O Último Homem do Planeta Terra

... but had to see just how bad it could get. The plotline was thin to begin with, but it just kept getting worse. A female genetic engineering grad student uses her research on accelerated mitosis to artificially create a male, because a biological weapon used in WW3 killed off 97% of the worldwide male population. The surviving men are either high prices gigolos in back alley clubs, or crazed lunatics in run down football stadiums plotting to overthrow the 'Lesbian Conspiracy'. The entire process resembled the microwaving of a large bowl of jello. Press a few buttons and ding you get a baby. Not only that, but he will age to mid 20's in a month, and then begin to age normally (how convenient). Eventually poor Adam gets bored with the secluded cabin in the woods where his creator had raised him and steals her car to 'see the city'.

This begins 90 minutes of unlikely chases, convenient plot twists, and several subplots that we never see resolved. As Adam quickly learns, what men did survive are treated as outcasts/criminals, because they are dangerous beasts that cannot help there genetic predisposition to violence. The propaganda machines have been in full swing, scaring women into believing all men are rapists and murderers. This has led to lesbianism being the norm, the fall of Christianity, female only reproduction via cloning, and oh yeah world peace among other implied results. All of which seem unlikely given that only ~30 years had elapsed since the war. Adam stumbles from one bad situation to the next, all the while being genetically programmed to be non-violent and unable to really do much on his own behalf. With the FBI on his trail, madams looking for fresh meat, and his creator trying to recapture him (for herself it seems), he learns that violence is not limited to the male species after all.

All in all, I would not recommend this movie.

I did however enjoy Veronica Cartwrights portrayal of the 'love to hate her' Director of the FBI, and Julie Bowen didn't do bad as Hope the 'closet hetero' geneticist either.

In reading the previous reviews, it struck me that almost none of you people seem to care for Science Fiction. Or, if you do, you've missed the classics upon which this story line was based. So, WARNING!!! If you don't care for the genre, you probably won't enjoy the movie unless it has a lot of special effects, your favorite actor, or some other redeeming factor not inherent in the subject matter.

Please don't misunderstand -- this is NOT a great movie -- but it stands as mediocre, definitely not the worst film ever. If you think there's anything new about the concepts treated with in the plot or the manner in which they were handled, maybe you should try reading Philip Wyley's "The Disappearance" (1974 -- out of print). Kenneth Biller took exactly the same approach, he just change the cause of the obliteration of a gender and had men wiped out instead of women. Even a reread of "On The Beach" by Neville Shute would cause you to rethink your attitude toward this movie, I believe.

If people (of either gender) have no possibility of creating relationships in what we now consider the "normal" manner, they will invariably find some other way to satisfy their needs for personal and social relationships. That does not imply that this movie, either of the books I listed, or I believe that a single-gender society would be superior. It's just a recognition of human nature. In that sense, the tale told in this film is well worth seeing once.

After reading the title of this film, I must admit I didn't expect much to come from it but it was actually quite clever and inventive. The premise about how the world came to be 98% female is very interesting and clever and scary to think that it could actually one day happen. The performance of Julie Bowen is the highlight of this film as are the supporting cast. I have to agree the ending wasn't to my liking but it was still a good surprise of a film and well worth watching!

This made for TV movie takes a large chunk of inspiration from Huxley's Brave New World - natural reproduction is replaced by cloning (and in the case of the dual protagonist, Adam, by "synthesis"). The new society strives to be utopian, but has a grim, dystopian side. The plot is unique, though, in that it deals with dark aspects of militant, lesbian feminism. Camille Paglia would appreciate this story! The most telling line in the film is where Adam says "violence is not genetic" (meaning actually, "not determined by gender"). Another intriguing aspect of the film's social commentary is its take on conspiracy theories and official truth, and how politics is politics no matter who is in charge. From the standpoint of cinematic excellence, this is clearly not Academy Award material. Of course, it was made for TV and presumably didn't have a large budget. I was surprised though, at the depth of ideas and the acting was good. Worth seeing.

Wow, what a stinker.

I was intrigued by the premise, which had an "Outer Limits" ring to it.

It's a shame that the actual movie turned out so laughable. This brings me to my summary, which is how I actually made it through this. Seriously, once I changed my expectation, I had a blast.

If it weren't so preposterous and sophomoric, it might actually have been offensive.

Maybe this would make a good film to review in a film class. There were so many opportunities to turn things around, I think a class of young students could have a field day with this.