Martin Luther King Jr, JFK, Gandhi and Terry Fox. It's not easy to change the world. It takes a lot of hard work and determination. And it doesn't happen overnight. But then you see a film like this and you begin to question that rationale. What if a concept like this really was implemented? What if every single person that had a favour bestowed upon them was asked to pay it forward? Is it possible that a Utopian world could be achieved? I doubt it, but it certainly would go a long way to making this condemned world a better place to live.

I don't think this is one of the best movies that I have ever seen. I don't think it is even the best film that I will see this year (although it will make my top ten ) but the idea behind it is what has me intrigued. Believe me when I tell you this. I don't think I have ever been as emotionally galvanized as I was in this film. There is a raw power, a truth that rings clear in Pay It Forward and if there was one film that I would want people to see this year, it would be this film. It is entertaining, it is superbly acted, and it the one true film, the one true idea that really could help make a positive and tangible difference in our society and our world.

In some circles this film has been criticized for laying on the fluff. It is too much like a soap opera. And that is so far from the truth. Let's recount the issues at hand and examine them. Kevin Spacey plays a burn victim because of child abuse. Helen Hunt plays a single mom that is having a hard time recovering from alcoholism and has a bad case of "can't get her ex-husband" out of her life and her bed. Haley Joel Osment plays a wise beyond his years son that had to grow up precociously because of his mother that suffers from the above. Every character in this film, including the bit players suffers from real problems. If people have a hard time understanding this then just go to an average suburban classroom in North America and arbitrarily pick out ten kids. Chances are you will find cases of alcoholism, child abuse, divorce and a plethora of issues that are not conducive to a healthy environment for a child. So this film is just mirroring life. That's all.

The performances by the three leads is nothing short of brilliant. Not as much can be said for the rest of the cast, but Spacey, Osment and Hunt all could be nominated this year when March comes. All three bring compassion and depth to the three scarred people that they portray. But especially intriguing is Osment. He doesn't need to say anything in order for you to understand him. It's a look, a twitch, a smile, a shiver. Anything he does helps us understand who he is and why he is that way. Osment is one true gifted actor and I really don't think he is going to fade away in the years to come like so many other child prodigies. This is the real deal. By following up Sixth Sense with a performance this real solidifies him as a true thespian.

If you have not seen this film for whatever reason, and its box office suggests most haven't, then do yourself a favour and take a chance on it. Not only will it do you good, it really might help change you in some ways. And as Osment says in the film, maybe we may all see in some way that, " the world isn't really s**t."

9 out of 10 ( and bring lots of tissues )

Pay It Forward is a prime example of what films are supposed to do: make you laugh a little, cry a lot, and profoundly affect you in a way that keeps you thinking about the movie for weeks afterwards. I saw it at a special preview screening and was blown away. My friends and I sat through the entire credits because we were so taken by what we had seen. Kevin Spacey, Helen Hunt, and the phenomonal Haley Joel Osment once again give performances worthy of Oscars. I only hope there isn't some "retaliation" of sorts because of their previous wins and nominations because they deserve it again this year. But the big winner here is director Mimi Leder who has moved from action films into great cinema. She demonstrates the fine tuned skills she showed while directing ER. As I sat there, one eye kept a close watch of the story while the other marveled at the beautiful direction of every scene. They have my vote for Best Picture, Director, Actor, Actress, Supporting Actress, and Screenplay. Awe-inspiring!!!!

This was not a bad film; in fact, it was fairly well done, for what it was. Unfortunately, what it was was emotionally manipulative. Child abuse survivors, cute kids, recovering alcoholic mom working two jobs, this movie had it all. Above all, the director's vision was muddled. "Life is sh*t," says Trevor (Osment); by the end of the film, we can see that life is not sh*t after all. Or is it? The dramatic twist at the end (I won't spoil it for you) seemed to revoke the entire message of the movie. It had no apparent purpose, other than to lead up to the buy-the-world-a-coke, faux-heartwarming finale. The movie was not a total wash, however, as the genuinely solid performances from everyone involved lifted it above the sappy little mess it could have been. Osment is a gifted actor who manages to be a scared, vulnerable kid, without resorting to overt cuteness; he has a wary toughness which makes his performances very believable. Although I am admittedly ambiguous about Helen Hunt, she did turn in a very strong, thoughtful performance in a role that could easily have been one-sided or overplayed. Final analyss: If you like sentimentality, "Pay it Forward" is worth the effort, but it falls far short of a classic.

Pay It Forward is a movie that is aimed at one particular audience. The kind of audience that expects to have their life changed as the minutes tick by.

And as a film that provides profound, poignant and tear-jerking moments, Pay It Forward will be perfect for this manner of audience. Unfortunately, harder, more expecting movie-goers will probably dismiss this movie as an oversentimental and perhaps unrealistic film.

The film is centred around Trevor (Hayley Joel-Osment). An 11 year old boy, living alone with his dysfunctional, on-off alcoholic mother Arlene (Helen Hunt). One day Trevor is set a homework assignment by his new Social Studies teacher, the mysterious, slightly disfigured Eugene (Kevin Spacey). Eugene sets the class a difficult task; to think of an idea that will change the world and put it into action. Et voila!! Pay It Forward is born.

Trevor is played with an endearing maturity and at times, unstable frustration by uber kid actor Osment. As an aspiring actor, I worry that an 11 year old boy can grab hold of such difficult roles and make them his, while I still strive to gain my Equity card!! What Osment promised in The Sixth Sense, he shows again here with a more difficult and emotionally charged role. Trevor is a boy not altogether happy with his life. He is lacking in a father figure, his Mother struggles to have any impact on him as she juggles two jobs to make ends meet, which leaves Trevor with nothing but his own intuition to drag him through life. For a child that can only be extatic and contented with HIS life, Osment does well to project such a fragile character on screen.

Eugene is a character made for Kevin Spacey (although all his roles seem perfect for him). Intelligent, compassionate, slightly bitter and at times unpredictable, Eugene is a man that we, as an audience cannot help but engage with. The dialogue written for Spacey is much better than other characters in the film, and he puts it to good use. Spacey is at his best when doing two things; calmly and charismatically attracting attention to himself (Ordinary Decent Criminal, Midnight In The Garden Of...), and when he bubbles just below the surface, inviting audiences in so that he can devastate you with a single revelation (Seven, Usual Suspects, Swimming With Sharks). And his revelation in this film (he relives how he came to get his horrific scars), is so vivid, so intricately and harrowingly retold that you cannot help but feel a tear well up in your eye.

Helen Hunt is fantastic as Arlene. Managing to achieve a look that bizarrely mixes trailer trash, run down alcoholic with vulnerable cuteness. She doesn't get the pick of the dialogue however, and the role aswell as the whole film would have been a whole lot worse off had Hunt not been on top form. You don't want her to be your Mother, but you really want to see her happy and for her to do a good job at being Trevors.

The film falls short in little details. Supporting characters do little to affect the story (Jay Mohr as an almost non-speaking narrator??) and the whole thing feels flat if Spacey is off screen too long. Good actors like Jim Caviezel go almost unnoticed and you can't help but feel that a few more juicy characters would help the story become a little more...cohesive.

The ending is a reinforcement of the atmosphere of the whole film. It is a sequence that heightens our emotion and should set the tears rolling.

In short, see this film for three things; Haley Joel-Osment, Kevin Spacey and Helen Hunt. All three are fantastic, and it's obvious to see why so much Oscar gossip was being spread.

If you like heart warming films with a little bit of edge, then watch on. If you're expecting an original, exciting, twisty or philosophical film...watch it anyway, at least the three leads are good.

A film of surprising majesty mainly because of its sincerity to convey the tale of a young (American) high school student, touchingly and masterfully played by the then 12-year-old Haley Joel Osment, who, at the instigation of his new teacher's challenge to the class, comes up with a beautiful and simple plan to make a difference in the world, involving doing a good turn to not just one person but three, who then, in turn, return the gift themselves to three more people, thereby very quickly spreading goodness in both directions, in the giving and receiving, in the most unlikely places and ways. Warning: a tear-jerker!