O Primeiro Milhão

Pretty good, effective thriller with a cast of exciting young actors. The funniest thing about it, though, is the Ben Affleck scenes - all bar one are shot on the same set with none of the other principal characters except Giovanni Ribisi. Ben clearly worked on the film for a total of about a day and a half. Nice work if you can get it, I suppose.

The first half is very good stuff but you get the feeling that there was never a clear idea where the film was going. The DVD includes the original ending which is possibly a bit better but seems to have been taken out (for fear of being melodramatic, perhaps). This is a giveaway, really. However, the feeling of everything falling apart in the last 20 minutes is genuine, whatever the reason.

Good to see Ribisi getting the chance to carry a film; he is sympathetic and believable. Heavyweight stuff from Vin Diesel as well, and I was glad to see Ron Rifkin, who was so effective in a small role as Ellis Loew in "LA Confidential", getting another decent part. A more than satisfactory rental.

Back in the old days what Giovanni Ribisi went to work at was euphemistically termed a 'bucket shop' and the practice of holding onto profits and never really paying except in select instances was referred to as 'bucketing'. The regulations put in during the New Deal curbed them somewhat, but the deregulation that occurred during the Reagan Years put operations like these back in business. That and telemarketing did the rest.

Our protagonist in this film is Giovanni Ribisi who's a kid that I can somewhat identify with, one who can't seem to please his rather stern father, Ron Rifkin, who also happens to be a federal judge. He'd like for Ribisi to get into traditional professions like law or medicine, but Ribisi is a child of his era and is on the lookout for a quick buck. That he gets from his current endeavor which is running a small casino out of his apartment. Though illegal Ribisi runs it honestly, but that fact makes no never mind to Rifkin.

One of his steady patrons, Nicky Katt, interests him in going to work at his brokerage house which is not located in the heart of Wall Street, but out on Long Island.

Gordon Gekko would be proud of this bunch, trained by Ben Affleck who lives the Gekko creed from Wall Street of 'greed is good'. But this crowd could never get in Michael Douglas's front door, remember what a hard time Charlie Sheen had in Wall Street. You've got your list of prospects, aka suckers, and you get on the phone and sell, Sell, SELL, but only what you want sold in a given period. The activity drives up the price and then it deflates, but not before the broker gives out. On Wall Street, it's called 'kiting' a stock.

Michael Douglas's Gordon Gekko takes us to the rarefied world of big time Wall Street corruption. These guys are the minor leagues of the same sport. Ribisi as he soon finds out was living more honorably as a casino entrepreneur. But he can't get out mainly because dad seems to have somewhat changed his attitude. And Rifkin's respect is all he wants.

Boiler Room works best during the scenes with Rifkin and Ribisi, their up and down relationship is the key to the whole film. Other performances to watch out for are Nia Long as the secretary clearing $80,000.00 a year because of her insider information, Vin Diesel as a cheery hedonistic sort of bucketeer, and Nicky Katt is a more intense variety of the same breed.

The one to really watch out for is Ben Affleck. It's a small part, but Affleck does wonders with it. Now this is a man who could really have made it Gekko's world and wouldn't have had the trouble that Charlie Sheen had crashing it or the conscience pangs after he discovers what it's all about. Affleck should have gotten Oscar consideration in the Supporting Actor category.

In fact the whole film is sadly overlooked, don't miss it if it is ever broadcast.

The large and well-selected cast turned in very powerful performances. They crafted a convincing range of emotions, from cunning cut-throat manipulators of their clients' personal wealth during office hours, to brief examples of their "boys will be boys" shenanigans after hours. The story line is built completely around their personal financial greed, the hapless victims they scammed to realize it (with the greatest focus on one of them), and a well-sustained sense of mystery that plants seeds of possibilities along the way. The ending was not at all predictable; it could have gone in any of several directions. The viewer gets the impression that if these predators could yank even the last remaining penny out of a client on his (they targeted males) deathbed, they'd gleefully do so and view it as a major coup giving them full bragging rights. There's a hint of information about how legitimate stockbrokers earn their credentials and that was enlightening. The romantic angles are minimalized and that serves to benefit the film. The language is consistently coarse, but certainly seemed realistic for the characters' ages, their business sector and their work ethic. For everyone who enjoyed "Glengarry Glen Ross," "Wall Street" (both of which are alluded to in the film), or even more appropriately "The Crooked E: The Unshredded Truth About Enron," this feature will really score a bulls-eye.

Boiler Room is good, but not great. But most people misunderstand the plot or buy into the marketing. This is NOT ABOUT day-traders. It is about so-called Boiler Room brokerage houses ("Chop Shops").

Boiler Room has very little to do with either the GlenGary Glen Ross or Wall Street movies. Yes, it happens to quote them a few times and the "greed is good"/"ABC -- Always Be Closing" themes are part of Boiler Room, but the movie is not those movies. If you really want to know what this movie is about, read "License to Steal".

This movie is basically LtS-lite. You'll learn a lot more about how scrappy brokerages manipulate fake IPOs to make millions for their employees.

And this is not a love story and Ben Affleck is mediocre at best. You might say it is a story about the relationship between a son and father.

To sum up: If you want to learn about day trading, see Wall Street.

If you want to learn about stock chop shops, read License to Steal.

If you want a decent movie with alot of hip hop but basically an unlikable protagonist, see Boiler Room.

This film owes a credit to Glengarry Glenn Ross and Wall Street, but I actually liked this better. Why? Because it seemed more real to me (the script and acting probably did it) than the other films. I liked the Giovanni Ribisi character, who changes slightly through the film, but eventually we see the real side of him, which is great. Funny, thrilling and cool, this film may not be for the weak at heart, but it is for anyone who can afford the tickets. Ben Affleck appears (in one of his better performances) as Ribisi's showy and pushy boss at the stock place. One of the better films (top 20) of the new year. A+