Jokôsei: Tenshi no harawata

It is becoming clear that all around the world about this time films featuring rape were becoming more acceptable. The degree to how explicit depending perhaps more on a particular country's censorship laws or whether the film was intended for mainstream audiences rather than on any particular national differences. Here, of course, any hint of pubic hair is blocked by a leaning motorcycle or image fogging. It is suggested that Japanese movies of this time may have become far more sexually violent than some because a simple sex film without showing any of the genital area left audiences a little bored. With it's origins in manga, this is the first of a series and features rape from the opening frames. Three bikers spend their time riding, laughing, paying their dues to the jakuza and seeking out rape. At least two of them do, there seems to be a suggestion that one of them is gay but this is passed over in the action. Extremely well shot, believable dialogue and fast moving. A little confusing now and again and a rather oblique ending but I seem to have said this before about Japanese films so it seems to go with the territory. Certainly the Japanese seem not to have much notion of the Western idea of how a film should finish leaving the customer smiling etc. Disturbing, thought provoking and excellent

This first installment in the ANGEL GUTS series is the loudest and rawest. It focuses on three street punks who behave like Kubrick's Droogs in A CLOCKWORK ORANGE. They spend most of their spare time raping women, harassing women and plotting to rape more women. Their routine is interrupted when one of the trio exhibits a conscience.

Director Chusei Sone employs a rugged, hand-held approach to the material and milks entirely convincing performances from the youthful cast. As rape is a consistent staple of this series, there is plenty of it in this outing, although none of it is pictorially graphic. One nightmare sequence, in which a young woman is stabbed repeatedly in the groin, does possess a poisonous cinematic power.

There is an erotic edge to the film's sexuality and, as per expectations, an emphasis on female underwear and garment tearing.

Plaudits should go to cinematographer Nobumasa Mizunoo who embellishes the film with stark, white-hot visuals and toys with both color and black and white.

The film is a character study of the dangerous miscreants who walk among us and portrays sociopathic behavior as being just one step sideways for most of us.

There's so much obscure Japanese cinema that I long to see. Thank God for niche suppliers like Tokyo Shock and Artsmagic. The latter has resurrected a five film series of Nikkatsu pink films entitled Angel Guts. High School Co-ed is the first of these films, all of which center around a brutal act of rape, around which a moral tale unfolds. This one has a group of three bikers who attack young women. One of them, Kawashima, has a small bit of conscious, though. Outside of his friends, he lives for his young sister and realizes that the violence he and his friends enact upon others could just as easily be applied to her. While I've seen more graphic material before, the actual rape scenes are very disturbing. The artistic merit is certainly questionable, and the acts are played for stimulation. However, the script is very good, and the characters come across as people. There is at least one character whose situation is only hinted at and never explained – I would have liked to know more about him. And the ending is very odd. Otherwise, definitely a film of interest, if not for those who are easily shocked.

Tells the story of three bike riders whom seem to spend their time riding, laughing, paying their dues to the jakuza and seeking out to rape young women victims. At least two, lead by Kawashima (black helmet) and Kaji (orange helmet). There seemed to be a hint that the other one Sada (sunglasses) wasn't interested in women.

Even though the film is well shot, with believable dialogue and is fast moving. It really does start off right away. We see within the first five minutes these bikers make their first attempted rape on a young woman Nami (she was a passenger in a bright vehicle passing by). Of course they stopped the vehicle with their bikes and threw the driver out.

Another quite disturbing somewhat climax is the further rape scene once again with this woman but this time she was fleeing but was soon stopped in the rain by the railroad's (around the 39 minute mark). There seemed to be soothing music playing throughout which was odd.

The main subplot though reflects with the lead biker protecting his younger sister Megu. Within with an hour she gets attempted raped by one of his friends (Kaji) yet she never tells her brother (which was bizarre). The final twenty minutes feels rather slowed down as we are watching the brother trying to figure what happened. The very ending wasn't very good either as none of these characters really got what they deserved. As a film it is intended in being disturbing with its nature due to its somewhat realism and not for everyone.

Angel Guts - High School Co-ed (Japan, 1978) dir: Chûsei Sone

Kawashima and his two biker friends spend their time riding around and raping unsuspecting young girls. Much younger than them. His sister, Megu is coming of age, and men are starting to notice her. Ironically being overprotective he starts to feel conflicted. One day while out with his sister he saves a girl from his friend trying to rape her, which ends up leading to even more conflicted feelings. Has he fallen in love? What makes her different from the other rape victims he shares with his friend? Does he see his sister in this girl? Is he attracted to his sister? Is he distancing himself from his gang?

Director Chûsei Sone shoots this like the viewer is there, hanging out and observing, privy to the private conversations and shocking behavior. That makes it all that more realistic and difficult to look away from.

It's part of a series obviously meant to titillate and yet it goes to great lengths to show us the ugliness and the pain of the victim. Machiko Ohtani as Nami, the girl who the gang fights over, gives a pretty brave performance considering especially what she has to go through in here (and Megu Kawashima as well, as the sister). This is still an exploitation film, but it's been made as a well-crafted movie, with something more to show you than just bikers punks raping school girls. That's just an ugly world that happens to exist - we're thrust inside of it when it suddenly tries to gain a conscience.

The ending is unsatisfying, as a way to finish a story. It was summed up better when, late in the movie, Kawashima asks one of the victims "Who did this to you?" and she answers, "It doesn't matter who does it" as if in the end it's just a foregone conclusion in the world they live in.