AVALIAÇÃO DA IMDb
5,9/10
131 mil
SUA AVALIAÇÃO
Um homem conhece um clone de si mesmo e se depara com uma grande conspiração sobre clones tomando conta do mundo.Um homem conhece um clone de si mesmo e se depara com uma grande conspiração sobre clones tomando conta do mundo.Um homem conhece um clone de si mesmo e se depara com uma grande conspiração sobre clones tomando conta do mundo.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 8 indicações no total
Rodney Rowland
- P. Wiley
- (as Rod Rowland)
Taylor Reid
- Clara Gibson
- (as Taylor Anne Reid)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
I recently had the pleasure of teaching the wonders of film criticism to an English composition class at Marietta College in Marietta, Ohio. The experience was enjoyable, and the class posed a number of questions. One of the more interesting questions concerned the films I had seen that I believed had potential, but ultimately failed in execution. While I have seen a number of films that fit into this category, I couldn't think of a decent example. This was because I hadn't seen "The 6th Day" yet. What could have been an interesting and exciting look at the evils of cloning was a "B" grade action film at best, despite an above-par script and one of Arnold Schwarzenegger's better roles to date.
The film's premise is heavily based in TRUE science fiction; that is, fiction having its basis in scientific truth, using projections of the future to fully examine some aspect of our society. Sorry to go into such an elaborate definition, but I believe a lot of stuff gets swept into the category of science fiction simply because it has a robot, or takes place in outer space. But I digress.
This fictional reality here deals with cloning. In the film, which takes place in the "near future," cloning is an every-day practice, but only with pets and animals. Cloning people has been outlawed, as the original human cloning project went horribly wrong. Schwarzenegger plays Adam Gibson, a decent family man and helicopter pilot chartered to fly Michael Drucker (Tony Goldwyn), a rich businessman who owns Replacement Technologies. This corporation is at the height of cloning technology, running everything from a fish cloning company to help repopulate the oceans, to "RePet," a company that clones dead family pets. There's even a rumor that the company's head doctor (Robert Duvall) is experimenting with illegal human cloning. Something goes terribly wrong on Drucker's first flight, and before he knows, Gibson discovers he has been cloned. Its up to him to discover the secret controversy, and get his life back.
With this premise, the film is wide open to make many social observations, and does so very well, on occasion. Much of the legalities concerning cloning, as well as the ethical concerns, are discussed and examined by the characters. Even though the technology exists in the future, it is not widely accepted. Some of these observations are stated with all the eloquence you could expect from an Arnold/action film, but others are done so subtly, and surprisingly, with biting humor. Much of the concept of "RePet" is quite amusing.
However, if science fiction is the film's basis, lame action sequences are its filler. In between these intriguing dialogues are shoddy, cookie-cutter action scenes one should expect from a made for TV film. No matter if it's a car chase, a laser gun shoot-out, or a helicopter battle, it all feels very dull. It's not that I'm knocking these things, because they have to appear in action film; I just wish they were done well. Ultimately, the action suffers from a lack of creativity, which ironically, is where the rest of the script excels.
And one can't blame Arnold for not trying, as he is both charming and believable in his part. His is a performance with a surprising level of humanity, especially in scenes where he's going about his daily life. One almost forgets he's an action star and begins to take him a little seriously. But don't worry, after the first half-hour he's picked up a laser gun and is fighting and one-lining his way to the climax.
I guess my one qualm with "The 6th Day" is its failed potential: with some better action sequences (like those found in "The Matrix"), this could have been a very decent film, one I would be sending you to right away. Instead, it's simply a wait-for-video flick, and by my guess, that wait won't be long.
The film's premise is heavily based in TRUE science fiction; that is, fiction having its basis in scientific truth, using projections of the future to fully examine some aspect of our society. Sorry to go into such an elaborate definition, but I believe a lot of stuff gets swept into the category of science fiction simply because it has a robot, or takes place in outer space. But I digress.
This fictional reality here deals with cloning. In the film, which takes place in the "near future," cloning is an every-day practice, but only with pets and animals. Cloning people has been outlawed, as the original human cloning project went horribly wrong. Schwarzenegger plays Adam Gibson, a decent family man and helicopter pilot chartered to fly Michael Drucker (Tony Goldwyn), a rich businessman who owns Replacement Technologies. This corporation is at the height of cloning technology, running everything from a fish cloning company to help repopulate the oceans, to "RePet," a company that clones dead family pets. There's even a rumor that the company's head doctor (Robert Duvall) is experimenting with illegal human cloning. Something goes terribly wrong on Drucker's first flight, and before he knows, Gibson discovers he has been cloned. Its up to him to discover the secret controversy, and get his life back.
With this premise, the film is wide open to make many social observations, and does so very well, on occasion. Much of the legalities concerning cloning, as well as the ethical concerns, are discussed and examined by the characters. Even though the technology exists in the future, it is not widely accepted. Some of these observations are stated with all the eloquence you could expect from an Arnold/action film, but others are done so subtly, and surprisingly, with biting humor. Much of the concept of "RePet" is quite amusing.
However, if science fiction is the film's basis, lame action sequences are its filler. In between these intriguing dialogues are shoddy, cookie-cutter action scenes one should expect from a made for TV film. No matter if it's a car chase, a laser gun shoot-out, or a helicopter battle, it all feels very dull. It's not that I'm knocking these things, because they have to appear in action film; I just wish they were done well. Ultimately, the action suffers from a lack of creativity, which ironically, is where the rest of the script excels.
And one can't blame Arnold for not trying, as he is both charming and believable in his part. His is a performance with a surprising level of humanity, especially in scenes where he's going about his daily life. One almost forgets he's an action star and begins to take him a little seriously. But don't worry, after the first half-hour he's picked up a laser gun and is fighting and one-lining his way to the climax.
I guess my one qualm with "The 6th Day" is its failed potential: with some better action sequences (like those found in "The Matrix"), this could have been a very decent film, one I would be sending you to right away. Instead, it's simply a wait-for-video flick, and by my guess, that wait won't be long.
This film was pushed as a dissertation on the ethical issues and social implications of cloning in the world of the near future, and most viewers seem to have interpreted it as just that. But the truth of the matter is, the aspect of human cloning isn't really the crux of this film at all: it's the 'syncorder' technology. Theoretically, we could clone a human being now, but such a process would be a threat to no one; we'd simply have a totally seperate individual with the same DNA the individual from whom he/she was cloned. The ability to 'synchord' peoples memories and personalities and implant them into the clone, however, allows the films villains to insidiously 'replace' their victims. Well, if you have a bloody syncorder, to hell with cloning! These people could already conquer the world by retrieving classified secrets from people to whom they give 'retinal scans!' Also, the existence of the syncorder implies that the information storage and retrieval systems of the human brain have been cracked. If that were the case, wouldn't people be able to build more advanced computer programs than the mindless, repetitive, doll-like imitations of SimPal Cindy and the Virtual Girlfriend?
The fact is, this world is not one of the 'near future,' because the kind of technology required to build a synchorder, let alone one as small and easy to use as the 'vision testing machine' used by this film's villainry, is not going to be available to use for a long, looong time. Since the characters ignore this, and focus almost entirely on the mundane concept of cloning, most of the important questions are not asked. Arnold's clone wonders if he is human. Well of course he's human! And the idea that he doesn't have a soul simply because he is a clone is repulsive; how about not having a soul because his memories and personality emanate from a digital information storage device?
Barring this, I think that this was a good action flick embedded in a surprisingly well done science fiction film. Innovative direction, if not choreography, and the movie puts a lot of things taken for granted from Arnie's previous action films on their heads, which is fun to watch. Having to kill the same people over and over ("Yeah, yeah, we've all been killed before."), and two Arnies arguing with each other and double teaming the bad guys, for example. My only problem; Arnold is some kind of extreme sports chartered helicopter pilot; how does that explain his trademark aim, paramilitary training, and the ability to effortlessly kill people with his bare hands? We know he HAS to be able to do these things, but it still makes no sense in this case.
The fact is, this world is not one of the 'near future,' because the kind of technology required to build a synchorder, let alone one as small and easy to use as the 'vision testing machine' used by this film's villainry, is not going to be available to use for a long, looong time. Since the characters ignore this, and focus almost entirely on the mundane concept of cloning, most of the important questions are not asked. Arnold's clone wonders if he is human. Well of course he's human! And the idea that he doesn't have a soul simply because he is a clone is repulsive; how about not having a soul because his memories and personality emanate from a digital information storage device?
Barring this, I think that this was a good action flick embedded in a surprisingly well done science fiction film. Innovative direction, if not choreography, and the movie puts a lot of things taken for granted from Arnie's previous action films on their heads, which is fun to watch. Having to kill the same people over and over ("Yeah, yeah, we've all been killed before."), and two Arnies arguing with each other and double teaming the bad guys, for example. My only problem; Arnold is some kind of extreme sports chartered helicopter pilot; how does that explain his trademark aim, paramilitary training, and the ability to effortlessly kill people with his bare hands? We know he HAS to be able to do these things, but it still makes no sense in this case.
Ran "Raw Deal" (1986) and "The Sixth Day" (2000) back to back and its interesting to see the embodiment of decadence. Fourteen years can make a big difference. I don't mean Arnold's aging. That's a given for all of us. And I don't mean his graceless and wooden movements. That was always a given for Arnold. I mean the fact that Arnold's earlier movies were usually more or less realistic, although they sometimes reached the parameters of possibility. But later they tended to transform themselves into logical puzzles enhanced by an abundance of computer-generated images.
In "Raw Deal," for instance, Arnold takes a few belts in the jaw, but he can clean out a nest of a dozen or more gangsters killing every one of them. They're all prepared and armed to the teeth but it makes no difference. They shoot and miss. Arnold doesn't miss. But that aside, it's a realistic movie set in the present. We can at least IMAGINE that Arnold can shoot that much better than everyone else. The story even reaches for the surreal at times. His drunken wife throws a cake at him. "You should not dwink and bake," he remarks unflappably. Later he kicks out the windshield of his Caddy convertible and drives wildly through a quarry full of enemies with machine guns. He mows them merrily down while "I Don't Get No Satisfaction" plays on his tape.
In "The Sixth Day" the wit and self parody are largely absent. The pieces of the logical puzzle are there but no one really bothers to fit them together. One or two comments and Arnold has had enough of what he calls "philosophy." It's about cloning and the management and bioethics of same. The villains, for instance -- Tony Goldwyn in a fine performance -- have built a life-limiting disorder into each of their clones because even after cloning a psychopath there is still the possibility of redemption. What do you do if you encounter someone who is your identical clone, right down to the slightest episodic memory from childhood, carrying the same devotion to your wife and daughter as you -- and he, all unwittingly, has taken your place? You have a chance to murder him but should you? He is, in every sense except birthing, a second you, although he doesn't know he is. Isn't that murder? How about -- suicide?
In any case, despite the zappy editing and loud noises, there are the usual moments of comedy. One young Gothic heavy has been killed and cloned so many times he's beginning to complain about a sore neck and has to be reminded that his spine was fractured in a previous life. A beautiful Goth woman with neon-blue hair is killed and then freshly reconstituted. She leaps nude from the table and rushes to a mirror, flushed with anger. "Now I have to pierce my ears again!"
In "Raw Deal," for instance, Arnold takes a few belts in the jaw, but he can clean out a nest of a dozen or more gangsters killing every one of them. They're all prepared and armed to the teeth but it makes no difference. They shoot and miss. Arnold doesn't miss. But that aside, it's a realistic movie set in the present. We can at least IMAGINE that Arnold can shoot that much better than everyone else. The story even reaches for the surreal at times. His drunken wife throws a cake at him. "You should not dwink and bake," he remarks unflappably. Later he kicks out the windshield of his Caddy convertible and drives wildly through a quarry full of enemies with machine guns. He mows them merrily down while "I Don't Get No Satisfaction" plays on his tape.
In "The Sixth Day" the wit and self parody are largely absent. The pieces of the logical puzzle are there but no one really bothers to fit them together. One or two comments and Arnold has had enough of what he calls "philosophy." It's about cloning and the management and bioethics of same. The villains, for instance -- Tony Goldwyn in a fine performance -- have built a life-limiting disorder into each of their clones because even after cloning a psychopath there is still the possibility of redemption. What do you do if you encounter someone who is your identical clone, right down to the slightest episodic memory from childhood, carrying the same devotion to your wife and daughter as you -- and he, all unwittingly, has taken your place? You have a chance to murder him but should you? He is, in every sense except birthing, a second you, although he doesn't know he is. Isn't that murder? How about -- suicide?
In any case, despite the zappy editing and loud noises, there are the usual moments of comedy. One young Gothic heavy has been killed and cloned so many times he's beginning to complain about a sore neck and has to be reminded that his spine was fractured in a previous life. A beautiful Goth woman with neon-blue hair is killed and then freshly reconstituted. She leaps nude from the table and rushes to a mirror, flushed with anger. "Now I have to pierce my ears again!"
"The 6th Day" marks the return of Arnold Schwarzenegger to a role that seems to be second nature to him: action. This time there is an added twist; there is actually a decent plot attached to it.
"The 6th Day" revolves around a man who has been cloned and ends up on the run from a corporation who wants him dead. Arnold is this man who has lost his family, life and taking on the corporation who took it from him. All the while, Arnold is searching within himself to find a way to get his family back.
The 6th Day" boasts a cast that includes Robert Duvall, Michael Rooker, Tony Goldwyn and Sarah Wynters. I knew the second I saw these names flash across the screen I was in for a real treat.
The best thing about "The 6th Day" is the performance of Schwarzenegger because he is not only an action star in this film but a dramatic actor as he combines these two talents to pull off one of his better performances of his career.
Arnold did not make this film a hit by himself, he had a little help from his friends. From Robert Duvall who played the doctor who performed the cloning operations to Michael Rooker, who was one evil henchmen with his menacing attitude and presence "The 6th Day" is one great film to see.
I enjoyed how the plot of film didn't rely solely on the action sequences. Though, the action is fine and dandy; I believe that a film needs more than just action and "The 6th Day" has it.
"The 6th Day" is one of the best Arnold films I've seen including the "Terminator" series. It is filled with action, twists, turns, edge of your seat suspense and drama that will appeal to all movie fans of every age.
"The 6th Day" revolves around a man who has been cloned and ends up on the run from a corporation who wants him dead. Arnold is this man who has lost his family, life and taking on the corporation who took it from him. All the while, Arnold is searching within himself to find a way to get his family back.
The 6th Day" boasts a cast that includes Robert Duvall, Michael Rooker, Tony Goldwyn and Sarah Wynters. I knew the second I saw these names flash across the screen I was in for a real treat.
The best thing about "The 6th Day" is the performance of Schwarzenegger because he is not only an action star in this film but a dramatic actor as he combines these two talents to pull off one of his better performances of his career.
Arnold did not make this film a hit by himself, he had a little help from his friends. From Robert Duvall who played the doctor who performed the cloning operations to Michael Rooker, who was one evil henchmen with his menacing attitude and presence "The 6th Day" is one great film to see.
I enjoyed how the plot of film didn't rely solely on the action sequences. Though, the action is fine and dandy; I believe that a film needs more than just action and "The 6th Day" has it.
"The 6th Day" is one of the best Arnold films I've seen including the "Terminator" series. It is filled with action, twists, turns, edge of your seat suspense and drama that will appeal to all movie fans of every age.
"The 6th Day" marks the return of Arnold Schwarzenegger to a genre that is second nature to him: action. This time there is an added twist; there is an excellent plot attached.
"The 6th Day" revolves around a man who has been cloned and ends up on the run from a corporation who wants him dead. Arnold is this man who has lost his family, life and taking on the corporation who took it from him. All the while, Arnold is searching within himself to find a way to get his family back.
"The 6th Day" boasts a cast that includes Robert Duvall, Michael Rooker, Tony Goldwyn and Sarah Wynter. I knew the second I saw these names flash across the screen I was in for a real treat. The first time I saw Schwarzenegger's name I immediately knew he is the perfect man for the job.
The best thing about "The 6th Day" is the performance of Schwarzenegger because he is not only an action star in this film but a dramatic actor as he combines these two talents to pull off one of his better performances of his career.
Arnold did not make this film a hit by himself, he had a little help from his friends. From Robert Duvall who played the doctor who performed the cloning operations to Michael Rooker, who was one evil henchmen with his menacing attitude and presence "The 6th Day" is one great film to see.
I enjoyed how the plot of film didn't rely solely on the action sequences. Though, the action is fine and dandy; I believe that a film needs more than just action and "The 6th Day" has it.
"The 6th Day" is one of the best Arnold films I've seen including the "Terminator" series. It is filled with action, twists, turns, edge of your seat suspense and drama that will appeal to all movie fans of every age.
"The 6th Day" revolves around a man who has been cloned and ends up on the run from a corporation who wants him dead. Arnold is this man who has lost his family, life and taking on the corporation who took it from him. All the while, Arnold is searching within himself to find a way to get his family back.
"The 6th Day" boasts a cast that includes Robert Duvall, Michael Rooker, Tony Goldwyn and Sarah Wynter. I knew the second I saw these names flash across the screen I was in for a real treat. The first time I saw Schwarzenegger's name I immediately knew he is the perfect man for the job.
The best thing about "The 6th Day" is the performance of Schwarzenegger because he is not only an action star in this film but a dramatic actor as he combines these two talents to pull off one of his better performances of his career.
Arnold did not make this film a hit by himself, he had a little help from his friends. From Robert Duvall who played the doctor who performed the cloning operations to Michael Rooker, who was one evil henchmen with his menacing attitude and presence "The 6th Day" is one great film to see.
I enjoyed how the plot of film didn't rely solely on the action sequences. Though, the action is fine and dandy; I believe that a film needs more than just action and "The 6th Day" has it.
"The 6th Day" is one of the best Arnold films I've seen including the "Terminator" series. It is filled with action, twists, turns, edge of your seat suspense and drama that will appeal to all movie fans of every age.
Você sabia?
- CuriosidadesThe intro to the film gives us a history of breakthroughs in cloning tech. There is an entry on the cloning of a sheep, which is credited to "Two pioneering scientists Drs. Lerrad Yarg and Phillip Slanigan, both of the Rosaritio Institute." In real life, the two pioneering scientists were Keith Campbell and Ian Wilmut, of the Roslin Institute in Scotland. The year was 1996, not 1997. The name of the sheep, 'Dolly', is correct. Dolly lived until 2003, having been euthanized due to lung disease and severe arthritis, which were said to be unrelated to the cloning process.
- Erros de gravaçãoWhen Adam lands his whisper craft on the roof of the building, a security guard comes out to stop him. Adam provides his clearance to be there by presenting him with the contract he signed earlier in the movie. When the guard looks at it, you can clearly see that none of the lines are filled out.
- Citações
Adam Gibson: [1:33:22] If you really believe that then you should clone yourself while you're still alive.
Drucker: Why is that? So I can understand your unique perspective?
Adam Gibson: No. So you can go fuck yourself!
- Cenas durante ou pós-créditosOn the Region 1 DVD release, in "The Future Is Coming" making-of featurette, a member of the production crew (Nancy Tate) is credited as a "Cloned Consultant".
- Versões alternativasOn the Region 6 China DVD by Excel Media, the flirting scene is cut.
- Trilhas sonorasHappy Birthday to You
Written by Mildred J. Hill and Patty S. Hill
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- How long is The 6th Day?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- El 6º día
- Locações de filme
- Cleveland Dam, Capilano River Regional Park, North Vancouver, British Columbia, Canadá(where Cadillac goes over top of dam.)
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 82.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 34.604.280
- Fim de semana de estreia nos EUA e Canadá
- US$ 13.020.883
- 19 de nov. de 2000
- Faturamento bruto mundial
- US$ 96.085.477
- Tempo de duração2 horas 3 minutos
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1
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