Dabide no hoshi: Bishôjo-gari

The comment I read on the main page was very detailed, so I'll keep it brief. I agree with all the sentiments stated.

This film is unusually well done, with surprisingly good acting for the genre. In particular the scene of the girl realizing her sadistic side and whipping her female former boss (who was a total bitch to her). It may be somewhat subtle, but her facial expressions (and look in her eyes especially)... very convincing and definitely seems as she enjoys herself. Highly recommended, even if for this scene alone. At times it does move a little slowly, but I've watched it several times and can't say have ever found it to be boring. Of course you have to enjoy this genre. Overall one of the best of it's kind.

When a man's wife is raped and impregnated by a serial killer, the result is a handsome playboy who grows up with a fetish for sex, torture, and murder. This Japanese production is like a morality play with no morals, with a protagonist who is at once charming, intelligent, and unredeemable; the multi-layered script fleshes out the character and those he abducts, and makes some surprisingly insightful observations about a society fixated on religion, morals, and beauty. While not achieving a balanced mix of depravity and fascination like Pier Paolo Pasolini's "Salo," "Beautiful Girl Hunter" comes close enough, though the violence and sexual content becomes excessive near the end.

6.5/10

Gave this film a 10 out of 10, which it probably doesn't deserve if you compare it with 'Citizen Kane' but if it's about originality it deserves it.

On the surface, it's just another of those Japan-shock-films. But notice how one girl is set free and how another one is shot on top of a building for everyone to see.

Disguised as a Japan-shocker this is an anarchist smuggler-film. Of course it is not too obvious as such, but still enough to enjoy. Easily the best of Japan-shockers.

Norifumi Suzuki's Star of Dave aka Beautiful Girl Hunter (1979) has been released in Europe by Japan Shock as Beautiful Girl Hunter, and the version is in widescreen, uncut and with original language. However, one sex scene has been optically censored/blurred as they always are in Japan. The film is based on 5-part animated series which itself was based on Masaaki Soto's adult manga. A young student is seemingly normal, but keeps a savage torture/bondage chamber in his cellar (he lives alone in a big house once his father died), and kidnaps school girls there for torture, sex games, rape and usually murder. There is one significant plot turn dealing with the film's brutal prologue, so there is no point in describing the plot anymore without spoiling this, and also beware other reviews which I've seen spoil this very badly.

This is very Japanese film in its themes, as once again the subject matter is the darkest sides of humanity, and the film tries to ask are these things "inherited" or is human nature just rotten anyway and based on instincts. There is one character, a pure incarnation of evil which is very close to the main character, too, and their relationship is the main point in the film. This same theme of darkness is even more brutally and very disturbingly handled and depicted in Katsuya Matsumura's All Night Long trilogy, and especially in part two, Atrocity (I have seen only the first two films, haven't seen part 3 yet). Once human being gives power to his instincts to kill and enjoy other people's misery and pain, all hell literally lets loose. All Night Long 2: Atrocity is definitely among the most depressing and disturbing films I've ever seen, and it was even denied a theatrical release in Japan due to its dark and extreme nature. All Night Long trilogy has also been released by Japan Shock, but only on DVD. They are very worth purchasing for fans of extreme (and also intelligent, but hard to take) Japanese cinema. In Beautiful Girl Hunter, the Nazi crimes and WW2 is handled and mentioned couple of times, so the theme of evil is global in this film as it is in our world.

Beautiful Girl Hunter uses some interesting camera techniques and details, and thus becomes even more noteworthy and worthwhile. At the end of the film, there are some elements found usually in Takeshi Kitano's films, like people between and among flowers and scenes at the sea etc. so it is obvious Japanese films are very unique and they have a style of their own. Camera is sometimes very twisted and used creatively, so this movie is technically very inventive.

It is a must to tell that the film is definitely not for all audiences, since there are many vicious scenes of bondage, rape, torture and whipping of hapless girls captured by the disturbed youngster. The sex scenes are among the most realistic and natural I've ever seen, and if you've seen for instance Gaira's "Guts" series, then you know what I mean about the authenticity of those sex scenes. Women masturbate, and as it is so realistic, it is perhaps not just acting, so if someone feels this kind of sexual, violent and also perverse imagery is off putting, don't ever try to watch this film, or others of its kind. There is also one bloody killing as the boy stabs one of the victims in the heart with Naked Blood like geysir of blood. Despite these elements from extreme horror films, Beautiful Girl Hunter has its message and theme, and also some cinematic elements, but due to its imagery, the film is very hard to understand.

The film is very slow moving, so it is not wise to try to watch this tired. There is not too much talk in many scenes and the film is very contemplative as a whole. I like this film and gladly give it 8/10 rating, and recommend it for fans of Japanese cinema, which is something that would never be made in any other culture, Western included.

This movie is about young sex murderer. His mother herself was raped by a criminal and afterward his formerly milquetoast professor father abused both of them, believing his wife "enjoyed" the experience and his son was the product of the rape. Through either "nature" or "nurture" the son grows up to be a sex criminal himself, kidnapping women and sexually abusing them (onscreen) and then sometimes killing them (offscreen), even while he tries to have a conventional romance with a childhood friend. Eventually he meets his birth father, who is still and active rape-murderer himself.

This is a controversial movie, mostly because it has been more widely seen than most "pinku eiga" films and a lot people simply don't understand the genre. If people like violent action movies or slasher movies, no one (today at least) assumes they're homicidal maniacs because everyone knows that people aren't REALLY being killed. Well, the same thing is true in "pink" films. Of course, the women aren't REALLY being raped (nor are the girls in schoolgirl uniforms REALLY schoolgirls), and in fact the rape scenes are actually kind of ridiculous. Some people are either incapable of separating fiction from reality (notice I didn't say fantasy) or they don't give other people credit for being able to do so. The ridiculous rape scenes aren't necessarily even sex fantasies for all the male viewers (like me, for instance), but to the extent they are--well, even feminists acknowledge that woman have rape fantasies (yet don't want to really be raped), why is it surprising that many NON-RAPIST men do as well?

Ironically, the controversy largely comes about because the women in "pinku eiga" like this often end up enjoying the rape. After the "schoolgirl" is abducted, tortured, forced to masturbate for her captor and eventually violated, he lets her goes and sees her later back at school where she is now happy and well-adjusted. But this is exactly WHY these rape scenes are so unbelievable. It's an old-fashioned idea that men commit rape because they think the women "enjoy" it. Rapists are sadistic *bleeps* who probably would be very disappointed if the woman enjoyed it, or in most cases they are simply sociopaths who don't care (nobody thinks murderers, muggers, and burglars do what they do because they think their victims "enjoy" it). But you simply don't judge movies by how a child or a disturbed individual might react to them--or we'd only have movies fit for small children and disturbed minds. A NORMAL person will just laugh this off, or perhaps be titillated by the basically consensual BDSM. Besides, compare rape and sexual assault statistics in Japan to those of that "PC"/feminist fortress that is America and then you can try to tell me the problem is MOVIES. . .