Another Son of Sam

Another Son of Sam (1977)

* (out of 4)

An insane psychopath escapes from a mental hospital and before long he's stalking the streets and killing anyone he runs into.

That plot description makes this sound like a pretty good movie, right? Well, it starts off extremely entertaining as we hear gunshots and then see about several previous serial killers with a total number of victims. Then starts the title credits and from this point on ANOTHER SON OF SAM turns into a horribly boring and rather awful movie. This here was filmed in North Carolina so it's one of those regional horror movies that has picked up popularity over the years but sadly there's very little entertainment to be had here.

So, what's wrong with this movie? Pretty much everything but we can start with the plot, which is pretty messed up and rarely makes too much sense. It's almost as if they were filming the movie and forgot to film certain scenes as there are moments where things don't see to be connected or things happening out of place. The next awful thing is the editing, which is just downright bizarre at times and again there are a few moments where it seems like the film is broken.

The performances? Forget about it as they are quite awful but we don't really come to these types of movies for the performances do we? With that said, the dialogue is just as awful and there's really not too much going on here. What's worse is the fact that this clocks in at just 71-minutes and even at that time things drag.

Yes this is a regional movie filled with actors who either weren't actors or did small theatre work. Yes this seems like a movie made in the late 1960's not in 1977. And yes the title doesn't have anything to do with the movie which is more like Richard Speck than "Son of Sam." Finally it's an exploitation movie with almost no real exploitation, there is no nudity at all and the violence that occasionally happens is done so poorly it doesn't have much of any impact.

Having said all that the basic idea is solid and a bit unusual, the killer is trapped in the building early on with police sneaking in to try to find him. The killer is mostly only seen in bits and pieces--wearing kind of goofy brown loafer shoes. But the use of shadowy eye and eyebrows moving amid shadows while an electric tone/music drones on is rather novel and occasionally effective. Also the movie uses freeze frames to end scenes rather frequently rather than dissolving of cutting away. Also a few of the murder scenes come when you don't expect them. And the movie moves along pretty well, or well enough that you don't have to fast forward--if you don't just stop watching because of the cheapo production and acting.

These odd elements and the general crudity of the production gives it some grit. The budget is so low--they don't seem to be able to really purchase or rent even one really convincing police uniform, let alone the motely mismatched SWAT uniforms on display.

It also has and probably always had, sort of poor lab work with flat lighting and, now, faded and shifting colors, but this too now is seen as part of a Grindhouse Esthetic--in that way time has been kind to this movie.

It may be barely a movie but it tries, if doesn't succeed, at some style and has a few surprises, so can't say it's totally worthless, especially for those who will watch something that lacks the easy slickness of Hollywood films that can have no real ideas to offer.

Law-enforcement agents hunt down a rampaging, kill-crazy asylum escapee, and the psychopath's mother offers her aid in his capture. Not much else to be said about this one except that it's a VERY strange presentation dusted with quirky stylistic touches(scenes end in abrupt freeze-frame fadeouts, lumbering "point of view" camera-work abounds, and several scenes conclude with a perplexing audio/visual dissonance). These aesthetic flourishes, however, are so erratic and unfamiliar that they may be nothing more than the salient indicia of inept amateur film-making. Oddly enough, it's the movie's eccentricity/unique mishandling which makes it more-or-less watchable. Had there been even the slightest bit of aptitude applied to this project, the result would have been a garden-variety grindhouse psycho-on-the-loose mess. It's bad, to be sure. BEYOND bad, actually...but something about its clunky, infelicitous artsy inclinations becomes oddly inveigling.

A helicopter features prominently during the film's climax. It's a real, honest-to-goodness helicopter, which is surprising to see in such a remote-controlled-toy-helicopter sort of picture. There's also some deliciously tacky filler featuring the charismatic Johnny Charro...a lounge singer in a poly-dacron bellbottom onesie, unzipped past his navel to showcase a bird-sanctuary of deep-shag chest chair. He's Engelbert Humperdinck, Evel Knievel, and in-extremis Elvis all rolled into one. Sideburned 70s machismo personified...you never had it so good.

Most people will dismiss this uncharted thriller as a toilsome slasher genre prototype...and they're probably right. I maintain, however, that there's a charmingly disadvantaged quiddity to ANOTHER SON OF SAM, though I can't quite put my finger on it.

3.5/10

When I was a teenager, this movie was in one of my local video stores. Although the title and the artwork of the box intrigued me, all the same I got the whiff that the movie was a real stinker, so I never rented it. But the other day, it was broadcast on Turner Classic Movies (of all places!), and I decided to watch it since it would be free. Well, all I've got to say is that I was a very smart teenager. Actually, the movie is even worse than I imagined it to be. Your twelve year-old son or daughter could write, direct, or even edit their own production more competently than these results. There's hardly any story here, with the screenplay ridiculously padded despite the movie running less than 75 minutes long. The scenes with the psychopath doing his thing are so ineptly staged that you don't get the least bit of feeling of horror or even mild creepiness. You also don't get a sense of what this psychopath is like, given that we don't really see him until the final few minutes of the movie. And what's with all the freeze-frame moments, slow motion moments, or for that matter scenes that abruptly end or start? While the ineptness of the movie does occasionally generate unintended chuckles, for the most part this movie will test the patience of even the most forgiving viewers. The only people I would recommend to watch it are independent filmmakers about to start making their own movie - it would reassure them that while they may end up making a bad movie, it would in no way be as bad as this movie.

I don't know whose idea it was to make this film, but they should be locked in a padded room. My colostomy was more entertaining than this movie. It is really, really boring.. Not much to say. I watched Another Son of Sam on TCM Underground and that is were it belongs. Buried underground.