The Longest Nite

Lau Ching-Wan continues to amaze me with his transformations into his character. This was a great acting vehicle for both Lau Ching-Wan and Tony Leung. The story was good, and the direction was tightly wound and suspenseful. Unfortunately, all the tension unravels into an extremely unsatisfying ending.

Pic probably tops all Hongkong films in presenting triad warfare intrigue, and the horror and intricacy of a well-oiled set-up. The scripter and director weave a clever interlocking plot complete with tense and heart-stopping atmospherics. Tony Leung's bad cop performance is a class on its own, particularly when he finds out that he's been set up and is now in an untenable situation. But pic's originality is in the end let down by the final shoot out in a dilapidated warehouse, which is both shop-worn and pretentious.

Of all the great Johnny To / Lau Ching Wan collaborations this is my favourite. Reason: Patrick Yau directs and Tony Leung Chiu Wai co-stars with a performance that gives many academy award winners a run for the money. Think of "The Usual Suspects" set in Macao and you get an impression of the tense atmosphere in this film. It's a violent world where nobody can be sure to survive the next day. Although Leung's character is quite clever and unscrupulous for a cop he's just not clever enough for the intricate set-up that he is pushed into by a mysterious man in the background. The plot-twist at the end is even more surprising IMO than the end of "Expect The Unexpected", Yau's other great film.

A must see for all fans of hardboiled crime stories (and for all people with good eyes, because the Milkyway- subtitles are tiny!)

Patrick Yau is a great and talented director. I haven't seen anything else by him yet than this, THE LONGEST NITE (1997), but his other works include The Odd One Dies and Expect the Unexpected, which have also been hailed by HK fanatics and specialists. However, THE LONGEST NITE alone shows the director's talent and this is easily among the most interesting and memorable HK films of the late 90's.

Tony Leung and Lau Ching Wan are the two leads here. Tony is a wonderful actor with smooth and kind face, yet his character here is anything but nice or kind. He plays a rawly violent and corrupted policeman who solves some mysterious triad war in which he is himself somehow related, too. Also a mysterious bald headed stranger soon arrives in Macau (Lau), and soon these two men are against each other and time. It all happens during one night filled with depravity, violence and seemingly no hope for a better tomorrow..

I think the plot and story is very hard to follow after one viewing and the less you are experienced with English (subtitles), the more times you will have to see this film in order to understand the whole plot and its turns. I have seen this twice now and still there are elements which I cannot yet explain, but they're not so important as the things this film gives and has are already visible to me.

The film lacks every imaginable bit of the usual lightening humor and slapstick attempts. The film is as serious and gritty as they come, and the film is produced by the legendary Johnnie To, a director/producer specialized in this kind of gritty and dark stuff in Hong Kong cinema. One of his most incredible achievements is a triad thriller The Big Heat (1988) starring Waise Lee, which is among my personal all time Hong Kong favourites in its insanity and over-the-top dark and infernal atmosphere. Johnnie has done many other great films, too, which include The Heroic Trio (1993) and its sequel, both directed with the choreography genius Ching Siu Tung.

THE LONGEST NITE features a nice soundtrack which is little like Giorgio Moroder's music in De Palma's Scarface (1983), and it adds very well to the atmosphere of the film. But the strongest element in THE LONGEST NITE is the photography and lightning, which are often very gorgeous in the hands of a talented Hong Kong director. Films like Dr. Lamb (Danny Lee, 1992), City on Fire (Ringo Lam, 1986) or Red to Kill (Billy Tang, 1993) would not be as powerful as they are now without the usage of haunting colors like blue which bath in fog and mist, usually the light, or should I say darkness, coming through windows. The final gun battle between the two protagonists in THE LONGEST NITE is among the greatest scenes I've seen in Hong Kong cinema in recent times, and it features exactly this usage of blue nearly as powerfully as possible.

The violence and brutal world the film is set in is often off putting but never gratuitously graphic and exploitative. There's no blood spraying all over the walls, but realistic aftermath when someone decides to hurt some other. Violence never pays in this film as it doesn't in real life either. THE LONGEST NITE doesn't glorify violence at all, it just depicts people who are so desperate and weak they use it very often, and so the film (and ending) is pretty pessimistic, too. Unlike in many Hollywood action no-brainers, like the Steven Seagal films, in THE LONGEST NITE wickedness and violence always has its consequences and results.

THE LONGEST NITE is very welcome addition to the gritty triad films genre of the Hong Kong cinema and due to its great and believable performances and characters, gorgeous visuals and overall honesty, it will last many viewing times without losing its power and impact. I gladly give this 8/10 and maybe my rating will rise after subsequent viewings.

At the expense of sounding a bit cliché, it wasn't on par with the best of the genre (Such as John Woo's better films), and in my opinion it wasn't quite on par with a more closely related title, The Big Heat. Why? The constant music was nothing special, and at it's worst, slightly annoying.

There are a few somewhat wooden performances. Tony Leung Chiu Wai was far better in Hard Boiled. I don't think Tat-Chi Yau knew how to wring all of the potential Tony has out of him for this film, and it shows.

There was a certain dynamic that's almost a staple of the HK action/crime genre missing... The power of the weapons wasn't conveyed as I've seen it numerous films over the years. What I mean is that the guns didn't truly seem as powerful as they should of. The shots, underpowered, and it's a bit underwhelming when I'm used to even pistols coming across as these loud, near deafening, definitive things. Small thing but it ran through the entire film and I think it's worth mentioning.

Could of been about 20 minutes longer, with more characters being fleshed out a bit more. Film could of benefited a lot from that.

Bad subtitles. Quite a few misspelled words and I'm sure I missed the gist of multiple things because of the poor subs. Ah well.

Those are all relatively small issues I had with though, and on the flip side it's got a lot more positive things going for it. A great build-up of suspense at multiple times through the film, a pretty complex interweaving plot, two very interesting, I might dare say original action scenes which made me grin...

To boot, it was brutal and uncompromising. No humor (Though the random, unexplained vomiting kind of teetered on it) A few nice, brutal for this kind of film scenes that pleased the inner gore hound in me. The coloring throughout the film, as mentioned by others, was nice and added a nice dynamic to the film.

Hehhehehee, the movie also stars, without a doubt, the most unrelentingly sweaty character in the history of film. Tony Leung literally wipes his face down with a towel every few moments for almost the entire film. Hey, it's the little things that I get a kick out of. He kept washing his hands and what not too. I think he had some kind of sanitation issue.

Overall, a 7.5 out of 10 in my very personal opinion. Well worth hunting down and adding to your collection, as it's a very solid entry in a sadly still declining genre.