Um Jogo Duplo

I've read with interest everyone's opinions on this movie, and am surprised at the diversity. Some reviews state it is the worst British move in ages, some compare it to the likes of Trainspotting and Lock, Stock, and Two Smoking Barrels. I'm somewhere in between.

'Circus' is very refreshing, I'll give it that. But I feel like Austin Powers, contemplating time-travel, for I too have 'gone cross-eyed.' I rented this (thank God I didn't see it in the theatre) and found myself rewinding because I was so confused! Sure, they really don't want you to guess the ending, but at the same time, they turn you around so many times try understanding it!

The acting is wonderful. I actually thought Eddie Izzard was great, as was everyone else. I cease to be surprised by John Hannah, who does drama and comedy equally wonderfully. Famke Janssen was interesting enough, and her hick boyfriend was entertaining, as was the little nerdy guy, though his character sort of annoyed me.

I think that this film certainly could've been a lot better...this film-maker had the actors, they just needed to work with the story a little more. Had they taken away some of the twists and turns, they might've gotten a better film.

By the way, these are not all English actors. John Hannah is Scottish. And another thing, I certainly wouldn't compare this to Trainspotting, as Trainspotting was pure brilliance, and this is rather blemished.

If you've seen any other sort of halfway decent crime movie, your patience might be put to the test by "Circus". If you are more than halfway sober or awake, its little derivative winks of 'intelligence' might actually appear half-assed and grating. I'm a fan of both John Hannah and Eddie Izzard, but neither actor can rescue this made-for-TV-grade formulaic crap-pile. And the 'intelligent' bit of that formula is the one that most grates on me: when the films throws out references to Tarantino, musical theatre, The Sweet Smell of Success, etc.(naming a character Elmo Somerset? Good lord), it's insulting. And when the twists are revealed, I hardly feel that the makers of Circus are knowing masterminds. They blindly stumbled through this movie, hoping that they could pull this foolish scam of a movie off.

I think that saying this film has too many is not what makes this film bad. The twists are not the problem of the film. The story is quite clever and could have been very cool if filmed right. The major problems why everyone is complaining about the twists in the film is that the film is just not fascinating enough to make people follow them. The film is badly shot (at least in comparison to its genre brother Lock, Stock). Worse: the characters are (although often well acted) just plain flat. The characters don't have enough time to be introduced well enough to let the viewer get involved with a single one of them, let alone understand them. Oh, and the locations are just terrible: locations-person (I didn't bother to watch the credits for your name) - get another job (maybe still photography or interior design)

"Circus" was barely released in cinemas even in Britain and, from what I understand, skipped US cinemas despite its Columbia backing. It's an okay watch for cable at 3 a.m. (which, interestingly enough, is when I watched it), but that's about it.

The movie's scuppered by the ludicrous casting of comedian Brian Conley as a gangster who we see taking a bite of a man's ear in the beginning; he comes off as too playground-villainous to take seriously, and the rest of the movie is just as plausible (tip: do not go and attack and/or threaten people when there are witnesses around, a piece of advice ignored TWICE in the course of the movie). David Logan's script needed some stronger direction and a bit of restraint, instead of piling double-cross upon double-cross until it's soon hard to tell just what the hell's going on, culminating in an "Oh-for-God's-sake!" ending.

"Circus" is diverting enough, but a waste of John Hannah, a bigger waste of Fred Ward, something of a waste of Amanda Donohoe, and an absolutely criminal waste of Famke Janssen (who is not only super-fit but, unlike Conley, actually CAN be convincingly tough - it's impossible to believe she appeared in both this and "X-Men" in 2000 ... then again, she did do "House on Haunted Hill"). What she was doing in this movie we can only speculate; did she fancy a trip to Brighton? Or is she a secret fan of "Rebus"? Or "The Brian Conley Show"?

And one more piece of advice - don't go mentioning "The Sweet Smell Of Success" in your movie, unless you really want to draw unfair comparisons. Mind you, it's preferable to actually going to a circus; I never liked the things.

If you were expecting a comedy, be prepared to be disappointed. This is not a funny movie. It is often violent, and sometimes more graphic than need be, but... It was interesting, complex, and had a multilayer feel to it. Who is betraying whom? The dialog wasn't bad, the acting somewhat stylized (a la a David Lynch movie) but not to the point of distraction. It has a certain amount of the feel of "Snatch", moving in the parts of English not-so-nice society. And in the end, you're glad that the "good" guy wins (although he is willing to do, and see things done, that would hardly qualify him as a "good" good guy.)