AVALIAÇÃO DA IMDb
6,4/10
301
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaAn "electronic puppet" version of the Humperdinck opera, adapted for children and using spoken dialogue as well as Humperdinck's music.An "electronic puppet" version of the Humperdinck opera, adapted for children and using spoken dialogue as well as Humperdinck's music.An "electronic puppet" version of the Humperdinck opera, adapted for children and using spoken dialogue as well as Humperdinck's music.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 vitória e 1 indicação no total
Anna Russell
- Rosina Rubylips - the Witch
- (narração)
Mildred Dunnock
- Mother
- (narração)
Frank Rogier
- Father
- (narração)
Delbert Anderson
- Sandman
- (narração)
Helen Boatwright
- Dew Fairy
- (narração)
- (as Helen Boatright)
Constance Brigham
- Hansel
- (narração)
- …
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
This is a stop-motion animation film of the Hansel and Gretel fairy tale, done, apparently, somewhere in Europe--the Austrian Apollo Boys Choir does the background vocals, so the film could have been made there or in nearby Hungary or Czechoslovakia, both of which were producing well-done animation films--but passed off as an American film, which it is not. Considering the time it was made and the conditions existing in Europe during that period, it is an admirable attempt indeed. The stop-motion, while not up to the standards of Ray Harryhausen, who was doing similar work at the time, is still well-done, and great care was obviously taken in the dubbing and scoring of the film. The background music is at times a bit overpowering, and there are spots where the dialogue is drowned out by it, but there are some imaginative touches throughout and and some visually beautiful moments. Children who are used to today's high-tech computer animation may not be impressed technically, but the film overall should appeal to them. Recommended.
I found the other comments to be enlightening, especially with regard to the hurry-up conclusion.
However, I know for a fact that the boys' choir used in this movie was no a European choir, but the Apollo Boys Choir, originally of Palm Beach, Florida, that moved to Dallas, Texas until its director, Coleman Cooper, retired. It is unfortunately no longer in operation. During the Depression, the choir toured the United States in limousines, not buses, and sang for President Roosevelt at the Hot Springs resort where he escaped the pressures of Washington DC. The choir accompanist, Mr. Bert Hallack, is a resident of Palm Beach.
One famous former chorister of this choir is George Bragg, who founded the Texas Boys Boys (of Fort Worth).
However, I know for a fact that the boys' choir used in this movie was no a European choir, but the Apollo Boys Choir, originally of Palm Beach, Florida, that moved to Dallas, Texas until its director, Coleman Cooper, retired. It is unfortunately no longer in operation. During the Depression, the choir toured the United States in limousines, not buses, and sang for President Roosevelt at the Hot Springs resort where he escaped the pressures of Washington DC. The choir accompanist, Mr. Bert Hallack, is a resident of Palm Beach.
One famous former chorister of this choir is George Bragg, who founded the Texas Boys Boys (of Fort Worth).
This was the first full-length stop-motion feature made in the United States. In spite of other comments posted here Mybergh's "Hansel and Gretel" was filmed entirely in New York City.
The film was done sequentially and as funding for the production dried up and the release date drew nearer the animators were forced to speed things up. The animation becomes quite hurried and sloppy near the end and if you look closely you will notice that both the angels from the Dream Pantomime and the Revived Gingerbread Children are only multiple castings of both Hansel and Gretel redressed. There simply was no time to do original sculptures for these characters.
This was to be the first in a series of full-length stop motion features by Mybergh's production team, but despite it doing exceptional business in Germany it failed to ignite at the box office in the United States. According to members of the Mybergh Estate most of the original elements are still intact and we can only hope that someone will take it upon themselves to do a proper restoration of this amazing film to replace the shoddy, amateur DVD edition that is currently available. Anna Russell's vocal performance as Rosina Rubylips is one that is unlikely to ever be equaled and Evalds Dajevskis' set designs definitive.
The film was done sequentially and as funding for the production dried up and the release date drew nearer the animators were forced to speed things up. The animation becomes quite hurried and sloppy near the end and if you look closely you will notice that both the angels from the Dream Pantomime and the Revived Gingerbread Children are only multiple castings of both Hansel and Gretel redressed. There simply was no time to do original sculptures for these characters.
This was to be the first in a series of full-length stop motion features by Mybergh's production team, but despite it doing exceptional business in Germany it failed to ignite at the box office in the United States. According to members of the Mybergh Estate most of the original elements are still intact and we can only hope that someone will take it upon themselves to do a proper restoration of this amazing film to replace the shoddy, amateur DVD edition that is currently available. Anna Russell's vocal performance as Rosina Rubylips is one that is unlikely to ever be equaled and Evalds Dajevskis' set designs definitive.
This film has always been one of my top favorite childhood films. "Hansel and Gretel" was not always easily accessible to kids. Although it had sporadic television showings back in the days of black and white televisions, kids normally had to wait about every three years for it to be theatrically re-released to see it. I remember seeing it once on television back in the days before we had color television sets and then seeing it several years later on the big screen (in all of its Technicolor splendor) and it captivated me by being the definitive version of the famous tale. I liked it so much that when they re-released it some years later I went to see it again! After the mid-seventies it more or less disappeared and it seemed to have become a forgotten film (shown occasionally on early cable T.V.). However, in the early eighties I was surprised to see it on VHS through a company called Media Home Entertainment. Sadly, their print had a terrible mono soundtrack making the film inaudible and the scene where the the stars form in the heavens (after the Sandman floated away) looked like it was set in the daytime instead of at night-time. Later, in the eighties a no-frills video company released the same print with a marginally better soundtrack. When HBO showed it in the early nineties, they showed a restored quality print. One with perfect sound and with the stars in the heavens forming in the evening (keeping to the evening setting of Hansel and Gretel asleep under a tree in the forest). Not long afterward, that restored version was put on to VHS by Vestron and I was delighted. Too bad that Vestron didn't hold on to the rights long enough to put out a DVD edition of the film. It has since fallen into the hands of another company and they've evidently used a not exactly perfect VHS print of the film as the master source for their DVD presentation of "Hansel and Gretel". The evidence of VHS decay are sporadically obvious during the film. It's annoying that the company probably had the means to give us "the" perfectly restored version of the film on DVD, but instead decided to gyp us with a low-budget video to DVD transfer of it. I hope that another company will obtain the rights to this film and put a good copy of it on the market soon. "Hansel and Gretel" must have been a pretty big hit in its day (1954). There was a comic book and a record album of this film. I know that the two times that I saw it in the theaters it played to packed movie houses. Let's hope to see a restored DVD edition of it the near future!
We had the sound track when I was growing up. My brothers and sisters and I listened to it over and over. I'm well into my forties now, and I can still reel off songs and dialog. My older sister burned CDs of the sound track for us all a few years ago. A wonderful present! I hadn't heard it for decades, and missed it very much. The angel pantomime still gives me goosebumps, it's so very, very beautiful. The witch was played for laughs as much as for being scary. She is delightful. My friend's children always love it when I give them my imitation of her cackle.
I was priviledged to actually see the movie once in a theatre, a children's matinee. How I wouldn't love to have a copy of it. The music and vocalizations are timeless, beautiful, thrilling. I'm sure any child would love this classic as much as I and my siblings did!
I was priviledged to actually see the movie once in a theatre, a children's matinee. How I wouldn't love to have a copy of it. The music and vocalizations are timeless, beautiful, thrilling. I'm sure any child would love this classic as much as I and my siblings did!
Você sabia?
- CuriosidadesRe-released in 1972 as part of MGM's Children's Matinees package.
- ConexõesFeatured in Animation Lookback: The Best of Stop Motion - The First Features (2014)
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
Detalhes
- Tempo de duração1 hora 12 minutos
- Mixagem de som
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente
Principal brecha
By what name was A Floresta Mágica (1954) officially released in Canada in English?
Responda