Gekkô no sasayaki

this film left me reeling. A simple enough film, it draws the viewer deeper and deeper into a Japanese schoolboy's masochistic obssession and the slow steady conversion of a girl into the sadistic mistress that he needs.Yet the film is not about sex or lust. It is about a passion so deep that it defines one's being. The boy is blessed with that rare honesty - he will not deny himself his passion. He risks exposure, humiliation, hatred, and worst of all, the loss of the one he loves, just to live his way. It makes one feel inadequate when one considers how much we willingly censor our own desires and passions just to 'fit in'. There are moments of exquisite pain in this film, when you can hear hearts shattering, and from these come some of the film's most beautiful moments as well. His seemingly endless devotion to her, her traumatic attempt to rationalize his desire - these are extremes that perhaps each of us have tasted to a lesser degree at some point in our lives. Here, watch them played out to the maximum. If his love is to be called perverse, then let it be so, for maybe love is too great to be normal, to intense to be sane. Performances are riveting from the two leads. Sensitive, sharp and burning with unspoken emotion. The two are infinitely desirable because they are so passionate, so afire. Sensuality and sexuality are redefined, and if you are neither sadistic or masochistic at the start of the film, you will long to be one or the other, or maybe both, by the end.

As one for years who has repressed my feelings about certain fetishes, this movie was truly liberating. I admire how the director treats the subject so maturely and the manner in which the young woman confronts her boyfriend's desire to "be her dog". For those of you that actively participate in certain fetish lifestyles, this movie is a can't-miss. And for those of you who don't, you will enjoy the complex relationship between the young man and woman and the manner in which they learn to hurdle the obstacles that stand in the way of their love.

BDSM is not just about dragon women in black leather cracking whips and the men who willingly submit. This movie truly captures the subtleties of BDSM and explores deep into the psychology of the characters to find out why they desire to act out their fantasies in such an uncommon manner. Enjoy.

Now I may not have many things to say about Moonligh whispers as it's such surrealism film that doesn't even knows what it's is it art project is a fetish film is it a psychological horror thing ? I don't know and I don't think the writers knew either .

It's not unwatchable but for me a person who doesn't like Surrealism and such I didn't have fun watching it or even analyzing it didn't give me any fun.

Side note but Moonlight Whispers got many foot fetish scnces that's both groos and sexy ( and I say this as foot fetishist myself it's the actress tsunami got beautiful feet ) anyway that is all I have got on this film .

Gekkõ no sasayaki it's one of those films that could have only come from Japan. It's a psycho-sexual drama about two young teenagers who start dating. Their relationship begins innocently enough but when Satsuki(girl) learns that Takuya (boy) is into sadomasochism she labels him as pervert and leaves him. However, Takuya keeps pursuing Satsuki and as time passes by, Satsuki is drawn back by the power Takuya's fetishes give her over him.

This is definitely one of those subjects that Hollywood wouldn't try to tackle, at least not with the subtlety that is so often seen in Asian films. And don't take me wrong, it's subtle but it's also extremely powerful. it's just that everything arises from character development and interaction and not from gimmicks.

The plot is well thought out and the acting was pretty good. I just wish the director had explored Takuya's reasons and motives a little more and also a bit more focus on Satsuki's inner conflict (Her enjoying the s&m games but at the same time feeling it's wrong). Still, it's a good film and probably worth checking if you like Asian cinema.

7/10

Well, I just saw my first Japanese film [Sasayaki (2000) USA] that showed Japan just as I viewed it last year - the landscape, the city, country, rice patties, trains, canned soda dispeners and the natural hot spa. In essence, a motion visual that in one or more of the 1200 digital images that I captured, had an equivalent that my eye saw as meaningful to my CY2000 trip. I even went to a local high school and took pictures of a martial arts training of local youth in southern Japan.

The only thing missing from my trip was the basic content of this film - its story.

This is a coming of age story with a tinge of Japanese politeness and tradition in social introduction, just skewed by a few years in time backwards to the American experience - perhaps into the 60's when sex during high school was the daring thing to do and then talk or brag about.

As a coming of age story, the script and acting maintains a balance of innocence and exploration as the theme dances around sadomasochism in an increasing eddy that entraps the next experience.

The beauty of this film is its innocence and its honesty in portraying the boundaries of sexual experience and an obsession that can bind innocence into something more permanent outside of those first sexual experiences and beginnings.

It is not a fearful film to watch, but simply a difficult film to describe without creating fear in its next, potential viewer. As the film ends, there is still an essence of innocence and beauty and love between the boy and girl.