Fórmula 51

An American whiz master chemist Elmo McElroy (Samuel L. Jackson , also co-executive producer and he brought in HK's Ronny Yu to direct) plans to score big on a once in a lifetime drug deal . As he develops the ultimate and revolutionary pharmaceutical narcotic , then double-crosses his L.A. boss connection nicknamed Lizard (Meat Loaf) to sell it to a Scouse kingpin (Tomlinson) and later on , Lizard seeks vengeance . All does not go as planned and he is soon entangled in a web of deceit . The Californian pharmaceutist flees to Liverpool to make a more lucrative business there , dealing with a local mafioso called Felix (Robert Carlyle) and his hoodlum (Paul Barber ; this is the second film and 'Robert Carlyle' and 'Paul Barber' have done together , the first was Full Monty ,1997). Meanwhile , a gun-toting motorcycle-riding hit woman pursues to kill him and she happens to be Felix's ex .

This exciting as well as wild picture is loaded with noisy action , irony , slapdash , comedy with tongue-in-cheek , bad taste jokes , rapid flash thrilling choreography , funny situations and with a distinctly British sense of humor . "The 51 State", is a savage hybrid among the best " Quentin Tarantino", ¨Brothers Cohen : Joel and Ethan¨ and ¨Guy Ritchie¨ , topped with a little bit of original touches here and there ; including a due homage to Liverpool FC . It turns out to be pleasantly fun that offers no intellectual stimulus whatsoever ; an exercise in pure action cinema in which entertainment and bemusement are guaranteed . The scrip written by Stel Pavlou not reinvents nothing, it is a blending of previous films , writing an enjoyable Popurrí , though it is where lies his greatness . Writer Stel Pavlou was working as an assistant in a liquor store when he penned his screenplay ; it was sent on spec to Tim Roth as Pavlou knew that Roth insisted on reading all independent scripts sent his way.

The motion picture was compellingly directed by Ronny Yu , though Tim Roth originally planned for this to be his directorial debut and Uli Edel was originally set to direct . Yu began to direct The Servant , the film became the No.1 box office hit for the summer, and Yu's future seemed destined to be in film after all. Throughout the 1980s Yu directed and produced many other box office hits in Hong Kong . In 1986 , he directed Brandon Lee , Bruce Lee's son , in Legacy of Rage . In 1993, the successful as well as romantic swordplay epic The bride with the white hair (1993) . Bride was a huge summer hit in Hong Kong, and also became an art house theater favorite in the U.S. and Europe . In 1995 came the equally ravishing The Phantom Lover(1995), a love story inspired by the original novel of The Phantom of the Opera . Following these nice films, Yu launched his Hollywood career . As he went on to direct Warriors of virtue and The 51st State or Formula 51 . His best picture and the most acclaimed results to be Fearless with Jet Li . His flair for visually rich narration appealed immediately to broader Western audiences and has been associated mostly with the terror film genre, as he has revived three franchises with The bride of Chucky (1998), adding some hilarious touches ; then Freddy versus Jason (2003), of the Nightmare on Elm Street and Friday the 13th franchises, respectively, where its box office total is more than the two franchises'combined earnings .

The 51st State is certainly no classic, but its funny and has a half-decent storyline. Being from the Liverpool area, I'm glad to see a film set there, even if it is about crime. Samuel L. Jackson is as cool as ever as kilt-wearin', drug-dealin' Elmo McElroy, and Robert Carlyle is in good form as Felix DeSouza, desperately trying to get himself a cut in the deal. The use of Ricky Tomlinson, a very funny actor pretty much unknown to American audiences, was also a nice touch. I'm very much a believer that British comedy is (almost) always better than American. I always enjoy the inclusion of English words and slang, and with Elmo not having a clue about English customs, such as the different language and the Mini Cooper, makes this film very funny. I'm not sure about Americans, but English people will appreciate the hilarity of the situation as Elmo and Felix run around Liverpool, with Elmo wanting his 20 million, and Felix just wanting to watch the Liverpool vs. Man Utd game! A clever twist at the end adds a bit of a philosophical side to the film, and shows The 51st State is more than just a few laughs.

Elmo McElroy is an American chemistry who has developed a new drug that is 51 times stronger, more effective and better than everything else on the market. He kills the major drug dealers in LA and heads to England to get a better deal. He arrives in England and is collected by Felix DeSouza and escorted to meet criminal Leopold Durant. However Elmo's hit on The Lizard failed and he remains keen to get hold of the drug - however the formula only exists in Elmo's head. The Lizard charges hit-woman Dakota (coincidently Felix's ex) to keep Elmo alive until The Lizard can get to him and get the formula. Meanwhile Elmo and Felix combine to try and sell the drugs.

Yet another in the treadmill of British bandwagon filmmaking, this film is, surprise surprise, a comedy British gangster movie with, wait for it, larger than life characters, funny violence and hyper-kinetic directing and editing. How very Lock Stock - things look pretty bleak from this description, except that the cast at least offers the hope that sufficient money has been poured into it to make it more than just another cheap cash-in on the success of Guy Ritchie's films. From the start it is obvious that this film is going to be more about energy than anything else and, to prove this, it then quickly edits it's way into a plot that relies more on forward motion and coincidence than anything else. The story is nonsense throughout and at times I found it a little irritating that so little attention was paid to the plot - but in fairness, to make a big deal out of that is to miss the point.

This is because the film is all about style, humour and pace and not about character or plotting. In this regard it is an enjoyable ride, albeit a silly and energetic one. The hyper directing from Yu really suits this and he does well even if he is not really very original in regards his shots etc. The editing fits with the formula set by Ritchie and is pretty much what you expect. What makes the film stand out from the rest of the copies is that it actually is quite good fun to watch (as opposed to some copies that are just cheap and nasty) - never hilarious but it is energetic enough to pull you along with it no matter how silly it gets. Of course it has weak points - a few characters are too daft and, whenever the overall plot is the main focus then it struggles.

Despite this the cast do well to keep things moving and they play a massive part in making this work. Jackson may not be doing anything new or wonderful here but he is key to the film working and he is worth every penny they must have paid him. He has great presence and he brings a lot of fun and energy to the film in a way that his lesser co-stars cannot. Carlyle is a good actor but he pales in comparison to Jackson in this - he isn't helped by the awful accent he is lumbered with and the fact that he is a little irritating. Mortimer is annoying as her character is just daft in the context of the plot, but not as annoying as Meatloaf who is easily the worst thing in the film. The support cast includes reasonable turns from Pertwee, Ifans, Tomlinson and Barber but this is Jackson's film 100% and it is difficult to imagine it being as enjoyable without him.

Overall, we all know what to expect - this is yet another gangster film in the mould of Lock Stock. In that regard it isn't original and it is, frankly, a mess in regards character and plotting. However it moves fast, is slick, clearly had a bit of cash thrown at it and, apart from a handful of stupidly silly moments, is actually quite fun to watch - even if it is almost instantly forgettable. The cast includes quite a few well-known faces but it is the awesome presence of Jackson (who looks like he is enjoying himself in an undemanding role) that makes this worth seeing.

What do you get when you put Samuel L. Jackson, Robert Carlyle, Meatloaf, Rhys Ifans, and Emily Mortimer together in a movie? A rollicking good time! This movie is pure entertainment and has some very, very funny moments. The dialogue is mostly tongue-in-cheek and snappy. The soundtrack is excellent (this coming from someone who doesn't really like techno, club, rap, or hip-hop music), and I would definitely buy this movie to watch again. It may not be for everyone, but the cast is first-rate; the story line believable, and seeing Samuel L. Jackson in a kilt couldn't be beat! I give this movie a 9 out of 10. It's not Academy Award material, but who cares!

Yes it's Liverpool, yes it's a well used theme and yes, Sam wears a kilt!!! Those last words should have you booking your tickets, but if that's not enough then read on. We start our ride in the States with a freshly graduated Elmo McElroy driving along the coast, sparking up a joint as the sun sets in the background and life is looking good. That is all changed by the wail of a cop car, and the subsequent booking of the young Elmo. Life has just got an awful lot more complicated. Before you know it you're in the middle of a big drugs deal that blows up in everyone's face, and our Elmo is on his way to merry ol' England with the next wonder drug in a sweet packet, being followed by an assassin who is fascinated by whether or not there is underwear beneath that kilt. Now you need to hang on tight as we meet a yankie hating, football loving henchman (Robert Carlyle), an inflatable ring using boss (Ricky Tomlinson), a yoga enthusiast night club owner (Rhys Iffans), the most inept, bent police officer (Sean Pertwee) and everyone in between. Car chases the likes have not been seen since the Italian Job and The Blues Brothers, guns, drugs and a pounding sound track all conspire to detract from the core i.e the script. But they cannot as gags, one liners and even entire conversations, will have you doubled over with laughter. And not just in the cinema, as this will probably be one of the most quoted films down the pub or at work this year without a doubt. Yes there is swearing and yes it's not the most intellectually stimulating films made, but it never tried to be. What it tried to be was an all out action comedy Hollywood style with British wit and sarcasm driving it. The performances are second to none and the direction and editing will leave you blinking. The pace builds relentlessly and before you can fidget, the credits are rolling and you are on your way out the door!!

Don't believe the bad press, this is one hell of a film, with one hell of a cast and written by one hell of a British writer...GO AND SEE FOR YOURSELF!!