Adicionar um enredo no seu idiomaIn a distant future, a cult forms around the Manson Family, when Charles Manson is mistaken for the messiah. Meanwhile, in 1969, Manson convinces his followers to murder Sharon Tate.In a distant future, a cult forms around the Manson Family, when Charles Manson is mistaken for the messiah. Meanwhile, in 1969, Manson convinces his followers to murder Sharon Tate.In a distant future, a cult forms around the Manson Family, when Charles Manson is mistaken for the messiah. Meanwhile, in 1969, Manson convinces his followers to murder Sharon Tate.
Nick 13
- TV Reporter #1
- (narração)
Billie Joe Armstrong
- Charlie
- (narração)
Travis Barker
- Cop #2
- (narração)
Tré Cool
- Prosecutor Bug
- (narração)
- (as Tre Cool)
- …
Warren Fitzgerald
- The Judge
- (narração)
Matt Freeman
- Heino
- (narração)
Davey Havok
- Hay
- (narração)
Theo Kogan
- Hadie
- (narração)
Benji Madden
- Interrogator #1
- (narração)
Janis Tanaka
- Mrs. Ha Bianca
- (narração)
Jane Wiedlin
- Squeaky
- (narração)
Sean Yseult
- Heslie
- (narração)
Asia Argento
- Habagail Folger
- (narração)
Mike Dirnt
- TV Anchorman
- (narração)
Avaliações em destaque
The only reason I bought this film was because of the cast (mainly Davey Havok!) and I must admit that when I watched it for the first time I was shocked by the sexual content and apparent disrespect for the Manson murders.
Director John Roecker claims he doesn't mean to offend, although I'd find it hard not to be if I was anything to do with the subjects. Victim Sharon Tate's name has been changed to Sharon Hate, and Charlie Manson becomes Charlie Hanson, but all this is a weak attempt at detaching them from the real victims.
All this said, though, I admit that the movie is enjoyable if not thought about too deeply! There are a few comical moments, though they are mainly crude. Not for the faint hearted...
Director John Roecker claims he doesn't mean to offend, although I'd find it hard not to be if I was anything to do with the subjects. Victim Sharon Tate's name has been changed to Sharon Hate, and Charlie Manson becomes Charlie Hanson, but all this is a weak attempt at detaching them from the real victims.
All this said, though, I admit that the movie is enjoyable if not thought about too deeply! There are a few comical moments, though they are mainly crude. Not for the faint hearted...
True it had some attempt at social satire but failed miserably. I thought this movie was made by 12 year olds for 12 year olds and younger! I was deeply offended at the portrayal of the victims as people that didn't care about society. Truth be told Abigail Folger worked in the ghetto trying to help low income families. Everyone associated with this should hide under a rock the next 25 years.
Tries way to hard to be shocking and just comes across as vulgar! I have no problem with c**k and p**sy jokes but this just wasn't funny at all. If I were a preteen maybe I would have laughed a bit. After renting this I not only wanted my money back I also wanted to walk through a car wash to get the filth off of my soul!
Tries way to hard to be shocking and just comes across as vulgar! I have no problem with c**k and p**sy jokes but this just wasn't funny at all. If I were a preteen maybe I would have laughed a bit. After renting this I not only wanted my money back I also wanted to walk through a car wash to get the filth off of my soul!
It's easy to see why some of the animators flaked out on director John Roecker. Once you see what a pile of crap you're devoting your time to, how can your work seem worth it? Don't be surprised when you see this DVD on the discount racks at Hot Topic. Once you see the cast list, it is apparent that this film was tailor made for the mall-punks who clamor to buy clothing with pre-inserted safety pins that don't open. But indeed the vocal performances are the only reason to sit through this annoying little movie. The cast list is impressive--impressive enough to lure in the curious before they demand their money back.
The program notes for the Chicago Underground Film Festival inform the audience that every line in the film is calculated to offend. It actually should have read "mis-calculated to offend." Every joke misses the mark and most end up being really lame. I almost felt embarrassed for everyone involved. It's really hard to be offended by something that's obviously trying WAY too hard to offend. I get the feeling that Roecker was the kid in your classroom who uncontrollably blurted out random bits of unfunny, snickering to himself while everyone else wish he'd just shut up.
There's no doubt that people will be lining up to see this. I'd also wager that most who do will walk away disappointed. Does this film push boundaries? Yes. But that doesn't mean that it doesn't suck.
The program notes for the Chicago Underground Film Festival inform the audience that every line in the film is calculated to offend. It actually should have read "mis-calculated to offend." Every joke misses the mark and most end up being really lame. I almost felt embarrassed for everyone involved. It's really hard to be offended by something that's obviously trying WAY too hard to offend. I get the feeling that Roecker was the kid in your classroom who uncontrollably blurted out random bits of unfunny, snickering to himself while everyone else wish he'd just shut up.
There's no doubt that people will be lining up to see this. I'd also wager that most who do will walk away disappointed. Does this film push boundaries? Yes. But that doesn't mean that it doesn't suck.
Let me start off by saying I am a huge Green Day/Blink 182/Transplants/Rancid. I am also very fascinated by the Manson family. Having said that, I was very disappointed by this movie. I expected to see more of what happened with the nomad that found the book (that is what the summary of it mentions).In fact the summary is false, it says "Their search will soon be over when Charles Manson returns to save them." Unless I missed a major part of the movie, this never happened. This movie was entirely mocking the past, and barely mentions the future. I would like them to make "Live Freaky Die Freaky II" and go in depth with the future. The Soundtrack is good though. It is probably worth the $20 dollars just to be shocked by the movie and to enjoy the original music.
I saw this movie at the Chicago Underground Film Festival and must admit that the movie was a big disappointment from what I expected. I figured with the stars involved in this it would have been a little more tasteful. I mean I'm not the type to be offended by movies but this thing was over the top and just made the movie not as enjoyable. That being said it does have its share of quotable, funny lines; which are a nice thing I guess. I'm not a film buff by any means... but I'm a huge fan of Green Day and maybe I'm biased but Billie Joe was the best part of this movie. And his opening song was just so catchy and I can't wait for the soundtrack to be released.
Você sabia?
- CuriosidadesIn an interview, Director John Roecker claimed he chose Billie Joe Armstrong to play Charlie because "no one thought he could". According to the director, he was told by friends that Billie Joe couldn't perform as the infamous Charles Manson because he was "too nice of a guy".
- ConexõesReferences O Sequestro de Patty Hearst (1988)
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Detalhes
- Data de lançamento
- País de origem
- Centrais de atendimento oficiais
- Idioma
- Também conhecido como
- Страшно живи, страшно умри
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 11.290
- Fim de semana de estreia nos EUA e Canadá
- US$ 11.290
- 29 de jan. de 2006
- Faturamento bruto mundial
- US$ 11.290
- Tempo de duração
- 1 h 15 min(75 min)
- Cor
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