Blood Dolls

In the true spirit of Full Moon Entertainment who previously did the Puppet Master series come Blooddolls! Its campy, It has bad acting I I really loved this movie alot! Can't wait for the sure to come sequel!If its from Full Moon you know its gotta be good!

With BLOOD DOLLS, Director Charles Band has done it again! Another triumph for FULL MOON productions! Eccentric, masked billionaire, Virgil Travis (Jack Maturin) loses big money, and must have revenge against those who've tried to destroy him and his empire.

Aided by his trusted servant / henchman / spiritual advisor, Mr. Mascaro (William Paul Burns in a three-piece suit and full clown makeup), he sends a trio of his latest creations to deal with his rivals.

Uh oh!

Virgil never counted on the brilliant dominatrix, Moira (Debra Mayer) getting involved! Can twisted love win out against her plans for world dominion?

This movie offers non-stop lunacy, a caged, all-girl rock band, an eeevil dwarf (Phil Fondacaro), gore, BDSM, mad science, a drill murder, and a novel use of piano wire! For those looking for something VERY different...

Entertaining low budget freaky film where the protagonist Virgil is an eccentric freak with a head the size of an avocado.

Virgil is biological inventor and his latest creations are the BLOOD DOLLS, who he uses to kill his enemies! There's a 'little person' for a butler. Four leather-clad rock and roll girls-in-a-cage that play on Virgils command.

William Paul Burns as Mr. Mascaro leaves a lasting impression, Phil Fondacaro is on his usual underrated fine form as Hylas, however, the stars of the show are the dolls themselves created by the late Mark Williams. The movie has B written all over it, it's like a rehash of Charles Band's own 80's killer puppet movie Puppet Master (1989).

There'some flamboyant acting, good doll designs and imaginative special effects. If you like B movies and killer dolls with hearts, it's not terrific, but it's fun and does rate outlandish cult status.

Tiring of living in his mansion as a deformed freak, an eccentric billionaire decides to use his living dolls to seek revenge for the years of treatment he's received only for an unexpected twist to take over the dolls and threaten the success of the mission.

This one turned out to be one of the rather enjoyable Full Moon killer doll classics. What really makes this one work quite well here is the fact that the story here takes a backseat to the doll carnage and depravity depicted here which is overall utterly fun. This one manages to make the fact that there's the depravity with so much oddball stuff overall quite entertaining, with the chained-up female rock group shocked into performing, a clown-painted assistant, deviant sex games played out with the main couple and the fact that the main billionaire is portrayed as a pin-headed figure among much more here that it's all quite twisted and utterly enjoyable that it's much more unique than it usually warrants here. That extended to the dolls themselves, created through a rather ingenious method in the reconfiguration chamber and emerging out in their new, original looks which makes them work rather well here while serving as the launching for the overt display of their work from the rather gruesome and bloody deaths by the dolls, the suspenseful stalking throughout the house as they hunt their target in the action-packed confrontations that's filled in here with some rather fun action in the grandest tradition of their usual killer doll efforts. There's even the fun of the twist here in the different manners of who's controlling everyone here in the first half which is quite an achievement here by pulling it off that well and is quite fun, with the shocking revelation being one of the better scenes here and leading into the rather enjoyable second half here that manages to go even weirder and then sets up the finale which is one of the strongest aspects here. While these here are what make this one worthwhile, there's still some flaws here. The biggest one here is that although this one comes off as quite creative, the decision to change the doll characters around makes no sense, for their creation through a contraption rather than a special serum on actual puppets goes against the remainder of the series and doesn't really serve it well here. It's also certainly repetitive of the other killer doll films out there and doesn't really offer anything new or innovative beyond that means of creation as the main points of the film are more on the corporate espionage and backstabbing that really holds itself in the usual manners of dolls being sent out to partake their owners' deviant wishes like all the others usually are, so it has that against it, but the real damaging effort is the final twist which makes no sense and doesn't really have a whole lot about it that serves the film well. It's certainly a lot of fun if you're into this sort of thing but it's quite flawed if you're not.

Rated R: Graphic Violence, Graphic Language, Nudity and several sex scenes.

Though they are the title characters, the Blood Dolls are, surprisingly, not the film's main focus. As the film continues, it turns from a simple killer doll film to a twisted romance. The transition is smooth, and adds a sense of freshness to the story; there are even two endings, one for the romantically inclined and another, more typical ending. The plot innovations are believable because of Maturin's great facial expressions and delivery during his interactions with other characters. Unfortunately, the practical effects budget barred Maturin from being in any shots other than close-ups; a well-used puppet head (it's not totally apparent, and is used sparingly from careful angles to prevent it from becoming so) takes his place in a couple shots. Like many Full Moon releases, CG-effects were ditched in favor of practical effects, and though they worked well for Virgil and the rest of the film, the Blood Dolls are not as animated as their fellow killer-puppets in the Puppet Master series; they look fantastic but move more stiffly. Perhaps this is partially why Band made this film more story-oriented than death-oriented.

Though not all professional musicians, an original idea was for the actresses playing Virgil's band-in-a-cage to record a soundtrack CD and go on tour after the film's release as The Blood Dolls. This was scrapped, but the majority of the movie's soundtrack is provided by the band (along with a music video on the DVD), is quite good (it could certainly fit in with some o