Adicionar um enredo no seu idiomaAn infamous tabla player of a touring drama group goes missing. Later on, Sub-inspector Jacob Eeraly investigates the case.An infamous tabla player of a touring drama group goes missing. Later on, Sub-inspector Jacob Eeraly investigates the case.An infamous tabla player of a touring drama group goes missing. Later on, Sub-inspector Jacob Eeraly investigates the case.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 vitória no total
Bharat Gopy
- Tabalist Ayyappan
- (as Gopi)
Jagathy Sreekumar
- Varunan
- (as Jagathy)
Avaliações em destaque
K. G George has crafted a true masterpiece with this gem. With a refreshing story, ingenious story telling and brilliant performances by every actor cast, this is an unmissable watch.
The performance that truly stands out in the film is that of Bharat Gopi. His portrayal of the lecherous tabalist was simply outstanding. Another character of note was the foolhardy one of Ashokan.
If you are one who loves slowburners that give the viewers something to think about post the rolling of the end credits. If you are one that recognises brilliant cinema is one that provokes thought in its viewers and not edge of the seat mindless action, then please do watch.
The performance that truly stands out in the film is that of Bharat Gopi. His portrayal of the lecherous tabalist was simply outstanding. Another character of note was the foolhardy one of Ashokan.
If you are one who loves slowburners that give the viewers something to think about post the rolling of the end credits. If you are one that recognises brilliant cinema is one that provokes thought in its viewers and not edge of the seat mindless action, then please do watch.
Watching a classic of 1982 in the year 2014 and deriding it for lacking new-age panache would never do justice to the film. So, Yavanika, in all its glory, could be considered a masterpiece.
Because of the narration. No one would even guess the film is about murder. It starts with the proceedings of drama troupe as they rehearse, perform and interact with each other. The character development is amazing; each character is idiosyncratic and their stories all are told beautifully. Take Nedumudi Venu as the flirty dandy or even Jagathy Sreekumar in one of his initial comic roles or Thilakkan as the troupe manager.
The story advances quickly in the second half as Mammootty enters the scene to investigate the missing of a troupe member who is known to be a drunk bastard. We could guess who the murdered might be, but all the following sequences negate our guesses. The interrogation, actual field investigation all will keep you hooked. The dialogs are both witty & apt. Even the songs are classics and I sat there asking my partner "Oh! That song is from this movie!"
K G George has captured his sets nicely: the murder spot, the troupe's hub and even the performing stage. I didn't much like the performance by Jalaja. But Ashokan is terrific. The climax is good. The makers concentrated not only on murder as a tool to convey a message, but they also evince shades of poverty, adultery, romance, alcoholism, assault, policing, and the elements surrounding drama as a genre.
BOTTOM LINE: If you are in your mid-20s as of year 2014, then you may not appreciate the film. Because chances are you may have watched many similar films. But if you are above 40, I bet you will appreciate the sheer mastery behind the film which is considered one of the best not only in Malayalam cinema but also in the world.
Can be watched with a typical Indian family? YES
Because of the narration. No one would even guess the film is about murder. It starts with the proceedings of drama troupe as they rehearse, perform and interact with each other. The character development is amazing; each character is idiosyncratic and their stories all are told beautifully. Take Nedumudi Venu as the flirty dandy or even Jagathy Sreekumar in one of his initial comic roles or Thilakkan as the troupe manager.
The story advances quickly in the second half as Mammootty enters the scene to investigate the missing of a troupe member who is known to be a drunk bastard. We could guess who the murdered might be, but all the following sequences negate our guesses. The interrogation, actual field investigation all will keep you hooked. The dialogs are both witty & apt. Even the songs are classics and I sat there asking my partner "Oh! That song is from this movie!"
K G George has captured his sets nicely: the murder spot, the troupe's hub and even the performing stage. I didn't much like the performance by Jalaja. But Ashokan is terrific. The climax is good. The makers concentrated not only on murder as a tool to convey a message, but they also evince shades of poverty, adultery, romance, alcoholism, assault, policing, and the elements surrounding drama as a genre.
BOTTOM LINE: If you are in your mid-20s as of year 2014, then you may not appreciate the film. Because chances are you may have watched many similar films. But if you are above 40, I bet you will appreciate the sheer mastery behind the film which is considered one of the best not only in Malayalam cinema but also in the world.
Can be watched with a typical Indian family? YES
As it says in the trivia, I'm so close to the Rashomon effect in this film. The narrative process is similar to Rashomon. The movie is going so slowly and the interrogation sequence is a little bit longer because each one in that drama camp should have to be questioned. The editing technique was the scene cut seems astonished to me because at that time the director gave a sense of magical making along with that scene. That two cuts remembers me of many new films which that editing pattern as a fresh one. A nice thriller to watch. Yavanika.
It was like a time-machine for me. The movie was really smart (although it might seem a bit cliche), it upheld the charm throughout. I keep watching it every few years. It's a treat!
The movie is not actually an 'investigative' one. There is hardly any investigation in the first part of the movie, there are no great twists and is kind of slow. Don't watch it if you are impatient.
That being said, watch it for character development and for realism. Everything is in the right proportion in the movie. There are just one or two songs, but they are memorable ones. Alcoholism and the problems caused by it is the main theme in Yavanika, but K.G. George has seen to it that the movie does not look like a sermon from a preacher.
Bharath Gopi's acting is excellent and realistic, even when we dislike his on-screen persona.
That being said, watch it for character development and for realism. Everything is in the right proportion in the movie. There are just one or two songs, but they are memorable ones. Alcoholism and the problems caused by it is the main theme in Yavanika, but K.G. George has seen to it that the movie does not look like a sermon from a preacher.
Bharath Gopi's acting is excellent and realistic, even when we dislike his on-screen persona.
Você sabia?
- CuriosidadesMany viewers compared the narration to Rashomon as Rashomon effect but the director K G George said the structure is more close to Citizen Kane than Rashomon.
- ConexõesReferenced in Maheshinte Prathikaaram (2016)
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- How long is Yavanika?Fornecido pela Alexa
Detalhes
- Data de lançamento
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- Idioma
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- The Curtain Falls
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