Salsa

"Salsa",directed by Luis Buñuel's daughter-in-law Joyce,is an unpretentious but pretty interesting and pleasant film. It's a story about a young and promising pianist who decides to devote his career to the Cuban salsa as he has fallen in love with this dance.He pretends to be a Cuban guy and organizes salsa lessons.Then he meets the beautiful Nathalie. Indeed,the story is simple but the films succeeds in matching romantic line, dances and comedy.Moreover,the actors are quite good and the songs are really nice.So the film gives you 100 cheerful minutes and the opportunity to learn more about the splendid culture of Latin America.

"Sala" is an excellent film!!! You must see it. It makes you feel so good. The music is great, the dance is greater! I recommend you to see it!!! All you need is salsa - the emotional, passionate and dynamic dance of Cuba!

Easy classical and salsa music that makes you feel good. This is for sure a cross-cultural movie. The Latin, French and Spanish culture comes across. The plot gives you a positive memory of empowerment. However although this film contains salsa dance scenes, it is no film to train and practice dancing.

Salsa The Movie is really one of the most rare and most amazing movies about Latin dances.Watching that movie means getting charged with Latin spirits and feel for dancing.It describes the arduous life of a french artist whose passion the music itself becomes salsa dance passion. He start studying the main steps of salsa and soon he becomes sophisticated salsa dancer.In the next scene he mets the beautiful Natalie who is also dancing salsa. Together they start training for a large salsa competition. The watchers can really feel the rhythm by watching the steps of the couple. This feeling also comes from the uncountable dance scenes in the movie. The movie ends with a lot of spirits. You should really sea this film. Amazing.

In the middle of a classical music competition, Remi Bonnet, a brilliant young pianist, switches from Chopin to salsa. The highbrow audience has a fit. People start throwing things. The judges faint. And Remi's piano teacher tells him that his career as a pianist is ruined. Remi kisses the bust of Chopin, asks for forgiveness, and heads for Paris. The stage is set in the first three minutes of `Salsa'.

Remi is dying to be a salsa musician. We will never know how or why Remi became so hooked on latino music. Nor do we really find out how Nathalie, a dour parisian travel agent who he meets in Paris, is transformed into a superb, sexy salsa dancer capable of winning a dance contest on the first try. But we don't really care, because this is a musical comedy looking for every opportunity to show off music and dance. And that's not bad at all.

`Salsa' reminds me of `Round Midnight', Bertrand Tavernier's homage to Dale Turner and the American jazz musicians who came to Paris in the 1950's. There, too, it is the story of a Frenchman who adores 'exotic' music from the other side of the Atlantic. Of course, `Round Midnight' is serious, whereas `Salsa' is a cliche-ridden comedy about one Frenchman's desire to join the fun that Cubans in contemporary Paris are having. Don't take it too seriously; enjoy the music.