Cowboy Bebop

Cowboy Bebop should need no introduction; it's more than a uniquely defining series on several levels. Shinichi Watanabe crafted this mostly episodic anime with a beautiful plot arc that doesn't detract a bit from any moment in the series.

Following the misadventures of a crew of unlikely bounty hunters through the future solar system, Bebop liberally dabbles in jazz, both the music and the attitude. The lead character, Spike Spiegel, is as much an antihero in the anime tradition as he would be in a Hemingway novel- witty and gutsy, with a twist of nihlistic worldview. Along with Spike, each part of the ensemble main cast do more than enough to stand out on their own, with perfectly human qualities. Jet Black, the gruff pilot, is truly epitomized in the episode "Ganymede Elegy," where he confronts an old flame. Ed and Ein, the genius teenage hacker and her supersmart Corgi dog, throw the limits of standard comic relief out the window. And who could forget Faye Valentine, the eat-your-heart-out sprite of a woman with pizazz, flair, and a penchant for gambling.

If you're not a fan of anime because of its tendency to be far-fetched and downright weird at times, Bebop is the right starter series for you. A melodrama, a jazzy jam session, and a sci-fi detective thriller all wrapped into a tight, upbeat package. Superb.

I used to generally dislike anime due to it's distinct character design which I am not fond of.

Still, I've tried watching series like JoJo, but it just wasn't my jam.

Cowboy Bebop however, despite the classic character style, is just waaaay to good - the music, the aesthetic, the animation, the story, everything is just too amusing not to watch it.

Give it a try!

CB is a happy blend of story, action, and characters.

Set in the future, CB takes its name from the spaceship, around which the story loosely revolves. The main characters, Spike and Jet, try to make their living while not getting killed, traveling around looking for bounties.

Technically, the animation is very good, though a friend pointed out that sometimes the frame rate is low, or they use a still in a shot. These didn't bother me because they were used tastefully, and were balanced by action shots that carried a lot of energy.

The voice acting for the english version is great, and adds to character depth. They seem to understand who the characters are and how they would react.

The story line is interesting. With each episode being around 25 minutes, the time is filled with a balanced blend of action, character development, and plot. The story within an episode develops rapidly, while the whole series moves more slowly, with the exception of the last few episodes (where they were trying to wrap things up).

If you've never tried any anime, this would be my first choice. I watched it on DVD, and would definitely watch it again.

Cowboy Bebop is a truly post-modern show. Not in the tired "Scream" sense of self-awareness, but in its willingness to mix genres and blur boundaries. At the most basic level it's a Space Western. But Bebop is not content to be merely that, so there are added dashes of film noir, gothic horror, creature-feature, black comedy, screwball comedy, spy action, crime, romance, tragedy, action, philosophy, science, spirituality, fatalism, optimism, buddy-buddy stories, slapstick humour, parody-- just about every type of tale under the sun appears in some shape or form during Bebop's run. It's a show where each episode really is different from the last. Were it not for the recurring characters, it would be hard to believe that the brightly-coloured blaxploitation parody "Mushroom Samba" could possibly come from the same series as the bleakly violent "Real Folk Blues".

The world that the series inhabits is distinctly post-modern, too; space ships fly through hyperspace gates, but once on the ground their pilots fight with twentieth-century handguns. Scenic bays would look for all the world like they were taken from modern-day Japan were they not dwarfed by Jupiter, the enormous gas giant looming in the sky like some enormous benevolent god.

And the music - tribal drums and chants give way to electronic pulses that give way to jazz sax and trumpets that give way to rock guitars that give way to blues harmonicas... composer Yoko Kanno faultlessly turns her hand to an eclectc selection of genres and instruments, ably backed up by her band, "Seatbelts".

All of which sounds terribly impressive, but why on Earth should you watch it? Because, buddy, it's one of the finest television shows ever made.

I have to admit I'm not a big anime fan. Most anime that makes it over here seems to be either about schoolgirls with supernatural powers who battle evil, or adolescent boys who - for some convoluted reason - wind up having to pilot big giant robots. And whilst I'm assured that shows such as Escaflowne (schoolgirls and magic) and Evangelion (boys and robots) are actually rather good, they completely fail to get my blood pumping.

Enter Bebop. Ultra cool Spike, grumpy strategist Jet, trigger-happy Faye, nutball Ed and intelligent dog Ein are as far away from the usual brats and bots anime as you can possibly get. Their motivation, too, is far from the usual anime fare. These guys aren't bounty hunters because they want to fight crime and keep the peace - all they want is a wad of cash, and bounty hunting seems like the best place to make big money fast. Although they will do the right thing when pressed, they rarely forget their true motivation - and if they do, their perpetual lack of food will soon remind them. Life isn't easy, and when you're a bounty hunter it's even harder.

Not that the crew of the spaceship Bebop are one-note characters. As the series progresses, our initial assumptions about the characters are overturned. At first Spike appears to be the cliched laid-back slacker (who just happens to be a mean jeet-kun-do fighter), but we then learn of his fall from the criminal underworld and of a loss that killed him emotionally. Jet's the obvious gruff authority figure, until we realise that he actually cares for the crew of the Bebop as if they were his kids (and seems to have dabbled in pot and psychadelic drugs when he was a teenager). Faye's the usual feisty stand-offish female lead but only because her amazingly tragic past makes her push away friends for fear that she'll become attached to them. Ed's just some nutty kid until we meet her crazy father and realise that it could well be her deprived childhood that sent her over the edge. And Ein? Well sometimes it's hard being a super intelligent Welsh Corgi on a ship where nobody appreciates you, you know?

But not every episode is deathly serious - the character development is mixed in perfectly with humour (both light and dark), fistfights, shoot-outs, car chases, aerial fights, space battles and some of the lushest animation you'll see in an animated TV series. And all of this spread over only 26 episodes.

Yes, many people espouse the old "leave 'em wanting more" line, but so few of them actually do it; Buffy the Vampire Slayer is the perfect example of a series that spends three or four years being top-notch TV then freefalls due to apparent apathy from both the cast and writers. Bebop avoids this by wrapping every dangling plot thread up in just one season of television. And after the final jaw-dropping episode it's quite clear that the series is most definitely over.

Never before or since have I seen a series of such astonishing variety, intelligence and style. Ten out of ten.

Cowboy Bebop will break any prejudgement you've ever had on anime. Simply put, the show is amazing. From the art, to the music, and most importantly, the story line - Cowboy Bebop delivers. Although most reviewers have summed up the storyline fairly well, I'll give a brief overview.

In the not so distant future, many planets have been colonized and huge technological advancements have been made, but enough with the obvious. Two men, Spike and Jet meet up with future comrades Faye and Ed and team up (or fly it solo) to form the most effective bounty hunting team in the universe. Technology benefits both bounty hunter (known as Cowboys) and criminal as the crew of the Bebop Ship try to make an honest Wulong (the futuristic form of currency) while each member encounters shades of their illuminous past.

A huge bondship amongst the characters is felt almost from the start, despite on-going tensions on the Bebop. Furthermore, each character is given at least two whole episodes, which elaborate on their past, which intertwines oddly with the present (an on-going theme in Cowboy Bebop).

Their pasts are as diverse as their personalities and at some points you'll have a hard time even figuring out who the main character is. One is a former worker of a crime syndicate, one a former police officer, one a thief, and the last a computer hacker. Some similarities do exist though, namely stylish outfits and attitudes, but even then, these similarities are VERY few.

The coolest thing about Cowboy Bebop is it's ability to give you something drastically different each session (don't call it an episode, it's a session). Some sessions wrap you up in action, some make you cry, still some sessions will make you roll on the ground in laughter. One thing for sure is you will get a very satisfying feeling once the credits hit.

The soundtrack for the entire series is another high point. Virtually each session is entangled in some form of sophisticated music, usually Jazz, which is a welcome breeze from the stagnation of today's modern music.

Compared to other anime, Bebop reigns supreme (along with a couple of others), and puts kids shows like Dragon Ball Z (which are virtually plotless in the light of Cowboy Bebop) to shame. This is definitely worth viewing if you're looking for something new to watch, but worried you might just fall victim to another piece of trash reality show or sitcom. Your previous conceptions of anime are about to be shattered.