Adicionar um enredo no seu idiomaKawashima, Kajima, and Sadakuni spend their days riding motorcycles and terrorizing/raping young girls. Kawashima is overly protective of his little sister, Megu, who does not know about her... Ler tudoKawashima, Kajima, and Sadakuni spend their days riding motorcycles and terrorizing/raping young girls. Kawashima is overly protective of his little sister, Megu, who does not know about her brother's terrible activities.Kawashima, Kajima, and Sadakuni spend their days riding motorcycles and terrorizing/raping young girls. Kawashima is overly protective of his little sister, Megu, who does not know about her brother's terrible activities.
- Direção
- Roteiristas
- Artistas
Sanshô Shinsui
- Tetsurô Kawashima
- (as Sanshô Shinsui)
Tsutomu Hori
- Man in Foreign car
- (as Ben Hori)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
This first installment in the ANGEL GUTS series is the loudest and rawest. It focuses on three street punks who behave like Kubrick's Droogs in A CLOCKWORK ORANGE. They spend most of their spare time raping women, harassing women and plotting to rape more women. Their routine is interrupted when one of the trio exhibits a conscience.
Director Chusei Sone employs a rugged, hand-held approach to the material and milks entirely convincing performances from the youthful cast. As rape is a consistent staple of this series, there is plenty of it in this outing, although none of it is pictorially graphic. One nightmare sequence, in which a young woman is stabbed repeatedly in the groin, does possess a poisonous cinematic power.
There is an erotic edge to the film's sexuality and, as per expectations, an emphasis on female underwear and garment tearing.
Plaudits should go to cinematographer Nobumasa Mizunoo who embellishes the film with stark, white-hot visuals and toys with both color and black and white.
The film is a character study of the dangerous miscreants who walk among us and portrays sociopathic behavior as being just one step sideways for most of us.
Director Chusei Sone employs a rugged, hand-held approach to the material and milks entirely convincing performances from the youthful cast. As rape is a consistent staple of this series, there is plenty of it in this outing, although none of it is pictorially graphic. One nightmare sequence, in which a young woman is stabbed repeatedly in the groin, does possess a poisonous cinematic power.
There is an erotic edge to the film's sexuality and, as per expectations, an emphasis on female underwear and garment tearing.
Plaudits should go to cinematographer Nobumasa Mizunoo who embellishes the film with stark, white-hot visuals and toys with both color and black and white.
The film is a character study of the dangerous miscreants who walk among us and portrays sociopathic behavior as being just one step sideways for most of us.
It is becoming clear that all around the world about this time films featuring rape were becoming more acceptable. The degree to how explicit depending perhaps more on a particular country's censorship laws or whether the film was intended for mainstream audiences rather than on any particular national differences. Here, of course, any hint of pubic hair is blocked by a leaning motorcycle or image fogging. It is suggested that Japanese movies of this time may have become far more sexually violent than some because a simple sex film without showing any of the genital area left audiences a little bored. With it's origins in manga, this is the first of a series and features rape from the opening frames. Three bikers spend their time riding, laughing, paying their dues to the jakuza and seeking out rape. At least two of them do, there seems to be a suggestion that one of them is gay but this is passed over in the action. Extremely well shot, believable dialogue and fast moving. A little confusing now and again and a rather oblique ending but I seem to have said this before about Japanese films so it seems to go with the territory. Certainly the Japanese seem not to have much notion of the Western idea of how a film should finish leaving the customer smiling etc. Disturbing, thought provoking and excellent
Tells the story of three bike riders whom seem to spend their time riding, laughing, paying their dues to the jakuza and seeking out to rape young women victims. At least two, lead by Kawashima (black helmet) and Kaji (orange helmet). There seemed to be a hint that the other one Sada (sunglasses) wasn't interested in women.
Even though the film is well shot, with believable dialogue and is fast moving. It really does start off right away. We see within the first five minutes these bikers make their first attempted rape on a young woman Nami (she was a passenger in a bright vehicle passing by). Of course they stopped the vehicle with their bikes and threw the driver out.
Another quite disturbing somewhat climax is the further rape scene once again with this woman but this time she was fleeing but was soon stopped in the rain by the railroad's (around the 39 minute mark). There seemed to be soothing music playing throughout which was odd.
The main subplot though reflects with the lead biker protecting his younger sister Megu. Within with an hour she gets attempted raped by one of his friends (Kaji) yet she never tells her brother (which was bizarre). The final twenty minutes feels rather slowed down as we are watching the brother trying to figure what happened. The very ending wasn't very good either as none of these characters really got what they deserved. As a film it is intended in being disturbing with its nature due to its somewhat realism and not for everyone.
Even though the film is well shot, with believable dialogue and is fast moving. It really does start off right away. We see within the first five minutes these bikers make their first attempted rape on a young woman Nami (she was a passenger in a bright vehicle passing by). Of course they stopped the vehicle with their bikes and threw the driver out.
Another quite disturbing somewhat climax is the further rape scene once again with this woman but this time she was fleeing but was soon stopped in the rain by the railroad's (around the 39 minute mark). There seemed to be soothing music playing throughout which was odd.
The main subplot though reflects with the lead biker protecting his younger sister Megu. Within with an hour she gets attempted raped by one of his friends (Kaji) yet she never tells her brother (which was bizarre). The final twenty minutes feels rather slowed down as we are watching the brother trying to figure what happened. The very ending wasn't very good either as none of these characters really got what they deserved. As a film it is intended in being disturbing with its nature due to its somewhat realism and not for everyone.
There's so much obscure Japanese cinema that I long to see. Thank God for niche suppliers like Tokyo Shock and Artsmagic. The latter has resurrected a five film series of Nikkatsu pink films entitled Angel Guts. High School Co-ed is the first of these films, all of which center around a brutal act of rape, around which a moral tale unfolds. This one has a group of three bikers who attack young women. One of them, Kawashima, has a small bit of conscious, though. Outside of his friends, he lives for his young sister and realizes that the violence he and his friends enact upon others could just as easily be applied to her. While I've seen more graphic material before, the actual rape scenes are very disturbing. The artistic merit is certainly questionable, and the acts are played for stimulation. However, the script is very good, and the characters come across as people. There is at least one character whose situation is only hinted at and never explained I would have liked to know more about him. And the ending is very odd. Otherwise, definitely a film of interest, if not for those who are easily shocked.
This is the first of six movies in the Angel Guts series based on a manga. Also the worst of the series.
A motorcycle gang of three enjoys raping girls preferably young and not afraid of hitting or tying the girls while raping them. One of the gang members has a younger sister he is trying to protect from the world as well as paying his debts to the Yakuza.
This movie is very depressing. All the girls are victims and most are throwaway characters. Two of the men of the gang don't seem to have any redeeming value. The third might have some value, sort of, but you'll have to watch to see as that's the only interesting story arc in this movie. The rapes scenes are very disturbing and often violent. Nothing erotic about them.
This does have a good soundtrack for 1978. That's the best that can be said for this movie. If you want to watch the Angel Guts series you can skip this turkey.
A motorcycle gang of three enjoys raping girls preferably young and not afraid of hitting or tying the girls while raping them. One of the gang members has a younger sister he is trying to protect from the world as well as paying his debts to the Yakuza.
This movie is very depressing. All the girls are victims and most are throwaway characters. Two of the men of the gang don't seem to have any redeeming value. The third might have some value, sort of, but you'll have to watch to see as that's the only interesting story arc in this movie. The rapes scenes are very disturbing and often violent. Nothing erotic about them.
This does have a good soundtrack for 1978. That's the best that can be said for this movie. If you want to watch the Angel Guts series you can skip this turkey.
Você sabia?
- ConexõesFollowed by Tenshi no harawata: Akai kyôshitsu (1979)
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Angel Guts: High School Coed
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente