Adicionar um enredo no seu idiomaA college professor reluctantly hides an escaped female convict who tries to get him to help prove her innocent of a murder.A college professor reluctantly hides an escaped female convict who tries to get him to help prove her innocent of a murder.A college professor reluctantly hides an escaped female convict who tries to get him to help prove her innocent of a murder.
- Direção
- Roteiristas
- Artistas
Dawn Burgess
- Amy
- (as Dawn Cochran)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
It is easy to criticize this movie and others have already pointed out its deficiencies. The movie is available on DVD and has director's commentary in which is revealed that the movie was shot in 21 days on a minimal budget. Or as the commentary says: this commentary details how one goes about making a movie under considerable time and budgetary restraints. The performances by the actors are first rate. The script is filled with many logical flaws and oversights that are exacerbated by the ending of the movie. Meaning, that one can then work backwards and see the major holes in the script because the ending seems to sabotage the entire theme of the movie. Still it is more than watchable because of what is up on the screen. Nastassja is Nastassja and it is almost always rewarding to watch her on the screen, if she has sufficient material to work her magic. There is an underlying tension throughout the movie in which one wonders if Lydia Davis, the Nastassja Kinski character, is manipulating the academic and overmatched Peter Coyote character. You will have to watch the movie and see for yourself.
I'm usually not fond of HBO movies, but this one was a little more well-written than the rest of them. The acting was so-so, however what should be expected? (Beggers can't be choosers, right?) At times unintentionally hilarious (The fact Peter Coyote's character liked to use four letter words a lot got funny after it got derivative) but halfway into the picture the tawdryness dimmed down and it actually turned into a interesting crime mystery.
Not worth renting, but if it's on HBO again you might want to check it out.
Not worth renting, but if it's on HBO again you might want to check it out.
Like many other respondents, I ran across this genially goofy mystery while surfing and didn't expect to stick with it more than a few minutes. But it grabbed me from the beginning and held up almost to the end. Thanks to the person who noted that the film was shot in 21 days on a shoestring. That accounts for the gaps in the plot (like certain scenes that we expect to see but were probably never filmed). But the shoestring production makes the acting, the comic touches, and the overall unpredictability of the plot all the more impressive. The screenplay found some really ingenious things to do with these likable characters.
It wouldn't work without excellent performances. The director strikes me as someone who really works well with actors. Coyote gives a really fine comic performance, showing more emotional range than he's usually allowed to. Balk, Piven, and Kinski are also very good. Ernie Hudson, who has played this cop role a dozen times, is a treat in the knowing and yet not smug notes he hits. You get the feeling he's seen it all, knows exactly where it's going, and will just let it get there before he steps in to mop things up.
The film struck me as primarily a comedy (which is pretty much given away near the end by the little alligator in Pauly Shore's backyard wading pool)--but I'm surprised more respondents haven't noticed this. It had me consistently chuckling throughout.
I guess I'm a sucker for these offbeat little films that you don't expect much from. But in the last few months, I've left the local multiplex shaking my head in disbelief that good filmmakers could make "big" thrillers as bad as Twisted and Taking Lives. Red Letters is a heck of a lot more fun to watch, and deserves more exposure.
It wouldn't work without excellent performances. The director strikes me as someone who really works well with actors. Coyote gives a really fine comic performance, showing more emotional range than he's usually allowed to. Balk, Piven, and Kinski are also very good. Ernie Hudson, who has played this cop role a dozen times, is a treat in the knowing and yet not smug notes he hits. You get the feeling he's seen it all, knows exactly where it's going, and will just let it get there before he steps in to mop things up.
The film struck me as primarily a comedy (which is pretty much given away near the end by the little alligator in Pauly Shore's backyard wading pool)--but I'm surprised more respondents haven't noticed this. It had me consistently chuckling throughout.
I guess I'm a sucker for these offbeat little films that you don't expect much from. But in the last few months, I've left the local multiplex shaking my head in disbelief that good filmmakers could make "big" thrillers as bad as Twisted and Taking Lives. Red Letters is a heck of a lot more fun to watch, and deserves more exposure.
What a great cast and what a pathetic attempt at a film. The script is full of holes from beginning to end. Incoherent, not cohesive...utterly ridiculous. One of the most talented/beautiful actresses in the world (and I'm talking about Nastassja Kinski) is without a single memorable line here. Worse, she supposedly dyes her hair halfway thru the movie, but it's obvious she's just wearing a cheap black wig bought from a drag queen costume shop. The best moments are given to a character actor and his dog in the apartment building that lead actor Peter Coyote lives in. Fairuza Balk is photographed poorly, to boot. She looks like an overweight freshman who's pigged out at too many all-you-can-eat-student-cafeteria-buffets. I was so looking forward to this film. I WANTED to like it, but I think I'd rather watch Nastassja read the phone book, with her OWN hair.
OK,I make alot comments about Kinski movies,but everyone has their favorite artists. This movie is just fun from start to finish. And it does keep you on the edge of your seat. There doesn't seem to be a wasted moment in this movie; every scene is there for a reason. Just good film making and good acting all around. I think the title would make more sense if the prof's book had been explained in greater detail.
Você sabia?
- Erros de gravaçãoDennis Burke grabs a newspaper and reads a headline, relevant to the plot, that indicates State Manhunt Widens. But if you pause the frame and read the text of the article below the headline, you see it is a bogus article about teenage curfew, totally unrelated to the headline.
- ConexõesReferences NFL Monday Night Football (1970)
- Trilhas sonorasYou Give
from the album "Do You Remember"
Written and Performed by Emily Richards
Produced by Emily Richards
Principais escolhas
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Detalhes
- Tempo de duração1 hora 43 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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