A Maldição de Ouija

This is a generally unsuccessful attempt by low-budget Mexican filmmakers to ape the "Nightmare on Elm Street" sequels, but although it is pretty incompetent it is much more lovable than most of those overblown American cash-ins. Instead of "Fredddy" we have "Virgil" who is a Roman epic poet. . . no wait, different "Virgil"--this one is basically the Devil (or something) who has possessed the best friend of the protagonist after a Ouija board session at the protagonist's birthday party , and is using him (for some reason) to kill everyone else who was at the session, including the hero's new girlfriend. So it is up to protagonist to rescue all his friends from evil. Luckily, he has a rose that has special powers because he gave it to his girlfriend out of pure love (something like that).

This movie tries really hard to be an American movie, making the protagonist a transplanted American attending an American school in Mexico City. The school has all kinds of ridiculous signs in English, like one promising to expel any tardy students! (So naturally when they're tardy, the hero and is girlfriend decide to skip school entirely which apparently is much more acceptable). But my favorite part is the English teacher who goes on and on about Percy Blysshe Shelley, of all people, who she inaccurately says went crazy (as someone who once worked as an English teacher in Mexico, my head was left swimming). There's also a scene where the protagonist starts sharing visions with "Virgil" when he kills people, so his alcoholic mom takes him to an optometrist(!) where she confesses to the good doctor, apropos of nothing, that she has a drinking problem.

Although it matches the characters lips and is pretty (unintentionally)funny, the English dub track is actually pretty hard to take after awhile. The voice of the girlfriend (played by an actress who is basically, to paraphrase "The Simpsons", the non-union, Mexican equivalent of Heather Langenkamp)is like nails on a chalkboard and it eventually drove me to watch it in Spanish, lip sync be damned! It also has some pretty promiscuous teen sex (on only the second date!), but it's strictly PG-rated sex with nary a nipple, while the violence is maybe a hard PG-13. Ironically, despite an obviously great effort to market this in the US, it got much more of a release in the UK, but thanks to recent "Horror from South of the Border" bargain box set we can finally now, uh, enjoy it north of the Rio Grande.

I thought this supernatural slasher wasn't too bad. There were a few effective bits, and even a few suspenseful moments. The killings with the dagger are cool, and the bit where Michael is being stalked around the hospital are good. I also got a scare from the part where Virgil suddenly appears at the back window of the car. There are too many boring parts however to make this a good slasher film. If they had used more shots of Virgil stalking Michael and added some more gore, it would have been quite good. The ending is rather cheesy.

Still it's better than many slasher films I have seen so if you're a die-hard slasher fan then seek this one out.

Part A NIGHTMARE ON ELM STREET, part HALLOWEEN with a little bit of THE BOOGEYMAN thrown in for good measure, DON'T PANIC is a successful crossbreed of those styles which makes for an entertaining ninety minutes of classic slasher frolics.

In the outset we meet Michael (Jon Michael Bischof), the star of the movie who's recently moved down to Mexico with his alcoholic mother away from his unsympathetic father in Beverley Hills. He's celebrating with his newly found friends, which include Tony (Juan Ignacio Aranda) - a smart-ass wise cracker - and Alexandra (Gabriella Hassel) whom he has the hots for. It's Mike's seventeenth birthday and as a present the gang have got him an Ouija board (a great gift usually.if people want to get possessed or die!) and even though at first he refuses to take part, the gang force him to join in on one of their séances. They all gather round in a circle and join hands around an eerie looking candle lit table as Tony attempts to call up a medium known as 'Virgil'. He isn't very talkative but lifts up the arrow to point it at Mike in a threatening manor (ooooh, creepy!). All of a sudden, the door flies open and in bursts the birthday boy's inebriated mother who soon sends the group packing and Mickey to bed! Soon after that night Michael begins to have strange dreams that an unseen psycho holding an ancient dagger is viciously murdering his friends. When it's revealed that the teens are actually being bloodily butchered, he begins seeing premonitions of someone warning him who is next on the killer's list. With this knowledge, he is forced to attempt to save them from the maniacal assassin. But who is it that is slaughtering the hapless group and what are their motives?

About two weeks before I saw this, I watched the more recent British slasher LONG TIME DEAD. It looks as if this may well have been the inspiration for that flick because the two plots are almost interchangeable. Director Ruben Galindo Junior - who was also behind the 1985 addition CEMETERY OF TERROR - has done a good job in making this an enjoyable thriller with some decent supernatural elements that make a refreshing change from movies such as GIRLS SCHOOL SCREAMERS, which attempted the same sort of thing but drastically failed. Don't expect great performances, because you certainly won't find any here; but what it lacks in thespianism it makes up for in storyline and originality.

This was the full-uncut copy that I recently purchased on the UK 'Dark vision' label and it includes some tacky but effective gore to boot. In one murder, some guy gets stabbed in the chin with the giant dagger and it protrudes through his mouth! That's probably the best of the bunch and it even manages to look pretty authentic! There are some interesting chase sequences included too, the one in the hospital being vaguely reminiscent of HALLOWEEN 2 with the killer stalking in traditional slow-mo Michael Myers manner and the downbeat ending truly is unexpected for a film of this genre.great! You wont get bored whilst watching either and in some parts it even borders on becoming pretty exciting. The director gives us the chance to play whodunit for the first half, but doesn't waste time overdoing the investigative factors.

Although this is a decent flick, it doesn't manage to escape from being extremely cheesy just like so many of its genre counterparts from this period - the late eighties. For example Jon Michael Bischof spends three quarters of the runtime in a pair of groovy pyjamas, anyone can imagine how embarrassing that must've been for him in his movie debut! They could have at least given him a stylish set of jim-jams to run around in! Also watch out for a whole lot of incredibly silly dialogue and some unintentional tongue in cheek humour. Michael and Alexandra - the third rate Jamie Lee Curtis of the flick - head out on a date in the beginning and although the things they get up to are cheestastic enough, nothing can best the advice that Tony gives Michael when he returns! He tells his buddy that if he really loves her he should 'give her a rose', but not just any such flower, it must be 'the magic rose'! He then walks over to a giant bowl in his room (!), places a towel over the top, removes it and then he pulls out just one single thorn covered stem and offers it to the confused looking character! I mean, what is this guy? Is he some sort of undercover Casanova? Why has he got a bowel filled with roses in his room? Like I said, the cheese is spread thick and fast throughout the feature!

It's been a little while since I've watched a slasher that I've truly enjoyed! DON'T PANIC may not be overly scary, but it's been put together with thought and it adds supernatural touches to the age-old slasher clichés better than most. It may not be groundbreaking but it's pretty entertaining in that 'so bad it's pretty good' kinda way! Yeah, I recommend this and it's set me on my so far, pretty unsuccessful search for CEMETERY OF TERROR!

I thought it was a low-budget horror flick. Well,I was wrong because it`s a no-budget kind of film. Anyway,let`s just say it`s not as bad as it seems. SCREAMING MAD GEORGE(make-up wizard of "SOCIETY","BRIDE OF RE-ANIMATOR",among others)did the visual effects here. The story(which was told in a better way in "LONG TIME DEAD")centers around a bunch of teens playing with this ouija board. Through this they invite a supernatural killer known as virgil. Director RUBEN GALINDO tries hard to shock audiences but it doesn`t go beyond what we`ve seen already before.

DEDICATED TO HORROR GEEKS ONLY(i`m proudly one of them).

The '80s was the decade in which low-budget horror movies often traded logic and originality for sheer zaniness, many of them making very little sense but delivering a lot in the way of OTT effects, gratuitous nudity and a general sense of the absurd. Mexican supernatural slasher Don't Panic certainly doesn't waste any time or effort on a innovative story, its Ouija board plot device being as old as the hills, the whole 'teenagers in peril' angle being incredibly hokey; unfortunately, it doesn't quite deliver enough in the way of excessively entertaining schlock to adequately compensate for the predictable narrative.

There are few bloody kills courtesy of make-up effects man Screaming Mad George, best one being a knife pushed up through the victim's jaw into the mouth, but they're generally not creative enough to distinguish the film from countless other slashers, and with far too much time spent on developing the sappy relationship between teenagers Michael (Jon Michael Bischof) and Alexandra (Gabriela Hassle) and following a confused Michael wandering aimlessly around in his dinosaur pyjamas, the film is far less fun than it needs to be.

For me, the most entertaining moment was when the line 'Do you believe in Satan?' came up in my subtitles as 'Do you believe in Stan?, which speaks volumes about the film as a whole.