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SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaA short film of interviews and protests at a rally to free Huey P. Newton.A short film of interviews and protests at a rally to free Huey P. Newton.A short film of interviews and protests at a rally to free Huey P. Newton.
H. Rap Brown
- Self
- (não creditado)
Ron Dellums
- Self
- (não creditado)
James Forman
- Self
- (não creditado)
Bobby Seale
- Self
- (não creditado)
Avaliações em destaque
For any younger person such as myself who wasn't alive during the 60's and it's numerous radical movements, "Black Panthers" is a good historical piece of film. Vardas is definitely not objective here and is clearly rooting for the Black Panthers, but I can't really blame her when the opposition is the FBI and Oakland police.
Behind all the dry summaries and articles about the Black Panthers is a truly revolutionary spirit of an oppressed people. This film does a wonderful job capturing that spirit during one of the more important times for the Black Panthers, which was the trial of Huey Newton. I especially appreciated the extended interview of Huey Newton himself while he was in jail, footage of the underappreciated Stokely Carmicheal who was one of the more intellectual figures, and the focus on woman in the Black Panther party.
I wish there was more of a focus on differing parties in the movie, like the cops or white reactionaries. Not so the film could claim to be objective but because the claims of the Black Panthers (racism, fascism,etc.) could be shown as context for their rallies. In addition, there isn't much actual filmmaking shown here, just that a team was present. I would suggest the amazing "Harlan County" for a documentary that shows the spirit and soul of the movement, not just by showing up, but through filmmaking skills.
Overall it's a good visualizer of an interesting and important part of radical history in the U.S.
Behind all the dry summaries and articles about the Black Panthers is a truly revolutionary spirit of an oppressed people. This film does a wonderful job capturing that spirit during one of the more important times for the Black Panthers, which was the trial of Huey Newton. I especially appreciated the extended interview of Huey Newton himself while he was in jail, footage of the underappreciated Stokely Carmicheal who was one of the more intellectual figures, and the focus on woman in the Black Panther party.
I wish there was more of a focus on differing parties in the movie, like the cops or white reactionaries. Not so the film could claim to be objective but because the claims of the Black Panthers (racism, fascism,etc.) could be shown as context for their rallies. In addition, there isn't much actual filmmaking shown here, just that a team was present. I would suggest the amazing "Harlan County" for a documentary that shows the spirit and soul of the movement, not just by showing up, but through filmmaking skills.
Overall it's a good visualizer of an interesting and important part of radical history in the U.S.
The Black Panthers are organizing in Oakland to rally for Huey P. Newton's freedom. He and Bobby Seale had used their second amendment freedom to monitor the police force which was well-known to be oppressive. It talks about the killing of an unarmed young black man by the police. It's a documentary of the black power movement of that time. It sounds very familiar. There are differences. It's a bigger movement today and a more wide-spread one. Back in the day, the mostly black movement has to deal with the Vietnam war but most other issues remain the same. There is a bending toward justice over the years and it's always interesting to see the progression.
Black Panthers (original title) is listed by IMDb with the title "Huey" (1968). However, we saw it with the original title. This half-hour documentary was directed by the French filmmaker Agnès Varda.
Varda went to a Black Panther rally in Oakland. The Panthers were demanding that the government free Huey Newton, co-founder of the Black Panther party. Newton was on trial, accused of murdering a police officer.
Beside filming the rally itself, Varda filmed an interview with Newton himself while he was in jail, In addition, she interviewed or recorded H. Rap Brown, Stokely Carmichael, Bobby Seale, and Eldridge Cleaver.
The Black Panthers Party was a revolutionary party, and they made no secret of the necessity to use violence to obtain their goals. They considered themselves at war with the Oakland Police Department. (Probably, the feeling was mutual.)
This is a historically important movie, especially for those who aren't old enough to remember the events of the late 1960's. It's also a lesson in the craft of documentary filmmaking, as exemplified by Agnès Varda. I would sum it up as "speak softly, but get the footage you need."
We saw this film at the wonderful Dryden Theatre in the George Eastman Museum in Rochester, NY. It's part of a Varda retrospective, co-sponsored by Rochester Institute of Technology and the Eastman Museum. I'm sure it will work well on the small screen.
P.S. Newton was eventually convicted of manslaughter, but a higher court overturned the verdict. He had two more trials, both of which ended in hung juries. Ultimately, the government gave up.
Varda went to a Black Panther rally in Oakland. The Panthers were demanding that the government free Huey Newton, co-founder of the Black Panther party. Newton was on trial, accused of murdering a police officer.
Beside filming the rally itself, Varda filmed an interview with Newton himself while he was in jail, In addition, she interviewed or recorded H. Rap Brown, Stokely Carmichael, Bobby Seale, and Eldridge Cleaver.
The Black Panthers Party was a revolutionary party, and they made no secret of the necessity to use violence to obtain their goals. They considered themselves at war with the Oakland Police Department. (Probably, the feeling was mutual.)
This is a historically important movie, especially for those who aren't old enough to remember the events of the late 1960's. It's also a lesson in the craft of documentary filmmaking, as exemplified by Agnès Varda. I would sum it up as "speak softly, but get the footage you need."
We saw this film at the wonderful Dryden Theatre in the George Eastman Museum in Rochester, NY. It's part of a Varda retrospective, co-sponsored by Rochester Institute of Technology and the Eastman Museum. I'm sure it will work well on the small screen.
P.S. Newton was eventually convicted of manslaughter, but a higher court overturned the verdict. He had two more trials, both of which ended in hung juries. Ultimately, the government gave up.
While her husband Jacques Demy was in L. A. filming MODEL SHOP (1969), Agnes Varda was in Oakland Directing this Documentary short centered on the protests trying to free Black Panther leader Huey Newton (who is interviewed in prison). The resulting film is an interesting 'you are there' look at the group.
Varda and her team got incredible access to document the group (and not just their protests). Members speak directly to the camera and without filter. There is no question that Varda's sympathies lie with the Panthers. An unidentified American woman narrates (surprising that her name has never been revealed). It's simple and straightforward, but, always tilted in favor of the group.
Originally, this was supposed to air on French TV, but, the government got cold feet over the incendiary image of the Panthers and didn't broadcast it. The short has been beautifully restored and looks and sounds fantastic. The 16mm footage retains it's verite feel, but, the restoration is so fine one swears it could be 35mm.
Streaming on Criterion and other outlets; Also available on DVD.
Varda and her team got incredible access to document the group (and not just their protests). Members speak directly to the camera and without filter. There is no question that Varda's sympathies lie with the Panthers. An unidentified American woman narrates (surprising that her name has never been revealed). It's simple and straightforward, but, always tilted in favor of the group.
Originally, this was supposed to air on French TV, but, the government got cold feet over the incendiary image of the Panthers and didn't broadcast it. The short has been beautifully restored and looks and sounds fantastic. The 16mm footage retains it's verite feel, but, the restoration is so fine one swears it could be 35mm.
Streaming on Criterion and other outlets; Also available on DVD.
Bless Agnès Varda for making this short documentary, and for the most part simply allowing members of the Black Panthers to state their views and explain the motivation behind the Black Power movement. The issues are the same as those faced today by the community, and it certainly resonates to hear them speak of stopping the police from killing black people, or of incarceration as being stilted against minorities. The film was made around the time of the Huey Newton trial, and after governor Ronald Reagan had hypocritically overturned California's open carry law once black people started taking advantage of it. Mostly it consists of footage of people at rallies to "Free Huey!," interviews with leaders like Newton and Stokely Carmichael, and comments from supporters. It also includes great commentary from Kathleen Cleaver explaining the significance of black women wearing their hair naturally, in afros.
The film is a snapshot in time during the summer of 1968 which made it fascinating to me, but I wish it had been longer and more fleshed out. It probably should have also asked a critical question or two about the movement looking to Mao Zedong as a role model, given the brutality of his regime and the millions he killed. On the other hand, millions of black people had (and have) died in the system they were in with its widespread racism, so one can understand searching for an alternative, and becoming as assertive as they did when progress didn't just gradually happen. I loved how Varda provided a few moments of gentle narration, explaining to audiences the reasons for what seemed like a dangerous and possibly violent movement. This is well worth a half hour, and something to reflect on over half a century later.
The film is a snapshot in time during the summer of 1968 which made it fascinating to me, but I wish it had been longer and more fleshed out. It probably should have also asked a critical question or two about the movement looking to Mao Zedong as a role model, given the brutality of his regime and the millions he killed. On the other hand, millions of black people had (and have) died in the system they were in with its widespread racism, so one can understand searching for an alternative, and becoming as assertive as they did when progress didn't just gradually happen. I loved how Varda provided a few moments of gentle narration, explaining to audiences the reasons for what seemed like a dangerous and possibly violent movement. This is well worth a half hour, and something to reflect on over half a century later.
Você sabia?
- CuriosidadesThis film is included in "Eclipse Series 43: Agnès Varda in California", released by Criterion.
- Citações
Narrator: The panther was chosen as their symbol. It is a beautiful black animal which never attacks, but, defends itself ferociously.
- ConexõesFeatured in Berkeley in the Sixties (1990)
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By what name was Os Panteras Negras (1968) officially released in India in English?
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