A Terra está morrendo e a única esperança é colonizar Marte, mas uma equipe de exploração descobre que o planeta não está desabitado.A Terra está morrendo e a única esperança é colonizar Marte, mas uma equipe de exploração descobre que o planeta não está desabitado.A Terra está morrendo e a única esperança é colonizar Marte, mas uma equipe de exploração descobre que o planeta não está desabitado.
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Avaliações em destaque
This enjoyable picture blends Science Fiction and adventure genre , developing an intelligent script that disseminates the clues to maintain the interest and tension of the viewer and reflect on the eternal theme of the confrontation between man and nature , as well as the struggle between faith and scientific reason . Adding other philosophical themes as crew doubts , fears and questions about God and divine providence , man's destiny and the nature of the universe turn defining elements in their fates . Filmmaker Anthony Hoffman spent a long period at NASA's Johnson Space Center in Houston (Texas) with the goal of researching Mars and space travel and studying photography to see how light behaves in the atmosphere. The result is a feature film narrated with rhythm enough, with careful production design and a sober touch on the scenes in which the dazzling special effects created by the Cinesite Inc. Company also responsible for ¨Deep Blue Sea¨ and ¨Matrix¨stand out . It is an interesting and thought-provoking motion picture , though typical routine -at times- space odyssey that goes wrong when some astronauts find death , one by one , in diverse strange forms . On the way , they encounter problems you've seen in other , better-done sci-fi flicks . In the film there're chilling set pieces , suspense , body-count , intrigue and visual wizardy , but the very used plot and indifferent interpretations undermine whatever it was attempting to accomplish. Red Planet (2000) follows the style of other 2.000's films in which expeditions on Mars get in trouble , such as : ¨Mission to Mars¨ by Brian de Palma with Gary Sinese, Tim Robbins and the subsequent¨The Last Days on Mars (2013)¨ by Ruairi Robinson with Liev Schreiber , Elias Koteas , Romola Garai , Olivia Williams . Although the greatest rivalry and competence was ¨Brian De Palma's Mission to Mars¨, being made at the same time . The biggest claim of this space epic ¨Red Planet (2000)¨ is its cast , headed by Val Kilmer (The Saint) as a mechanical systems engineer who goes from being in the background at the beginning to gain more relevance throughout the film and Carrie-Anne Moss as valiant and risked commander Bowman at the head of the expedition , along with Tom Sizemore, Benjamin Bratt and Terence Stamp.
Highlights the mysterious and suspenseful musical score by Graeme Revell . As well as colorful , though dark at times cinematography by cameraman Peter Suschitzky , David Cronenberg's regular cinematographer . The yarn was adequate and professionally directed by Anthony Hoffman , though with no originality , because copying other films . Being Hoffman film debut , he's presently working on an ambitious feature film that he wrote and with direct for 20 Century Fox, 'Fox Hunt' that will shoot in Hong Kong and Los Angeles, in addition a ten part series 'The Keepers' set in the world of illegal animal poaching across the globe. Rating : 6.5/10 . Well worth watching . The pic will appeal to Val Kilmer and Carrie Anne Moss fans.
Both movies were hastily put together, not out of any creative impulse, but purely to capitalize on the spike in public interest in Mars exploration after the 1997 Pathfinder mission with its Sojourner rover. Both involve manned missions to Mars in spin ships, both expeditions encounter some sort of disaster in Mars orbit in order to kill off a few characters and inject some drama, and both involve the discovery of alien life on the surface. Both premises are highly derivative with cookie cutter dialogue and plot structure hastily adapted to a Mars theme.
Both were also staples of my childhood, but I can honestly say that I did not remember the dialogue in this film being so utterly pathetic. It's as if they didn't have time to write a proper screenplay so they just unboxed a premade 'action adventure movie script', slapped a Mars theme on it, and called it a day. This is some real straight-to-video stuff. There's very little abuse of scientific jargon because they don't even attempt to use scientific jargon. The ship gets hit by a 'solar storm' and it's just 'dead in the water'. Sure, that's sufficient information...
The CGI is somewhat worse than Mission to Mars. At least they tried to hide it tastefully in that movie, here they're trying to make it the main attraction, 10 years too early.
Mission's soundtrack is pretty pretentious but at least it's not total garbage. Red Planet gives us 90's club music. This movie would have been better with less audio in general, let us take in the few worthwhile panoramic shots in peace.
OK, OK, OK. The bit where the Russian lander has a little distressed cartoon bear cosmonaut is pretty memorable for its originality. I mean, it's sort of unintentionally hilarious, but it's memorable. The design of the killer robot is also pretty iconic, totally impractical, but iconic. And the scene where the bug creatures move in unison across the plain is pretty interesting. So this movie has its moments. But on the whole, pretty bad.
While "Mission To Mars" dealt humans "visiting" the planet and dealing with the "face on Mars" and a previous civilization living on that planet at one time, "Red Planet" dealt with humans trying to "colonize" the planet but running into a problem they didn't count --- life still being there.
I would suggest viewing both movies as companions to each other.
6 out of 10
The problems with RED PLANET: Val Kilmer is miscast. He doesn't seem interested in the story and his acting is lazy. He looks like a lost surfer dude on Mars. They should have hired another actor instead of Kilmer. Some characters were weak (Stamp and Bratt). The designs of the ship's interior were a tad cheesy. The dialogue was sometimes terrible. And the story had some major holes in it, like the idea that the ship's censors didn't detect the breathable atmosphere on Mars.
But aside from those problems, the rest is fun. It's a straight forward science fiction story. If you don't like that kind of story, you'll certainly won't like this. It reminded me of ROBINSON CRUSOE ON MARS or PITCH BLACK, in the way it respected the sci-fi themes and elements without watering them down for the audience. Tom Sizemore and Carrie-Anne Moss are excellent in their roles. Some of the cinematography is excellent. And while the fx are uneven (sometimes spectacular, sometimes obvious), the overall look of the film is always credible. And the ending is thrilling.
If you like straight forward science fiction films like me, you'll enjoy this movie.
Você sabia?
- CuriosidadesIn her report back to Earth, Bowman (Carrie-Anne Moss) refers to the state of HAB as being "tango uniform". This is phonetic military slang for "tits up", meaning dead or destroyed.
- Erros de gravação(at around 1h 3 mins) Burchenal says he is an expert in genetics, yet he refers to the 4 DNA nucleotides as A, G, T and P. They're actually A, C, G, and T. It's corrected in the German dubbed version.
- Citações
Chantilas: [Suppose] we just finished poisoning the earth and everyone was dead in a hundred years. Then what was the point of anything? Art, beauty-all gone-the Greeks, the Constitution, people dying for freedom, ideas. None of it meant anything? What about religion? Do we give up on God too?
Gallagher: You didn't just give up being a scientist one day, did you?
Chantilas: I realized science couldn't answer any of the really interesting questions. So, I turned to philosophy. I've been searching for God ever since. Who knows, I may pick up a rock and it'll say underneath, "Made by God." The universe is full of surprises.
- Cenas durante ou pós-créditosIn the credits, Pettengill is spelled Pettengil (one "l").
- Trilhas sonorasWhen the World Is Running Down (You Can't Go Wrong)
Written by Sting
Published by Magnetic Publishing Ltd.
Administered by EMI Blackwood Music, Inc.
Performed by DifferntGear vs. The Police
Courtesy of A&M Records/Pagan Records
Under license from Universal Music Enterprises
Principais escolhas
Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- Planeta rojo
- Locações de filme
- Coober Pedy, South Australia, Austrália(surface of planet Mars)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 80.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 17.480.890
- Fim de semana de estreia nos EUA e Canadá
- US$ 8.721.296
- 12 de nov. de 2000
- Faturamento bruto mundial
- US$ 33.463.969
- Tempo de duração1 hora 46 minutos
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1