Martine oferece a Terry uma pista sobre um sucesso bancário infalível na Baker Street de Londres. Ela tem como alvo uma sala cheia de cofres que valem milhões em dinheiro e joias, juntamente... Ler tudoMartine oferece a Terry uma pista sobre um sucesso bancário infalível na Baker Street de Londres. Ela tem como alvo uma sala cheia de cofres que valem milhões em dinheiro e joias, juntamente com um tesouro de segredos sujos.Martine oferece a Terry uma pista sobre um sucesso bancário infalível na Baker Street de Londres. Ela tem como alvo uma sala cheia de cofres que valem milhões em dinheiro e joias, juntamente com um tesouro de segredos sujos.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 3 indicações no total
- Lord Drysdale
- (as Rupert Fraser)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
So onto the performances. As I have said Statham does a surprisingly admirable job in the film. When you look at his CV of films you realise he isn't exactly the most talented actor. In fact all he generally has to do is grumble and hit things a lot. But there is just no denying that the man has a hell of a lot of charisma, in this film he truly gets to display his acting skills. Of course on occasion he delivers a dodgy line, but then if you watch some of the smaller scenes with his characters wife you realise how much potential he has. If given the right material I am sure Statham can truly develop as an actor. Saffron Burrows is brilliant as the slightly suspicious Martine for the first half, unfortunately after the heist she has little to do and the character never felt fully concluded. Still she does have some great moments in the earlier part of the film. Daniel Mays runs off with the majority of the movie as Dave, in fact this looks set to launch Mays career a bit further, he has the best lines and is a funny character. Richard Lintern (who I have to confess I thought was Dougray Scott for half the film) is brilliant as the man behind the heist, in some way that is, and his character is one of the most rounded. Peter De Jersey as Michael X is menacing in his all too brief screen time, but like Martine his character never felt fully dealt with. Still he and the other chief villain, David Suchet, are quite menacing.
The Bank Job when advertised does come across as a typical gangster flick with a lot of humour in it. However when watching it I have to be honest and say it isn't that funny. There are a couple of lines here and there but the movie doesn't really make you laugh that much. Neither is it that big of a gangster flick, of course there are the local gangster running around, and the movie becomes more along that line towards the end. But for the majority of the film it comes across as a slightly grittier and far less flashy Ocean's Eleven. The scenes where they try to rob the bank are definitely some of the highlights, however its the final 45 minutes that stick firmly in mind. What happens after the robbery is just thrilling to watch, will they get away with it, won't they? Things also get a lot darker near the end, also quite violent one scene, or the idea of what was going to happen, made me wince a bit. The film is superbly directed as well, its not too flashy but there are some great shots in there. Unfortunately the music does start to irritate after a while, everything seems overdone, a scene which is meant to be funny is ruined because the music sounds like its from an action movie, it just doesn't truly suit the film all the time. Also as previously mentioned the beginning as well is quite boring.
Overall The Bank Job is a great movie that with a bit of fine tuning at the beginning could make it even better. If you want a smart thriller that will surprise you because of it being based on real events that I highly recommend this. Don't expect an all time classic though.
Unlike most films, this one requires a couple of advance tips: First, watch it with the improbable idea in mind that most of it is actual, hard-to-believe truth; second, don't be impatient. As the story of a 1971 bank robbery begins, the setting in London, the parade of seemingly unconnected stories and characters is rather confusing, complex, disjointed. But stay with it - there is a crescendo of excitement and excellence.
The true elements of "The Bank Job," some hidden until recently by Britain's "D Notice" censorship law (modified in 1993, becoming DA, or Defense Advisory) are these:
1. A big bank robbery did take place on Baker Street in 1971, culprits never found, money never recovered. After initial big headlines, the story disappeared from the newspapers.
2. There was serious police corruption in London in the 1970s, cops on payrolls of drug dealers and pornographers.
3. Princess Margaret was involved in a series of affairs, some caught on compromising photos which were not published by the otherwise relentlessly sensational British press, under the D-Notice rule.
4. There was a militant British black-power advocate, called Michael X, involved in a one-man, multi-country crime wave. (In 1971, John Lennon paid for Michael X's bail, something not mentioned in the film.)
"The Bank Job" director Roger Donaldson (of "No Way Out") brings together all these true threads in a way that may be true even in its totality, director and cast prevailing over some shoddy work from too many writers.
The content is all true, the context is excitingly possible. Did the government, in trying to prevent exposure of Princess Margaret by evidence in Michael X's possession, mastermind the bank robbery? Was MI-5 or MI-6 (says a policeman in the film: "I never remember which is which") involved, and actually assisting the robbers? Again, possibly.
The cast is remarkable: Jason Statham is the ringleader, the bad guy of "Transporter" and "The Italian Job" turning into a scourge of the really bad guys. Saffron Burrows, James Spader's vamp nemesis on "Boston Legal," brings her remarkable name and looks to the criminally and emotionally ambiguous major female role.
Peter De Jersey is a totally scary Michael X; David ("Poirot") Suchet is a frightening crime lord; and a whole host of top British stage actors fill in big roles and small ones. Don't be misled by reviews speaking of a so-so thriller - "The Bank Job" is a great deal more than that, even to the point that you may want to see it more than once.
The only complaints I have of the film are that the characters do get a little cheeky from time to time (but hey, they're British, so it's kind of expected), and there's a couple flashbacks/lapses in time that are initially confusing - although everything is clearly laid out about halfway through. Want to see a good movie? Check this one out!
Você sabia?
- CuriosidadesWhen Eddie says, "Money may be your god, but it ain't mine," this is almost exactly what the real life lookout for the bank robbers said over his walkie-talkie during the robbery. This is known because, as in the movie, a ham radio operator tape recorded some of the conversations broadcast by the robbers.
- Erros de gravaçãoAlthough the film is set in 1971, signs on various shop doors seen in the film advertise that credit cards "Visa" and "Mastercard" are accepted. The name "Visa" was not used for the charge card before 1977 (replacing Barclaycard in the UK); "Mastercard" was "Master Charge" until 1979.
- Citações
Sonia Bern: [to police officer] The whole point of having a safe deposit box is so that people like you don't know what's in it!
- Cenas durante ou pós-créditosDisclaimer: "The names of many people identified in this film have been changed to protect the guilty."
- Trilhas sonorasGet It On
Written by Marc Bolan
Performed by T. Rex
Westminster Music Ltd
Administered by Essex Music of Australia Pty Ltd
Licensed courtesy of Straight Ahead Productions
Principais escolhas
Detalhes
- Data de lançamento
- Países de origem
- Idiomas
- Também conhecido como
- El robo del siglo
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 20.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 30.060.660
- Fim de semana de estreia nos EUA e Canadá
- US$ 5.935.256
- 9 de mar. de 2008
- Faturamento bruto mundial
- US$ 64.828.421
- Tempo de duração
- 1 h 51 min(111 min)
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1