The Mission

Shot lovingly at a measured pace, the Mission is one of the best films I've seen all year.

The cinematography is simply incredible. Combined with a strong score and excellent sound, it sets the tone and pace of the film. Rather than rushing the gun battles and creating the furious duels of John Woo films, the Mission takes a slow measured approach. The bodyguards cover one another and move in harmony, taking up advantageous positions from which to strike. They do this slowly and methodically, but with an air of cinematic perfection to their languid movements. When they fire their guns, the weapons thunder and bullets either ricochet off or shatter their targets. No stock sound effects here - this is as good as Heat or Saving Private Ryan in the intensity and quality of its weapons fire.

The acting is first rate with much of the communication left unspoken. These men don't need to ramble on to one another, a few sentences or a simple gesture convey all the information that is required. All five of the bodyguards turn in first rate performances that leave you with a real sense of both who these men are and what they are all about.

The theme here is loyalty - and while it might be a simple one, this is one of its finest presentations. Definitely worthy of one's time.

What an outstanding film this is. Yes, the music is way out of place. But hey. It stars Anthony Wong Chau-Sang, Francis Ng, Simon Yam, and Eddy Ko. This has some of the coolest gun fights that I have seen in a long time. The shootout in the mall is just amazing. Listen for the echo of the of the single shot sidearm. Very very cool. The plot is about five people who are in the Triad that must protect a boss at all costs. They come from different walks of life. One is a gun enthusiast, another is wanting to make a name for himself as a gunmen, another owns a club and is being constantly harassed by some guys who think they are tough. Anthony Wong points out their mistake the hard way. Oh yes. And Anthony Wong is a hair stylist...don't let that fool you one bit. If anyone has seen "Untold Story" and John Woo's "Hard Boiled", then you know what I am talking about. Just see this movie with another great film by director Johnnie To called "Fulltime Killer". This movie gets a 10 out 10.

Many have lauded The Mission as a classic, and I don't deny that. However, as the unofficially loose precursor to Johnnie To's recent movie Exiled, The Mission did seem quite dated, but you can be dead sure that many of Exiled's plot points, characterization and stylistic influences, get established as far back to this 1999 movie.

A triad leader, Brother Lung (Eddy Ko), survives an assassination attack, and to protect oneself, you'll get together an A-Team of your merry men as bodyguards, entrusting your life to the skill of their gunmanship. His brother Frank (Simon Yam) gathers this team, consisting of your day to day average working professionals - Curtis (Anthony Wong), Roy (Francis Ng, somehow credited as Francis Wong), Shin (Jackie Lui), Mike (Roy Cheung), and James (played by the ever reliable Lam Suet, sans pencil thin moustache). While they are barbers, gangsters, valets and technical experts, they are as deadly with a loaded gun, and coordinate extremely well as a team, only that they don't know it yet.

Naturally there are existing cliques amongst the five, and their rawness in working together resulted in a partial failure of their very fist mission - the assassins escape, we journey together in their mission to protect, and see first hand how they command respect of each other, and how they befriend one another. In other words, the practice of the triads code of brotherhood and camaraderie, in trusting each other too with their lives, as they seek an end to their mission, to return to their normal lives.

The Mission is a visual treat to action fans, though as I mentioned, the action itself might look dated. What's key here, and extremely well done, is the buildup. The anticipation of the prey, the feeling of the unknown, the entire setup for the kill. Shootouts occur in a narrow alleyway, and in an abandoned warehouse amongst others, but my favourite would be the one in the mall. It might be strange that as a protection detail, they chose to leave in the open, and when the crowd is absent. Perhaps it's easier to spot suspicious persons? One thing's for sure, to enjoy the suspense, forget about the why and the what if questions (Where are the security guards? Where are the police), but just soak in the moment. I can't get enough of those ultra cool poseur shots, and the ones at the shopping mall were probably the best in the movie.

The somewhat trippy, somehow happy theme track made it seem a little awkward accompanying the plenty suspenseful build up, but strangely it all worked, even when it's used for light hearted moments. Written by long time collaborator Yau Nai-hoi (who this year had made his directorial debut with Eye in the Sky), the tale is not a gun battle a minute story, but a look at the code of brotherhood amongst the men - do they follow orders to a T because their boss orders it, or do they have it inside them to do what their heart tells them? If you've watched Exiled, this conflict amongst the team already had its roots here, and watching The Mission in hindsight, you could never had guessed that this theme could alone could spin off into its own separate storyline in Exiled.

My advice would be to watch The Mission and Exiled as a double bill - fans out there would probably not get enough! I'm sure I will pop both the DVDs into my player soon for back to back viewings! If you, like me, have watched Exiled first, then this movie surely is not to be missed.

The Code 3 DVD by Mei Ah Entertainment isn't really fantastic, but I suppose for the price I paid, you don't come to expect a chock load of extras. You get a choice of either the Cantonese language track or the Mandarin track, in either Dolby Digital or Dolby Surround 5.1. However at times, the audio does seem erratic and at certain points in dialogue, the audio level will fluctuate inconsistently. Subtitles come in traditional or simplified Chinese, and English. I watched the DVD with the English subtitles on, and though it's fairly good, there were minor spelling typos spotted every now and then. A letterbox version, the visual transfer isn't pristine as well, as it can get quite noisy and sometimes turn out to be rather blocky.

As mentioned, it's a bare bones version, consisting of a Data Bank with a very scantily written synopsis which can also be found on the back cover of the DVD sleeve, and the Cast and Crew credits, which can be obtained from the actual end credits from the movie. The Data Bank comes in both English and Mandarin texts.

Besides the stylish theatrical trailer (1min 25sec) with no dialogue, but just the pulsating soundtrack from the movie, a chapter selection is included (9 chapters in total), and a "Best Buy" section featuring the trailer for Ringo Lam's movie "Victim" starring Lau Ching Wan and Tony Leung Ka Fai.

I really enjoyed this movie, from the first 5 minutes. It's an edgey, not very dialogue driven action movie, but the cast really did a great job. This isn't to say the movie was just one shootout after another.

It isn't a mainstream "A Better Tomorrow" type Hong Kong gangster movie, and doesn't pretend to be. It's dark, the characters don't verbalise what they want to do or are thinking, but the nuances are all there. But it's befitting of the setting - they're Asian, male hired hands. It's not realistic expect them to be all philosophical and willing to wear their hearts out on their sleeve.

I also liked the movie because it cast some of the finest Hong Kong actors who were really working as a team, and no one was really glamourised to be the hero. Anthony Wong epitomises cool as his character Curtis (in Chinese his character's name was really "Ghost") with more grunts than dialogue.

Francis Ng does his edgey best, as does Roy Cheung. All three went on to make Infernal Affairs, one of my all-time favourites.

Johnnie To is one of the world's most underrated contemporary film directors. Working in Hong Kong he effortlessly switches between genre flicks (like The Mission, but he's equally at home in rom-coms (like Needing You or Love on a Diet) and weirder though sometimes even better material like 'Running on Karma' (or Heroic Trio is earlier times). The man is just as prolific as he is original, and even if he is derivative he is still a great, effortless entertainer. His Milky Ways production company makes studio and independent films with the same dedication. His latest film 'Election' is actually in competition in this year's Cannes. The Mission is the type of film Jean-Pierre Melville would probably make today. Its a mix of Hong Kong Noir and stylised set-piece. It boasts some of Hong Kong acting heavy-weights (many of which appear also in the Infernal Affairs trilogy). Dialogue is minimal, efficiency is the maxime. The music is so detached that the effect overall is almost hypnotising. The film is not perfect, and the flaws hurt because this could have easily been truly great. Still, it's way above average. Watch this and anything else by To you can get your hands on. It boggles