Um grupo de ladrões invade uma câmara esperando encontrar pinturas, mas em vez disso liberta o próprio Conde, que viaja a Nova Orleans para encontrar a filha de seu nêmesis, Mary Van Helsing... Ler tudoUm grupo de ladrões invade uma câmara esperando encontrar pinturas, mas em vez disso liberta o próprio Conde, que viaja a Nova Orleans para encontrar a filha de seu nêmesis, Mary Van Helsing.Um grupo de ladrões invade uma câmara esperando encontrar pinturas, mas em vez disso liberta o próprio Conde, que viaja a Nova Orleans para encontrar a filha de seu nêmesis, Mary Van Helsing.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 2 indicações no total
Avaliações em destaque
Now...the most irritating aspect of the film is the almost surreal amount of flagrant Virgin Records placement. Seriously....Mary works in one of the stores which means we get prominent t-shirt coverage....not to mention the gawdy neon sign, the truck in the garage etc.....however, Dracula needs virgins, right?
By far the most interesting part of this film was the story behind the creation of Dracula. Taking the myth back to the time of the crucifixion, with Judas Iscariot suffering some fairly serious guilt issues leading to his suicide and eventual "re-birth"....good angle: it helped to explain the vampires aversion to all things holy and dislike of silver (as in 30 pieces of...). Still don't get the mirror-phobia but hey....
Someone on the creative team of this film has a sweet little visual gag in store. Check out the scene in the Laffayette Cemetery...there is a crypt bearing the name "Spencer Hepburn". Nice one.
The ending is a little rushed and it seems that Miller might have left the set early that day, since he apparently vanishes. It also leaves blatant amounts of room for a sequel, but I wouldn't hold my breath.
That I even considered seeing this film was primarily due to Wes Craven's participation. However, I found it to be an imaginative and fairly tasteful modernisation of one of the all-time cinematic horror legends.
Other than Butler, there is a good diversity in the cast. We receive some quality acting by Christopher Plummer as Prof. Van Helsing and even Omar Epps is remarkable in his role. Lots of eye-candy is provided by Jennifer Esposito (I never saw her this pretty), Jeri Ryan (cleavage-queen) and Colleen Fitzpatrick (she's the modern version of Lucy). I'm rather late with my first viewing on this film. Since I never wanted to spend money on it, I patiently waited for it to come on TV. You're not missing anything in case you don't ever see it, but there are much worse ways to spend your time. It's overall well-made and light-headed entertainment. Not planning on seeing the sequels, though.
First of all, I had entirely forgotten that the movie had Gerard Butler playing the part of Dracula, and that was actually a really nice touch to the movie.
The storyline in "Dracula 2000", as written by Joel Soisson and Patrick Lussier, is a reinvention of the Bram Stoker novel, but of course with some major changes added to it. And it actually worked out well enough, because I was certainly entertained by this movie. In fact, the movie was actually not as corny and cheesy as I remembered it to be.
The movie has a great cast ensemble, with the likes of Gerard Butler, Christopher Plummer, Jonny Lee Miller, Justine Waddell, Jennifer Esposito, Omar Epps, Sean Patrick Thomas, Danny Masterson, Lochlyn Munro and Nathan Fillion as well. So there are a bunch of familiar faces on the cast list.
Visually then "Dracula 2000" was good, despite it being a movie that wasn't relying heavily on special effects.
My rating of director Patrick Lussier's 2000 movie "Dracula 2000" lands on a six out of ten stars.
It struck me as two movies in one. There was a very passionate vampire story going on, covered up by a high-tech monster movie (think Bram Stoker's Dracula coated with a layer of Underworld or League of Extraordinary Gentlemen).
Considering the double tone of this film, I'm not surprised to see Christopher Plummer co-starring along some very fresh-faced young actors. Any fellow Canadians will notice a few Canucks besides Plummer in this one.
Because of the inconsistent flow of the movie, some silliness, and the disappointing death of one of the main characters, I gave this film a 6/10.
Você sabia?
- Curiosidades(at around 1h) The line in the film where Jonny Lee Miller playing Simon Sheppard says, "Never, ever fuck with an antiques dealer," was a line the actor would say on set as a joke. The director liked it and incorporated it into the scene.
- Erros de gravaçãoVan Helsing's office building is in London, but the Security Guards on duty are armed. Security guards in the UK do not, and cannot, carry guns. Handguns are illegal in the UK and private citizens, even security guards, cannot possess handguns, much less can they carry them about. Handguns can only be carried by the armed forces and by specially trained police officers (and even then it is rare to see an armed police officer).
- Citações
[while struggling with Marcus, Simon produces a cross]
Marcus: Sorry sport. I'm an atheist.
[a dagger pops out of the cross's base]
Simon Sheppard: God loves you anyway.
[He stabs Marcus in the eye with it]
- Cenas durante ou pós-créditosAs the credits roll, interspersed in the words, are coloured pictures of things important to the movie's premise, including a row of teeth, a bat, and a cross. These pictures are seen both on the left and right sides.
- ConexõesEdited into Dracula 2000: Deleted Scenes (2001)
Principais escolhas
Detalhes
Bilheteria
- Orçamento
- US$ 54.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 33.022.767
- Fim de semana de estreia nos EUA e Canadá
- US$ 8.636.567
- 25 de dez. de 2000
- Faturamento bruto mundial
- US$ 47.053.625
- Tempo de duração1 hora 39 minutos
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1