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Joshû 701-gô: Sasori

  • 1972
  • Not Rated
  • 1 h 27 min
AVALIAÇÃO DA IMDb
7,2/10
5,3 mil
SUA AVALIAÇÃO
Meiko Kaji in Joshû 701-gô: Sasori (1972)
Prison DramaCrimeDramaThriller

Adicionar um enredo no seu idiomaAfter being used and betrayed by the detective she had fallen in love with, young Matsu is sent to a female prison full of sadistic guards and disobedient prisoners.After being used and betrayed by the detective she had fallen in love with, young Matsu is sent to a female prison full of sadistic guards and disobedient prisoners.After being used and betrayed by the detective she had fallen in love with, young Matsu is sent to a female prison full of sadistic guards and disobedient prisoners.

  • Direção
    • Shun'ya Itô
  • Roteiristas
    • Fumio Kônami
    • Hirô Matsuda
    • Tooru Shinohara
  • Artistas
    • Meiko Kaji
    • Rie Yokoyama
    • Yayoi Watanabe
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,2/10
    5,3 mil
    SUA AVALIAÇÃO
    • Direção
      • Shun'ya Itô
    • Roteiristas
      • Fumio Kônami
      • Hirô Matsuda
      • Tooru Shinohara
    • Artistas
      • Meiko Kaji
      • Rie Yokoyama
      • Yayoi Watanabe
    • 44Avaliações de usuários
    • 53Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
  • Vídeos1

    Trailer
    Trailer 3:02
    Trailer

    Fotos81

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    Elenco principal52

    Editar
    Meiko Kaji
    Meiko Kaji
    • Nami Matsushima (aka Matsu the Scorpion)
    Rie Yokoyama
    Rie Yokoyama
    • Katagiri
    Yayoi Watanabe
    Yayoi Watanabe
    • Yukiko Kida
    Yôko Mihara
    Yôko Mihara
    • Masaki
    Akemi Negishi
    Akemi Negishi
    • Otsuka
    Keiko Kuni
    • Nemoto
    Yumiko Katayama
    • Kitô
    Emi Jô
    • Morikawa
    Sue Mitobe
    • Imune
    Chie Kobayashi
    • Dobashi
    Rie Yuki
    • Tatsuno
    Hideo Murota
    • Okizaki
    Saburô Date
    Saburô Date
    • Kaizutoshi
    Shinzô Hotta
    • Furuya
    • (as Shinzo Hotta)
    Yôichi Numata
    • Soga
    Takeo Kamura
    Shirô Hisano
      Takashi Hio
      • Takenaka
      • (as Kôji Hio)
      • Direção
        • Shun'ya Itô
      • Roteiristas
        • Fumio Kônami
        • Hirô Matsuda
        • Tooru Shinohara
      • Elenco e equipe completos
      • Produção, bilheteria e muito mais no IMDbPro

      Avaliações de usuários44

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      Avaliações em destaque

      8TheAnimalMother

      Her Song Of Vengeance

      Some films, while not entirely believable are still able to pull you into them and make you invest your interest and full attention in them nonetheless. This is such a film. While it's not entirely believable, to me it's a film that is still extremely interesting and enjoyable. Of it's subject matter, this may truly be the best film of it's kind. Even with it's age and fairly low budget, somehow it still comes across to me as very poetic. Violent poetry no less, but there's certainly much more to it than just violence. This film inspired at least 6 sequels I believe, and it has been an inspiration for many remakes and imitators too. The Kill Bill films are two of them at least to some degree, they certainly draw inspiration from it at least. This is overall quite an amazing little film. It's brutal, yet still somehow it is also quite beautiful. These are not easy things to balance in the art of filmmaking, but here it is on wonderful display.

      8.5/10.
      8mmushrm

      Still good after 39 years

      Just watched Female Prisoner #701: Scorpion 39years after it came out and it is still a good movie.

      This is the 1st of the Female Prisoner #701: Scorpion series (I had actually watched it backwards from 4 to 1), and it shows how the "Scorpion" ended up in prison and how hard she is. The Scorpion is HARD.

      The movie has all the prison exploitation themes, sadistic guards, naked prisoners, mean prisoners, torture etc. But it also has the Scorpion; imagine Cool Hand Luke but who does not talk, with no humour, a willingness and readiness to kill/injure/maim her tormentors and a single mindedness quest for vengeance. Meiko Kaji (actress) is more widely known for her Lady Snowblood character and movies but IMO her Scorpion Character is way more awesome.

      I recommend this movie just so you have a lead up to the second movie Female Convict Scorpion Jailhouse 41 which is a MUST watch.
      10zetes

      Awesome Japanese exploitation flick

      Violent, sick, cruel, and completely sadistic – what more could I ask for? Starring Meiko Kaji, who would go on to the Lady Snowblood films the next year, this women in prison movie simply dazzles. Ito's direction is fantastic, and in some ways resembles that of Suzuki Seijun. It's funny that such great filmmaking is found in a w.i.p. movie, a sub-genre usually reserved for sloppy, direct-to-video work today. Just think, a direct-to-video movie really could be well made. There is an unfulfilled market here. Yet people just keep cranking out the same cliched garbage – an utter waste. The genre in America is too tame when you look at FP701. Actually, I'd almost say that this comes close to being the best prison movie ever made, approaching masterpieces like Don Siegel's undervalued Riot in Cell-Block 11 and Stuart Rosenberg's beloved Cool Hand Luke. Hell, Prisoner 701 makes Cool Hand Luke look like a total pussy. This movie is an absolute must-see for those who love Japanese films, exploitation, or cult movies in general. I'd go so far as to call it a masterpiece in its own way. I loved every damn second of it! 10/10.
      8petermckn

      Women In Prison Genre Done Right

      The woman in prison exploitation sub-genre doesn't exactly have the best reputation for example Bare behind bars and SS experiment love camp comes to mind but this is something different. Firstly It feels more like an art film by the way its shot. It uses interesting compositions and at lighting. The nudity in the film doesn't feel like its sexual well to me anyway maybe a sadist would see it differently. The initial rape scene in the film is done so it's not too graphic and hard to watch similar to the one seen in Lady Snowblood. On top of all that the writing is terrific, the motivation of the Sasori isn't revenge for the rape. It's revenge for the double crossing which drives her to put up with the struggles of prison life so that she might get out. What i love about the main character is that she hardly talks throughout the film and does all the communicating with her eyes. Which leaves you guessing what she will do next. The music is great and the movie is action packed with a satisfying ending the only part that didn't seem right was the random Lesbian scene which felt out of place but they justify it later. so give it a watch you won't be disappointed.
      lazarillo

      Better than "Kill Bill"

      A beautiful young woman is double-crossed by her corrupt cop boyfriend, raped by his Yakuza thug associates, and then--to add insult to injury--unjustly sentenced to a brutal women's prison. She becomes increasingly stoical, however, biding her time until she can have her revenge on all her enemies both in and out of prison.

      This is an enjoyable movie which manages to be both a WIP film and a rape-revenge film. It's also probably the best of the "Female Scorpion" series because it focuses more on the WIP elements while the later films are mostly rape-revenge (or eventually just revenge)movies. To be honest, I've never quite gotten the appeal of these female action movies. While some of their fans are female, the vast majority are men, and it's beyond me the masochistic thrill these guys get out of the "butt-kickin' babe"(personally I prefer women that do NOT beat me up, shoot me, or run me through with a samurai sword). Meiko Kaji's Female Scorpion character is in a class by herself though in that her strength comes not so much from her ability to dish out extreme punishment as to quietly endure it until she has a chance to turn the tables. The epitome of this is when she is she is strung up by the other prisoners (quite naked of course) and tortured with hot lamp bulb--Ouch!

      This is also the only film in the series where Meiko has nude scenes. They're pretty tame by WIP standards, but there are plenty of other naked Japanese girls (if you're into that sort of thing)including in one hilarious scene where the female prisoner "rape" a couple of male prison guards during a riot (poor bastards!). It's a matter of taste I guess, but I liked this better than the more famous "Lady Snowblood" (also with Kaji) and definitely better than "Kill Bill".

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      Enredo

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      Você sabia?

      Editar
      • Curiosidades
        Japanese director Sion Sono references this series in many of his movies: Lady Scorpion from Exposição de Amor (2008), art-house horror elements in Exte: Extensões Capilares (2007): hair extensions and revenge sexual torture in Culpada por Romance (2011).
      • Erros de gravação
        Quite a few of the strikes in torture, attack and fight sequences obviously didn't actually make contact with the victim. One of the worst is when an inmate causes "blood" to gush from a guard's head when the shovel blade she swung at him missed by at least 6 inches.
      • Citações

        Nami Matsushima: To be deceived is a woman's crime.

      • Conexões
        Edited into S/s/s: Beyond Any Doubt (2012)
      • Trilhas sonoras
        Urami-Bushi
        (Song of Vengeance)

        Written by Shun'ya Itô and Shunsuke Kikuchi

        Sung by Meiko Kaji

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      Perguntas frequentes13

      • How long is Female Prisoner #701: Scorpion?Fornecido pela Alexa

      Detalhes

      Editar
      • Data de lançamento
        • 25 de agosto de 1972 (Japão)
      • País de origem
        • Japão
      • Idioma
        • Japonês
      • Também conhecido como
        • Female Prisoner #701: Scorpion
      • Locações de filme
        • Japão
      • Empresa de produção
        • Toei Company
      • Consulte mais créditos da empresa na IMDbPro

      Especificações técnicas

      Editar
      • Tempo de duração
        1 hora 27 minutos
      • Cor
        • Color
      • Mixagem de som
        • Mono
      • Proporção
        • 2.35 : 1

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