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7,5/10
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Uma jovem misteriosa vagueia por uma paisagem desolada e sobrenatural, carregando um grande ovo.Uma jovem misteriosa vagueia por uma paisagem desolada e sobrenatural, carregando um grande ovo.Uma jovem misteriosa vagueia por uma paisagem desolada e sobrenatural, carregando um grande ovo.
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Avaliações em destaque
THE ANGEL'S EGG (1985) is a lovely collaboration by Japanese cinema and anime pioneer Mamoru Oshii (later to direct PATLABOR and GHOST IN THE SHELL) and truly gifted illustrator Yoshitaka Amano (VAMPIRE HUNTER D and FINAL FANTASY). Oshii's work is reminiscent of David Lynch's in many ways, it's always slow, offbeat and either works (most of his anime films) or doesn't (his cold and artificial live action film AVALON). THE ANGEL'S EGG is paced very akin to a David Lynch film. Like ERASERHEAD, it feels like about 10 minutes of plot stretched out to over an hour and while it does share that film's sense of the bizarre, it's effect is less Lynch's dread and more akin to the cold but beautiful tranquility of Kubrick's 2001: A SPACE ODYSSEY.
THE ANGEL'S EGG is amazing barrage of gorgeous visuals that slowly creep up on the screen for one to admire. It's images of egg-carrying little girls walking across a destitute landscape, strange, orb-shaped machines, ancient skeletons and villagers spearing illusionary fish which they will never catch (perhaps a metaphor for religious fanaticism) are truly lovely. The animation is beautiful and it translates Amano's visions, of a world not of the past, present or future that looks equal parts medieval and post apocalyptic, the best of any animation rooted in his worlds. One can choose to see the film for its metaphors, but one is more recommended to simply sit back and enjoy the lovely, painterly images that flash before your eyes.
If you are expecting something furiously paced and full of action and violence like many other anime films, you will be let down and the film is not recommended. It's the closest Japanese animated film to being a true art-house film and is recommended to be approached with that mentality. Simply sit back for an hour or so and let this film take you to its vivid world. Highly recommended for lovers of artistic and intelligent animation.
THE ANGEL'S EGG is amazing barrage of gorgeous visuals that slowly creep up on the screen for one to admire. It's images of egg-carrying little girls walking across a destitute landscape, strange, orb-shaped machines, ancient skeletons and villagers spearing illusionary fish which they will never catch (perhaps a metaphor for religious fanaticism) are truly lovely. The animation is beautiful and it translates Amano's visions, of a world not of the past, present or future that looks equal parts medieval and post apocalyptic, the best of any animation rooted in his worlds. One can choose to see the film for its metaphors, but one is more recommended to simply sit back and enjoy the lovely, painterly images that flash before your eyes.
If you are expecting something furiously paced and full of action and violence like many other anime films, you will be let down and the film is not recommended. It's the closest Japanese animated film to being a true art-house film and is recommended to be approached with that mentality. Simply sit back for an hour or so and let this film take you to its vivid world. Highly recommended for lovers of artistic and intelligent animation.
Angel's Egg is a visual poetry. More like a nightmare in a very dark world. Visually elegant and it takes you to another world, a dream world. A must watch if you are hungry for a different kind of cinematic experience.
10tilppa
This masterpiece by Mamoru Oshii (Character designs by the great Yoshitaka Amano) is really one of a kind, thought provoking, artistic almost in a style of Dali and other great artists. The dark atmosphere and the inexplicable happenings bring Kubrick's 2001: A Space Odyssey to my mind. There isn't much dialogue in the film, which is in my opinion a great decision. If you're into anime, especially the Mamoru Oshii stylish "slow and atmospheric" anime, this is a must see. I might even say this is one of the great classics in the history of anime although this title might be quite unknown to all. Really recommended!
"Maybe you, I, and the fish only exist in the memory of a person who is long gone. Maybe no one really exists and it's only raining outside."
Beautiful, evocative visuals, but a slow, rather opaque story, one that's awash in Christian and apocalyptic symbolism. You can decide for yourself what it all means, or that it means nothing, and it's only raining outside.
My take: In this world of shadows, fossils, and death, the only hope for new life lies in the egg the girl carries around, similar to Noah's ark after the flood. In this telling of the tale, though, the Christ or God-like figure tells her that the doves don't return to the ark, and later crushes the egg. It seems rather dark and pessimistic - and yet, life seems to have a way of bubbling to the surface on its own, and when viewed from a distance, the world and all its troubles seem rather small.
Beautiful, evocative visuals, but a slow, rather opaque story, one that's awash in Christian and apocalyptic symbolism. You can decide for yourself what it all means, or that it means nothing, and it's only raining outside.
My take: In this world of shadows, fossils, and death, the only hope for new life lies in the egg the girl carries around, similar to Noah's ark after the flood. In this telling of the tale, though, the Christ or God-like figure tells her that the doves don't return to the ark, and later crushes the egg. It seems rather dark and pessimistic - and yet, life seems to have a way of bubbling to the surface on its own, and when viewed from a distance, the world and all its troubles seem rather small.
This is an original work of Mamoru Oshii and Yoshitaka Amano who are two very known people.
There is nearly no story in this anime, a little girl is guarding a mysterious egg and meet a man who seems to be interested about this egg. Not much script in this film, 5mn of talking for a 75 min movie.
So, why this film is so excellent ? First of all, the drawings are exceptional as they are made by Amano, we are moved by the colors and the atmosphere of this dark world even if we know nearly nothing about it. Some would not like this film as there is "no message" within it. Sometimes, you need to think by yourself, as no message is given, it is your duty to create one, to seek what this film means to you.
One more time this is clearly a visual work which drives us to unknown arts territories, I personally see a link with David Lynch's films.
There is nearly no story in this anime, a little girl is guarding a mysterious egg and meet a man who seems to be interested about this egg. Not much script in this film, 5mn of talking for a 75 min movie.
So, why this film is so excellent ? First of all, the drawings are exceptional as they are made by Amano, we are moved by the colors and the atmosphere of this dark world even if we know nearly nothing about it. Some would not like this film as there is "no message" within it. Sometimes, you need to think by yourself, as no message is given, it is your duty to create one, to seek what this film means to you.
One more time this is clearly a visual work which drives us to unknown arts territories, I personally see a link with David Lynch's films.
Você sabia?
- CuriosidadesWas released in Australia in an edited form under the title "In the aftermath: Angels never sleep" with some obscure live-action footage included.
- Citações
Boy: I've seen a tree like this somewere... When was it? So long ago that I've forgotten... Under a sky where the clouds made sound as they moved. The black horizon swelled and from it grew a huge tree. It sucked the life from the ground... And it's pulsing branches reached up, as if to grasp something...
- Versões alternativasIn the North Korean release, the names of the Japanese cast and crew names are written in Korean characters.
- ConexõesEdited into A Chave do Futuro (1988)
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- US$ 2.656
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