Vaastav: The Reality

The talented Mahesh Manjrekar directs his second feature which centres around the character of a simple guy whose attempts to lead a normal life fail and as a result he becomes a merciless underworld don. Manjrekar's direction is excellent and he successfully depicts the dark tone of the crime world. He offers a grim look at the underworld and not even once does he try to glorify it or show it in a positive light. On the contrary, through the main character he shows how restless those who get involved in it are. The film, though a bit unevenly executed at places, generally remains steadily focused, and the proceedings are raw and serious, without useless attempts at comedy and unnecessary subplots one gets to see so much in Hindi films. Many of the film's scenes are extremely moving.

For the demanding role of Raghunath, Manjrekar casts Sanjay Dutt, one of the industry's most respected and loved stars, yet one of its most underrated actors. Dutt is simply exceptional, portraying every shade of his character with sheer conviction. He actually becomes Raghunath and manages to create a real new screen persona with his line delivery, body language and his often frighteningly serene attitude. This is one of his absolute best. Other cast members do a very good job, with Reema Lagoo delivering the most memorable performance of the lot as Raghu's tormented yet loving mother. Sanjay Narvekar is quite effective as his best friend, while Namrata Shirodkar does a fine job as Sonu, a young prostitute with whom he falls in love.

Vaastav is not without its flaws. I, for one, found Raghunath's transformation far too quick to be completely believable. The film, though generally gritty, intense and matter-of-fact, gets at times a bit too emotional and consequently the level of its authenticity is thus reduced by a iota. Nonetheless, the film's final scenes are powerful and riveting and the very last scene is fantastic. Do watch Vaastav, mainly to see Sanjay Dutt's performance.

Plot:Story Off A Normal Man Get's Dragged Into Crime Life And Pay With Life

Cast:Sanjay Dutt As Raghunath "Raghu" Namdev Shivalkhar Namrata Shirodkar As Sonia Sanjay Narvekar As Dedh Foootya Mohnish Bahl As Vijaykanth Namdev Shivalkhar, Raghu's brother Shivaji Satam As Namdev, Raghu's father Reema Lagoo As Shanta, Raghu's mother Deepak Tijori As sub-inspector Kishore Kadam Paresh Rawal As Sulemaan Bhai (Mandavali Badshah) Mohan Joshi As Home Minister Babban Rao Ashish Vidyarthi As Vitthal Kaanya

Performances:Cast Performances Is Great But Sanjay Dutt Steal Movie With Easily One Of Most Powerful Performance Ever Seen In Bollywood And Taking Home Is First Filmfare Best Actor Award Plus Award for Artistic Excellence And 2000 Screen Weekly Awards

I am not exactly one of the millions of ardent Bollywood movie watchers, in fact i could quite possibly be categorized as an ardent hater of most Bolywood produced movies. Yet i found myself intrigued by this film in which Sanjay Dutt plays a most intriguing role. Sanjay Dutt is the anti-hero of this movie which rollicks through his early years and shows him to grow up a confused and very bitter human being. True to Bollywood style, it has it's fair share of "romance scenes" and the never ending songs, but the fairly original and interesting script, and some fairly decent acting by Dutt makes up for the rest of the movie's failings. I suggest you watch it at least once and judge it for yourself.

Im not your average bollywood fan, in fact quite the opposite, i despise most productions that come out of the Indian film industry. However, this movie is compelling from the first scene to the last, and although it has elements of the stereotypical bollywood film, the film itself illustrates a story that is gripping and intriguing. Sanjay Dutt takes the lead role of Raghunat Namdev Shivalkar, and fulfills it to a frighteningly captivating effect. Dutt who has had a life of controversy and turbulence himself, was perhaps best equipped to play this role like nobody else could. The film traces the life of a young, exuberant man, who is struggling to find direction in his life. The transformation from this depiction, to the character of 'Raghu Bhai' is achieved with pure brilliance, by both the script and performers. Essentially Vaastav is an intelligent movie, revealing the infamously corrupt nature of the Indian political system, as well as the functioning of society itself. These factors are shown to work simultaneously to create a character that is forever embedded in the history of Indian cinema. This is bollywood at its rare finest, and it will not fail in living up to the trademark of the movie itself 'The Reality'. Sanjay Dutt at his pure deadliest.

Vaastav has the Mumbai underworld as its backdrop. This subject has been dealt with before many times in Hindi films. But rarely is it handled properly. Satya is probably the best underworld film to come out Bollywood in recent years. Vaastav is not flawless like Satya, but it has a gripping storyline, good direction and characterizations, and most importantly - Sanjay Dutt.

This is probably the best role Sanjay Dutt has got his hands on since Khal-Nayak, and he takes full adavantage of it. Sanjay Dutt does an excellent job as the guy gone astray. He is as superb as the good-for-nothing lad in the initial reels as the dreaded man of the underworld in the latter ones. Namrata Shirodkar gets very limited scope and gives a fair performance. Shivaji Satam shines as Sanjay Dutt's father. Reema, as Sanjay's mother, also delivers a praiseworthy performance. Mohnish Bahl is wonderfully natural. Sanjay Narvekar , as Dedh-Phutiya, is mind-blowing. Here's a guy who is talent personified! Mohan Joshi is able. Paresh Rawal is likeably restrained. Ashish Vidyarthi gets less scope but does well. Depak Tijori leaves a mark. Usha Nadkarni is excellent. Ektaa, Himani Shivpuri, Jack Gaud, Achyut Potdar, Sunil Shencle, Ganesh Yadav, and Kashmira Shah (in a special appearance) lend average support.

The film is very well directed by the debutant Mahesh Manjrekar. Being his first film, he is excellent. Production values are not very high; anyway the film does not require pomp & showbiz, as it's so close to the ultimate truth. The film belongs to Sanjay Dutt all the way. Sanjay justifies the faith of his director and carries the film on his shoulders, ably supported by others. The only drawback of the film can be the songs, which are not so catchy. To sum it up Mahesh Manjrekar has a winner on his hand and Sanjay Dutt will get lots of accolades for this film.

A Silver Jubilee (25 weeks run) HIT. One of the Top Ten Hits of 1999.