Thor, o Conquistador

Now I know that general opinion holds this film in utter disdain and yes, I will concede that it is certainly no cinematic masterpiece, but.......there is a certain strange fascination that it exudes in it's primitiveness.

This is REALLY low budget movie making in effect.

The story details the protagonist's adventures in a land filled with various perils such as demons and evil tribes etc. There is also an underlying story of revenge as Thor's fate leads him to battle and eventually slay the barbarian who murdered his father when he was a baby.

Whilst the plot itself is incredibly basic, (if it even merits as a plot at all) the way it unfolds on screen is bizarrely compelling.

I really can't put my finger on exactly why I rather enjoyed such a universally reviled movie. As said above perhaps the sheer baseness of the picture was the attraction to me. Certainly the closest movie I could liken it to was Lucio Fulci's similarly themed 'Conquest', again a film which is generally loathed by most people (even fans of the Sword & Sorcery genre to which it belongs) but again, a film which I found to be strangely intriguing.

Overall then, if your a fan of Sword & Sorcery flicks then you might want to give Thor The Conqueror a try - just don't expect anything along the quality lines of Conan The Barbarian.

This low-budget Italian "Conan"-imitation can perfectly be summarized in one simple word: unendurable! Even if you have, like myself, a soft spot for kitschy fantasy-cinema, this movie is just a very painful viewing experience and, on more than one occasion, you'll be wondering why the hell you're wasting 85 precious minutes of your life with watching crap like this. Thor is a fascinating Northern deity and there haven't been too many movies made about him, which makes it all the more regrettable to see this one is so damn poor. Barely a few minutes after his birth, Thor's parents are slaughtered by savages and the almighty God Teisha becomes his guardian. This out-of-date God constantly switches from his human shape into an owl and he teaches Thor some very valuable (!) life-lessons, such as "Women are stupid", "Women must obey their men" and "Don't be so gentle with females". Great, now I know why my girlfriend doesn't watch this type of films...And she's right, too! Anyway, once Thor is a muscular warrior who lost his virginity (apparently, that's important), Teisha sends him away on a long and dangerous conquest to avenge his dead father. Teisha himself claims to be too old for the journey, yet he stays around to supply the film with completely unnecessary narrative information. Although clearly part of the vivid "Sword & Sorcery" sub genre, this movie is incomprehensibly boring! Even the battle sequences are insipid and thoroughly unexciting. There's obviously also something very wrong when you, the viewer, cheer at the top of your voice when the "hero" is blinded by his enemies... You're supposed to choose the side of Thor, yet you couldn't feel less connected with his character! He can barely talk in sentences! The few visual effects (near the beginning) are embarrassing and there's almost no on screen bloodshed or sleaze. It's pretty obvious to see why director Tonino Ricci never earned the same respectable status as fellow Italian directors like Lucio Fulci, Ruggero Deodato or Sergio Martino. As well as his previous "Baktérion", this movies utter utter crap!

If you think you saw every bad movie in the world - this turkey is worse.

It´s the "new" story of a guy named Thor whose parents got killed by a bad guy named Gunt in the beginning. With the aid of a strange magician (who transformes into a Owl from time to time) he grows up to be a great warrior. But first he has to find a magic sword (yawn), kill hordes of bad looking cannibals and learn to make love (just kisses are allowed here).

The whole pic was shot in a small forest, the only buildings (sort of) are three strawhuts which stand in for a village and a cave which hides the sword.

To name the performances "acting" would be unfair to any school-theatre-group, to call the work of the director "directing" would be against any good taste. But the worst of all are the "fight-scenes" and there many of them in this stinker.

Don´t rent it - ignore it, and if you see it through any bad coincidence - wash your eyes and try to forget this wasted time. It´s not even so bad its good - trust me

As far as Sword+Sandal flicks go, "Thor the Conqueror" is one of the more 'realistic' movies of the genre. Instead of being pretty, and polished, with elaborate sets and over-styled hair, we get a surprisingly gritty and rough movie, shot totally in some forest, with a very minimalist style. And this is what gives "Thor the Conqueror" a believable edge. Actor Bruno Minniti likewise, is not some huge, steroid ripped pretty guy with perfect hair, but rather a more authentic looking hero. With his slimmer, but ripped build, Thor comes across as a lean and mean fighter, a lot more agile than some huge guy. And rather than make Thor a stereotypical "hero" beyond reproach, he is shown to be rather rough with females, raping, and sometimes killing them with little thought, and no regret. I thought this was a brilliant touch, as who ever imagines a figure like 'Thor' to be a well-behaved gentleman has absolutely no understanding of the Norse Legends. Barbarians, Vikings, were pillagers, rapists, and murderers. They were warriors, and rarely noble. Other people criticized his portrayal, saying that they couldn't sympathize with him. I find that statement very silly.

There was a brilliant Scandinavian director named Hrafn Gunnlaugsson, who created some very realistic Viking films in the 80's. i'm not saying "Thor the Conqueror" is quite in that league, but this strange film reminds me of those movies in the way it is shot in such minimalist style, with crude sets and costumes, and muted colors. On a side note, I was not expecting any romantic content in this movie, but i found the relationship between Thor and Ina to be really nice. As brutal as Thor is with her in the beginning, she finds that she cannot abandon him when his life is threatened by a group of cannibals. she risks her life to rescue him, and from that moment on, the hero of the story develops a new kind of respect and understanding for the opposite sex. I'm surprised at how much I enjoyed this obscure, low budget movie..I recommend it to fantasy film lovers who don't need big budget sets and special FX to enjoy a good fantasy tale..

I like how Thor is a retarded rapist whose only friend is a misogynistic mystic who turns into an owl, doesn't offer help when it's needed, and likes to watch. Wait, I don't like that at all!

Seriously, I pride myself on having seen almost every sword and sorcery movie made in the 80's. Even knowing in advance how bad this movie was supposed to be, it went down pretty hard. Fortunately, I had good company - we've climbed a lot of z-movie Everests before. Even Deathstalker IV was better. To go outside of sword and sorcery, even Star Knight or Nukie compare favorably to Thor.

The only 80's sword and sorcery movies that may be worse are: Princess Warrior, Time Barbarians, and Wizards Of The Demon Sword (1991). I haven't seen these to confirm for myself, but as one of them is supposedly shot on video (and is REALLY bad to begin with), another is a Fred Olen Ray film, and two of them are of the "Barbarian in L.A." type, I'm betting any time spent as an audience with these would be pretty gruesome.

The other IMDb reviewers have this film exactly right. It's miserable. Absolutely unmotivated, and engaging only where it offends or is too seizure-inducingly stupid. (incidentally, the first line I wrote accurately summarizes EVERYTHING in Thor).

There ARE some funny moments. My favorite is when Thor's mystic/mentor produces an - uh, is it all right if I call it an equine? - and explains to him that "this is a creature that will not be called a horse for several centuries," or something to that effect. This, of course, means that if you WANTED to call it a horse in the meantime during the intervening centuries, you'd be stuck.

It doesn't stop being moronic there, though; Thor proceeds to use the horse to, uh........impress his enemies? All he does is ride it up and down a field while his enemies watch; doesn't so much as brandish his sword. Eventually, they flee. I'm sure in the script it said "Thor's enemies, having never seen a horse before, flee in terror." Yeah. That's not really conveyed. But then, not much is in "Thor." My friend and I marveled at its shortcomings.

Recommended for barbarian completists and bad movie fetishists only.